Dear Writers: Welcome Home

Welcome one and all to a community meant to inspire those capable of artistic masterpieces - that means you! And, with any luck, myself as well. Who am I? My name is Jake - an aspiring author and artist inspirer, super spaz and, secret geek, self-decided INFJ and Enneagram Type One. Care to take a peek at my current projects? Check out the links for A Cycle of Seals, and keep your eyes peeled for more WIP pages soon to come!

[homesteadchronicles]

WIP REINTRODUCTION:  “A Cycle of Seals”

Title: A Cycle of Seals Genre: Epic High Fantasy Status: Drafting (Fifth Revision) POV: 3rd Person Multiple Limited

Alleged renegades unseal a long-imprisoned god to renew truth in a bewitched world

PREMISE:

Edenfell has lived enslaved to the Cycle of Seals - an endless partition of supernatural power based on saintly and sinful bloodlines - since its inception. Every generation has relied on its Shepherd, ruler of the seven divine elements, to unite the Sealbearers and restore the world’s lost glory. Until now.

For the first time in history, a second Shepherd appeared. The world could no longer discern savior from imposter and threw itself into a decade of conflict. With the Two Herd War having ended five years ago in the new Shepherd’s triumph, all his followers seek the means of ending this Cycle once and for all. Their mission? To force the God who started this revolution to cease the eternal succession. But first, they must free Him from the Seven-Sealed Vault buried deep underground.

Yet not all in Edenfell support this endeavor. When the three people capable of unsealing the Vault are ensnared in a conspiracy to undermine their new overlord, they must rush to save the God of old before the lies swallow them whole.

THE THREE SEALBREAKERS:

Imanu Ben-Emet, a candidate for national heroism, has inherited the curse of Edenfell’s foremost enemy. Now branded with the Seal of the supposedly-profane Shepherd, Imanu must prove his virtue the only way he knows how: unlocking the god who made the mark.

Briggid O’Haven, the low-class member of a criminal syndicate, has been tasked with one final mission before entering a life of long-sought honesty. But when said assignment leads her into a conspiracy that places her father in the crosshairs, Briggid must uncover the truth before her family comes under fire.

Oeden Sincairn, a persecuted servant of the clergy, has nightly envisioned a Vault slumbering below the earth - and those who would threaten the savior therein. As these prophecies point the finger at his closest friend, Oeden must clear his name before both are cleaned from this earth.

[aye-write]

[writerswritecompany]

[encrucijada]

when it's 2am and

[kosmo-mckogane]

rereading my own writing is just a constant fluctuation between "damn, girl, you wrote this? (affectionate)" and "damn, girl, you wrote this? (derogatory)"

[dankmemeuniversity]

[aye-write]

my favourite thing about writing is slipping in totally innocent lines that will absolutely DESTROY the reader on a second readthrough

[wizardysseus]

the writer’s urge to ask your friends “do you wanna see a little somethin’ i’ve been working on?” when the little somethin’ you’ve been working on is 800 words and ends in the middle of a sentence

[o-writers-woes]

[writeforfandoms]

For all the less popular writers. For the writers who don't get much attention. For the writers who have a very small following, or no following. For the writers who don't get a lot of notes or comments.

You are valid. You are brilliant. You are creating something unique and magical and all yours. No one would create it better. You are creating! You're writing! That is a magic all its own, and all yours.

You are valued, and valuable, and good enough as you are.

[thegetoufather]

psa: continue creating even if you think its corny or unworthy. i promise you its not. we all start from somewhere, and you can only grow if you keep trying

[gr8writingtips]

writing tip #3434:

writing is only one component in the process. another major component is crying

[nikasholistic]

If you can’t find the motivation for writing your novel, think about the end result. Close your eyes and imagine holding your book in your hand. Feel the texture of the cover, smell the scent of fresh paper, visualize your book, and include as many details as you can. Now realize that in order to make this vision a reality you have to take action. You have to write that book sentence after sentence, paragraph after paragraph, chapter after chapter. You don’t have to rush, just make a commitment that you will find time to work on it.

[homesteadchronicles]

[kyloren]

writer culture be like

[lostlegendaerie]

Tips on Writing Characters Without Faces

so yeah, we all know that facial expressions can tell us a lot about how a character is feeling, but what if that isn’t an option? how can you make someone emote if they don’t really have standard facial features? the answer; body language.

let’s consider how emotions are conveyed on a stage production vs movie with Sweeney Todd. First, the stage play:

Note how Todd’s entire upper body goes into his gestures, how he’s single-mindedly focused on his dreams and ideals; how his hands GRAB for each imaginary ‘man’ with these sharp, aggressive, destructive movements and how that contrasts with Mrs. Lovett’s body language; how her hands linger in the air and gravitate towards Todd even after he’s pulled away, and the slow turn she gives him. It does an excellent, though exaggerated, way of conveying their relationship (her focus is on him and making him happy, his focus is entirely on revenge)

Contrast this to the movie:

Same lines in the song, much more subtle. Lovett’s eyes still track towards Todds, which reminds us she’s still more focused on the outside, but all of the emotion is in their faces. Were this not a close-up shot in a movie it’d be very, very hard to read their expressions.

