“Fjalar Ravia demonstrates a proof-of-concept exploit of poor bounds checking in the physics engine”
Viktor Vasnetsov
oil on canvas
1880
Sade Olutola

blake kathryn
todays bird
NASA
Not today Justin
No title available

pixel skylines

@theartofmadeline
The Stonewall Inn
No title available
almost home
taylor price
Fai_Ryy

Product Placement
official daine visual archive

oozey mess
★
RMH

Game Changer & Make Some Noise

roma★

seen from Ukraine
seen from Jamaica
seen from Mauritius
seen from Nicaragua

seen from Philippines

seen from Türkiye
seen from Canada

seen from Spain
seen from Kyrgyzstan

seen from United States
seen from United States

seen from China

seen from Netherlands

seen from United States
seen from United States

seen from T1
seen from Guatemala
seen from United States

seen from Spain
seen from United States
@holofon
“Fjalar Ravia demonstrates a proof-of-concept exploit of poor bounds checking in the physics engine”
Viktor Vasnetsov
oil on canvas
1880
Things Programmers Shout #630
“I’VE DONE EVERYTHING RIGHT WHY ISN’T IT WORKING?” *switches the order of two lines out of sheer frustration, code complies and runs* “I DON’T KNOW WHY THAT WORKED, BUT DON’T TOUCH IT.”
// submitted by @qwertynerd97
A recent cartoon for New Scientist magazine.
“Being handed another team’s project”
Pedro Américo, 1884.
Oil on canvas
(collaboration from Brandizzi)
For the Guardian Review.
I don´t feel like going out today
so I´m going to stay and let it rain
Album review: Futile - Night
Written by Ahti Arumetsa
Label: Vårø Records Cover design: Magnus Nylander Release date: April 8th 2016 Facebook | Vårø Records | Spotify
Futile consists of four young Swedes who met in Sweden’s cultural hotspot Gothenburg. It’s a bit tricky to categorise them, and indeed they themselves refuse to do so. Perhaps that’s wise and eventually not that important once you get into their music. What is however important is that Futile seems to create an enchanting temporal space with their debut album Night, combining elements of new and old. That goes to say their sound is retrospective and prospective at the same instant. I’ll try to expand on that briefly. The band mentions in their brief bio that their music should make you feel like you’re “back in the Hacienda days”’. Unfortunately I don’t know what this is supposed to refer to, however there are certain nostalgic undertones in their sound. Their overall synthesized soundscape and slightly muffled, “soft” beats reminds me of the 1980’s britpop, or new romanticism. The 1980’s synthetic textures have definitely made a comeback in popular culture during recent years (see how Taylor Swift’s “New Romantics” sounds for example).
Thanks to the use of conventional pop-rock instrumentation, Futile has managed to produce a beautiful, warm and lush synth-pop sound. Perhaps indeed the multi temporal dimensions are especially evident in Night due to the beautiful compromise between synth-pop soundscape, indie-rock mentality and disco’s euphoria - as all mentioned influences seem to bear markings of different eras. As I said, it’s tricky to categorise Futile’s Night, but whatever it is, it’s danceable, optimistic and relentlessly catchy. Night is a super laid back record - patient yet euphoric.
A recent cartoon for the Guardian.
p.s. you can now follow me on instagram: https://www.instagram.com/tomgauld/