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Discoholic šŖ©

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Claire Keane

titsay
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Cosmic Funnies

Origami Around
Game of Thrones Daily

oozey mess

izzy's playlists!
I'd rather be in outer space šø

shark vs the universe

Andulka

JBB: An Artblog!
trying on a metaphor

Janaina Medeiros
d e v o n

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@theybuildbuildings
photographs from lesbian couplesā commitment ceremonies in the 1980ā²s, published in ceremonies of the heart: celebrating lesbian unions by becky butler, 1990
Floral Buzzfeed Unsolved lock screens!
Thank you @anythingbutspecial, @stardewspirit, @captainamericold for the quote ideas and thank you for everyone who asked me to make more of these! I recently hit 600 followers so this is my thank you gift for all of you!
me walking into the cinema to see oceanās 8:
Stewart, the 11-year old corgi, is a fan of food, not work
Greatest article Iāve ever read.
i wouldnāt want to meet anyone else
THE GOODEST COMEDIAN
I just want to yell so many good things about Britney Spears. Look at this parenting right here; rather than just twist their arms and tell theĀ āsmile or no McFlurry on the drive homeā sheās checking if her little boys are comfortable with the cameras and attention and if not, no problem baby boy, you go chill. And I have no problem with her staying to get more pictures, especially not when her other adorable kid wants to. Ā I mean, itās her job up to a point. And we all know for a fact she probably watched the film with both the little bugs in her lap anyway.Ā
Considering what she dealt with and went through in front of papsā¦.god, I love her.Ā
people can say what they want about her supposed meltdown, but frankly, that entireĀ āepisodeā always made perfect sense to me. she and i are of an age, and no matter how young or old i was, i always understood perfectly why she did it, and thought it was utter bullshit that a court could order what they did, instead of reprimanding the many, many people that felt so entitled to her that they drove her to extremes just to get 5 seconds of peace.
and now seeing this kind of thing? she has just gotten more awesome.
i remember reading how she got herself a tutor so she could help her kids with their homework. not got THEM a tutor, but she got herself one because she wanted to be the one helping them. thatās a+++ parenting right there ok?
This makes me so happy :ā)
She got a court order because she was, by her own admission, raising her kids like her mother raised her. The judge sent her to therapy and parenting classes to work out all of the horrible stage-mother bullshit she had to live through. I mean, she thought it was normal to give her kids cough syrup and whiskey so theyād sleep, because itās what her mother gave her to knock her out when she got rowdy.
I think Britney is a great role model for adult abused children and is living proof that you are not trapped in the cycle of abuse.
The purest 90s kid experience is being so happy for Britney Spears in her new life
u lucky he holdin me back bitchĀ
I feel personally attacked
Any weekend where i dontā get to do this doesnāt refresh me for the incoming week and utterly exhausts me and I wind up having to take a day off from work on like a thursday.Ā
Paul and Marthaā¦.and a big band Ā Ā Ā (Martha was the conductor) Ā :))
I upgraded my Bulbasaur to spring šøšŗ
shania twain, that donāt impress me much (1997) [2/2] | requested by doingitanywayy
The famousĀ La MarseillaiseĀ scene from Casablanca.
You know, this scene is so powerful to me that sometimes I forget that not everyone who watches it will understand its significance, or will have seen Casablanca. So,Ā because this scene means so much to me, I hope itās okay if I take a minute to explain whatās going on here for anyone whoās feeling left out.
Casablanca takes place in, well, Casablanca, the largest city in (neutral) Morocco in 1941, at Rickās American Cafe (Rick is Humphrey Bogartās character you see there). In 1941, America was also still neutral, and Rickās establishment is open to everyone: Nazi German officials, officials from Vichy (occupied) France, and refugees from all across Europe desperate to escape the German war engine. A neutral cafe in a netural country is probably the only place youād have seen a cross-section like this in 1941, only six months after the fall of France.