While I do recommend you watch a few stage plays (in person near the back row if you can) to actually study body language for yourself or try out charades with your face covered with friends/watch how cosplayers or mascots emote, here’s a few shorthands to get you started (US-centric so expressions may vary on your region):

Head:

perfectly still - fear, intense attention, feeling under scrutiny

tilted up - recollection, intimidation (looking down nose at threat, aiming to appear taller)

tilted down - intense thought, shame (avoiding eye contact), depression/sad feelings

turned away - not giving person full attention, avoiding subject/conflict without being combative

cocker-spaniel (sideways) tilt - confusion, curiosity, amusement

Hands

at the forehead - fatigue (wiping away sweat), illness (checking self for fever, feeling a headache), realization/memory (a ‘well duh’ tap)

at the eyes - fatigue or headache (shielding eyes from light), distress (blocking out a painful view, concealing tears)

at the nose - disgust (a pinch at the nostrils,) irritation (rubbing at sore spot on nose from glasses wear)

at the mouth - nausea, surprise, repressing an emotion/stopping self from saying something

at the chin - contemplation, tiredness (face resting in hand)

rubbing back of neck - a need to relax tension, embarrassment, slight unease/desire to distract self

at the chest - surprise, self-protection (reaction to a wounding statement, sometimes used sarcastically), strong emotions (clutching at heart, could be good-strong or bad-strong), need for security (touching necklace/adjusting clothing to conceal more)

at the stomach - pain (clutching, pressing), satisfaction after a meal, protectiveness towards fetus when applicable

at the hip(s) - confidence, intimidation, nervousness (if grabbing for weapon)

at groin - concealment/unease (usually male-coded as protection of genitals), politeness (hands folded in lap)

on thighs - exhaustion (bent over, hands on legs supporting tired upper body)

formed into fists - holding back an intense emotion, preparing to fight

toying with something - restlessness (bored, nervous energy, craving something they can’t touch) or deliberate disrespect of property (playing with personal objects someone holds dear as an intimidation tactic)

Arms

at sides, relaxed - default posture

at sides, tense - unease, restraint (soldier at attention, person holding still to avoid being attacked), fear

crossed at chest - disapproval, displaying authority, unease (hugging oneself)

crossed at stomach - pain, intense laughter (caused by sore stomach muscles from laughing)

up, fingers laced behind head - confidence, relaxation

one arm on back of furniture - confidence, invitation for someone join them

general rule - the further arms are away from body, the more confident/dominant a person means to appear; exposed torso indicates that they don’t see anyone around as a threat to them

Legs

square with shoulders - professional, restraint, protective stance

wide stance, one foot a little back but planted - defensive stance, expecting to receive blows (knees may be unlocked - seen in swordplay and fencing)

weight on one leg - relaxed, tired, may also be leaning on something or pair with one ankle tucked behind the other

uneven stance - could indicate old injury

foot tapping/bouncing - boredom, nervous energy

Whole Body:

stiff and still - fear, unease, standing to attention

limp or pliant - relaxed, tired, pleased

shoulders back/head up - alert, focused, aggressive

shoulders forward, hunched - tired, ashamed

leaning towards person - interest, intimidation (looming over them), aggression (usually paired with tense arms or hands in fists,)

leaning away from person - relaxation, confidence, disgust (recoiling)

smooth/fluid movements - joy, confidence, experience

stiff motions - fear (reactive, fight or flight), pain (reluctance to move), anger (either fighting to keep control of emotions or lashing out), cold (conservation of heat by keeping limbs near body)

cracking joints/stretching - preparing for a fight, often reading as confidence in abilities

general rule - close contact/proximity can read as intimidation (paired with tense body - an invasion of personal space) or affection (paired with relaxaed body language, gentle movement) or passion/attraction while distance can read unease/distaste/fear/dislike.

with those in mind, let’s read this scene from Red vs Blue (a personal fav of mine for body language) featuring agent texas from season 8.

So first of all, very relaxed upper body; limp arms held away from the body, which slowly come back to rest on her hips as she looks at what she’s done. Watch how her lean shifts at the end as her center of gravity shifts, and how she has to move her right leg to restabilize herself when she’s finished pushing it. This reads, in order from the start of the loop; detachment (the least amount of her body is involved in the action as possible), relaxation (smooth movements, the deliberation of those little steps backwards) and confidence (hands on hips.) We can tell a ton about this character just in this gif alone, based on her body language.

in summary! this list isn’t exhaustive, but hopefully it gives you some ideas for ways of making characters emote in fics when you can’t see their faces.

[screnwriter-deactivated20220724]

[screnwriter-deactivated20220724]