So, the scene opens with Rick arguing with Laszlo, who is a Czech Resistance fighter fleeing from the Nazis (if youāre wondering what theyāre arguing about: Rick has illegal transit papers which would allow Laszlo and his wife, Ilsa, to escape to America, so he could continue raising support against the Germans. Rick refuses to sell because heās in love with Laszloās wife). Theyāre interrupted by that cadre of German officers singing Die Wacht am Rhein: a German patriotic hymn which was adopted with great verve by the Nazi regime, and which is particularly steeped in anti-French history. This depresses the hell out of everybody at the club, and infuriates Laszlo, who storms downstairs and orders the house band to play La Marseillaise: the national anthem of France.
Wait, but when I say āitās the national anthem of France,ā I donāt want you to think ofĀ your national anthem, okay? Wherever youāre from. Because Franceās anthem isnāt talking about some glorious long-ago battle, or Franceās beautiful hills and countrysides.Ā La Marseillaise is FUCKING BRUTAL. Hereās a translation of what theyāre singing:
Arise, children of the Fatherland! The day of glory has arrived!Ā Against us, tyranny raises its bloody banner.Ā Do you hear, in the countryside, the roar of those ferocious soldiers?Ā Theyāre coming to your land to cut the throats of your women and children!
To arms, citizens!Ā Form your battalions!Ā Letās march, letās march!Ā Let their impure blood water our fields!
BRUTAL, like I said. DEFIANT, in these circumstances. And theĀ entire cafe stands up and sings it passionately, drowning out the Germans. The Germans who are, in 1941, still terrifyingly ascendant, and seemingly invincible.
āVive la France! Vive la France!ā the crowd cries when itās over. France has already been defeated, the German war machine roars on, and the people still refuse to give up hope.
But hereās the real kicker, for me: Casablanca came out inĀ 1942. None of this was āhistoryā to the people who first saw it.Ā RealĀ refugees from the Nazis, afraid for their lives, watched this movie and took heart. These wereĀ current eventsĀ when this aired. Victory over Germany was still far from certain. The hope it gave to people then was as desperately needed as it has been at any time in history.
God I love this scene.
not only did refugees see this movie, real refugees made this movie. most of the european cast members wound up in hollywood after fleeing the nazis and wound up.Ā
paul heinreid, who played laszlo the resistance leader, was a famous austrian actor; he was so anti-hitler that he was named an enemy of the reich. ugarte, the petty thief who stole the illegal transit papers laszlo and victor are arguing about? was played by peter lorre, a jewish refugee. carl, the head waiter? plaed by s.z. sakall. a hungarian-jew whose three sisters died in the holocaust.Ā
even then main nazi character was played by a german refugee:Ā conrad veidt, who starred in one of the first sympathetic films about gay men and who fled the nazis with his jewish wife.Ā
thereās one person in this scene that deserves special mention. did you notice the woman at the bar, on the verge of tears as she belts out la marseillaise? sheās yvonne, rickās ex-girlfriend in the film. in real life, the actressās name is madeleine lebeau and she basically lived the plot of this film: she and her jewish husbandĀ fled paris ahead of the germans in 1940. her husband,Ā macel dalio, is also in the film, playing the guy working the roulette table. after they occupied paris, the nazis used his face on posters to represent a ātypical jew.ā madeleine and Ā marcelĀ managed to get to lisbon (the goal of all the characters in casablanca), and boarded a ship to the americas⦠but then they were stranded for two months when it turned out their visa papers were forgeries. they eventually entered the US after securing temporary canadian visas. marcel dalioās entire family died in concentration camps.Ā
go back and rewatch the clip. watch madeleine lebeauās face.
casablanca is a classic, full of classic acting performances. but in this moment, madeleine lebeau isnāt acting. this isnāt yvonne the jilted lover onscreen. this is madeleine lebeau, singing āla marseillaiseā after she and her husband fled france for their lives. this is a real-life refugee, her real agony and loss and hope and resilience, preserved in the midst of one of the greatest films of all time.Ā
You guys, you must stop doing this. You must. We cannot keep yelling at you about it because it makes us so angry, and we are already angry all the time, about real things, like how our lives are turning into a real world Handmaidās Tale, ha ha ha ha ha ha ha haha ha ha ha ha ha. We cannot keep spending our energy being mad at mediocre men for writing mediocre books that inexplicably win awards and that people tell us to read, for some fucking godawful who knows reason.
So men. My guys. My dudes. My bros. My writers. I am begging you to help me here. When you have this man in your workshop, you must turn to him. You must take his clammy hands in yours. You must look deep into his eyes, his man eyes, with your man eyes, and you must say to him,Ā āPeter, I am a man, and you are a man, so let us talk to each other like men. Peter, look at the way you have written about the only four women in this book.āĀ And Peter will say, trying to free his hands, āWhat? These are sexy, dynamic, interesting women.ā And you must grip his hands even tighter and you must say to him, āARE THEY, PETER? Why are they interesting? What are their hobbies? What are their private habits? What are their strange dreams? What choices are they making, Peter? They are not making choices. They are not interesting. What they are is sexy, and you have those things confused, and not in the good way where someoneās interestingness makes them become sexy, like Steve Buscemi or Pauline Viardot. Why must women be sexy to be interesting to you? The women you donāt find sexy are where, Peter? They are invisible? They are all dead?ā He is trying to escape! Tighten your grasp. āPeter, look at this. I mean, where to begin. āShe could have been any age between eighteen and thirty-five?ā There are no other ages, I guess? Do you know what eighteen-year-olds really look like, in life? Do you know what thirty-SEVEN-year-olds look like, god forbid? And not that this is even the point, but why are these supposedly sexy and dynamic and interesting women BOTHERING with your boring garbage āon the skinny side of averageā protagonist? Why did you write it like this, Peter?āĀ
And maybe Peter will say at last, āI donāt know.ā Maybe he will be silent for a long long long time, and then maybe he will say, āI guess itās scary and difficult for me to imagine the interiority of women because then i would have to know that my mother had an interiority of her own: private, petty, sexually unstimulating, strange: unrelated to me and undevoted to my needs. That sometimes I was nothing to my mother, just as sometimes she is nothing to me. That I was not at all times her immediate concern.ā
āI know, Peter,ā you can tell him gently.
āI donāt want to know that my mother was a human being with an internal life, because to know that would be to risk a frightening intimacy with her,ā Peter will say, maybe. āBecause to know that would be to know that she was only a small, complicated person, no bigger or smaller than I am, and I am so small. To know how alone she was. How alone I am. How alone we all are. That my mother survived with no resources more mysterious than my own. And yet she gave me life. My God: she gave me life. How can I pay her back for that? And how can I forgive her for it? How can I ever repay her for the good and the evil of it, my life, every day of my life?ā He will be sobbing probably. āI am frightened of her. I am frightened of loneliness. I am frightened of dying. O God. My God. I didnāt know. I didnāt know.ā Drool will run from his mouth as he cries. The way babies cry. He will be ashamed. You must hold him. You must say,Ā āShh, Peter. Shh.ā Wrap your man arms around him. Hum into his thin hair as your own mother hummed once into your own sweet-smelling baby scalp. Kiss him gently on his mouth. There. You did it, men. You fixed sexism. Thank you. Youāre the real hero here, as always, you men, and your special man powers, for making art.Ā
Which social media is best when I'm drunk and have opinions?
The problem is that white people see racism as conscious hate, when racism is bigger than that. Racism is a complex system of social and political levers and pulleys set up generations ago to continue working on the behalf of whites at other peopleās expense, whether whites know/like it or not. Racism is an insidious cultural disease. It is so insidious that it doesnāt care if you are a white person who likes black people; itās still going to find a way to infect how you deal with people who donāt look like you. Yes, racism looks like hate, but hate is just one manifestation. Privilege is another. Access is another. Ignorance is another. Apathy is another. And so on. So while I agree with people who say no one is born racist, it remains a powerful system that weāre immediately born into. Itās like being born into air: you take it in as soon as you breathe. Itās not a cold that you can get over. There is no anti-racist certification class. Itās a set of socioeconomic traps and cultural values that are fired up every time we interact with the world. It is a thing you have to keep scooping out of the boat of your life to keep from drowning in it. I know itās hard work, but itās the price you pay for owning everything.
Scott WoodsĀ (X)
he motherfucking dropped the truth.
(via mesmerisme)