The first thought was, God took my joy. / The second thought was no.
— Brenda Hillman, from "Early Vacations," Loose Sugar

if i look back, i am lost

Janaina Medeiros
Stranger Things
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Mike Driver

❣ Chile in a Photography ❣

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Sade Olutola

titsay

shark vs the universe
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Aqua Utopia|海の底で記憶を紡ぐ

JVL
cherry valley forever

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taylor price

#extradirty

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@honeyknives
The first thought was, God took my joy. / The second thought was no.
— Brenda Hillman, from "Early Vacations," Loose Sugar
“Kant’s view is, I believe, a profound truth. We can be morally responsible… but no one could ever be responsible, I believe, in any way that could make them deserve to suffer.”
— Derek Parfit, On What Matters
“I do not believe that sheer suffering teaches. If suffering alone taught, all the world would be wise, since everyone suffers. To suffering must be added mourning, understanding, patience, love, openness, and the willingness to remain vulnerable. All these and other factors combined, if the circumstances are right, can teach and can lead to rebirth.”
—Anne Morrow Lindbergh
“And there is no question that we are preoccupied by dying. But why? It is because when we die, we leave behind not only the world but also death. That is the paradox of the last hour. Death works with us in the world; it is a power that humanizes nature, that raises existence to being, and it is within each one of us as our most human quality; it is death only in the world — man only knows death because he is man, and he is only man because he is death in the process of becoming. But to die is to shatter the world; it is the loss of person, the annihilation of the being; and so it is also the loss of death, the loss of what in it and for me made it death. As long as I live, I am a mortal man, but when I die, by ceasing to be man I also cease to be mortal, I am no longer capable of dying, and my impending death horrifies me because I see it as it is: no longer death, but the impossibility of dying.”
— Maurice Blanchot, The Work of Fire
“I like Simone Weil’s idea that writing is actually the translation of a text we already carry within us. That notion makes a heavy task lighter. In fact, though, writing is the backbreaking work of hacking a footpath, as in a coal mine; in total darkness, beneath the earth. In poetry there are moments of illumination. A streak of light falls in the dark corridor, then the darkness slams shut overhead once more. In prose the darknesses are even thicker, the black clods even harder.”
— Anna Kamienska, from “In That Great River: A Notebook”
Foucault talks about a flash of lightning that harrows the night, a violence that leaps at its own core. You kiss my eye. You cross me. Here is the speechless place. Beget what we are.
—Anne Carson, Wonderwater
God is too close to us for our eyes to notice. The problem is not that God is absent but that God is so intimately present.
Martin Laird O.S.A., An Ocean of Light: Contemplation, Transformation, and Liberation
“When you fire and wire the same circuits in your brain over and over again because you keep thinking the same thoughts, you are hardwiring your brain into the same patterns. As a result, your brain becomes an artifact of your past thinking, and in time it becomes easier to automatically think in the same ways. At the same time, as you repeatedly feel the same emotions over and over again—since…emotions are the vocabulary of the body and the chemical residue of past experiences—you are conditioning your body into the past.”
— Joe Dispenza, Becoming Supernatural: How Common People Are Doing the Uncommon
We’re always thinking of eternity as an idea that cannot be understood, something immense. But why must it be? What if, instead of all this, you suddenly find just a little room there, something like a village bath-house, grimy, and spiders in every corner, and that’s all eternity is. Sometimes, you know, I can’t help feeling that that’s what it is.
Fyodor Dostoyevsky, Crime and Punishment (via philosophybits)
“[V]iolence does not consist so much in injuring and annihilating persons as in interrupting their continuity, making them play roles in which they no longer recognize themselves, making them betray not only commitments but their own substance, making them carry out actions that will destroy every possibility for action.”
— Emmanuel Lévinas, Totality and Infinity: An Essay on Exteriority (translated by Alphonso Lingis)
All my grief says the same thing— this isn't how it's supposed to be. And the world laughs, holds my hope by my throat, says: but this is how it is.
Fortesa Latifi, The Truth About Grief
“I was looking for a love unlike my parents’ love or my sister’s love or the love on a foreign kitchen floor. I wanted my own kitchen to keep clean and full of bread and milk and hot sauce and a big clean empty sink where I could wash my dishes. I wanted to forgive my mother and father for their misery and find myself a light man who lived buoyantly and to be both his light and his dark, serious baby.”
— Rebecca Dinerstein, The Sunlit Night
If I were asked to characterize the present state of affairs, I would describe it as ‘after the orgy’. The orgy in question was the moment when modernity exploded upon us, the moment of liberation in every sphere. Political liberation, sexual liberation, liberation of unconscious drives, liberation of art. The assumption of all models of representation, as of all models of anti-representation. This was a total orgy – an orgy of the real, the rational, the sexual, of criticism as of anti-criticism, of development as of the crisis of development. We have pursued every avenue in the production and effective overproduction of objects, signs, messages, ideologies and satisfactions. Now everything has been liberated, the chips are down, and we find ourselves faced collectively with the big question: What do we do now the orgy is over?
Jean Baudrillard, The Transparency of Evil (1990)
“The ceramics teacher announced that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pounds of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work-and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.”
— David Bayles, Art & Fear: Observations on the Perils (and Rewards) of Artmaking
“When I was nine years old, the world, too, was nine years old. At least, there was no difference between us, no opposition, no distance. We just tumbled around from sunrise to sunset, earth and body as alike as two pennies. And there was never a harsh word between us, for the simple reason that there were no words at all between us; we never uttered a word to each other, the world and I. Our relationship was beyond language—and thus also beyond time. We were one big space (which was, of course, a very small space).”
— Inger Christensen, The Condition of Secrecy
“Renowned traumatologist, John Briere, is said to have quipped that if Complex PTSD were ever given its due – that is, if the role of dysfunctional parenting in adult psychological disorders was ever fully recognized, the DSM (The Diagnostic and Statistical Manual of Mental Disorders used by all mental health professionals) would shrink to the size of a thin pamphlet. It currently resembles a large dictionary. In my experience, many clients with Complex PTSD have been misdiagnosed with various anxiety and depressive disorders, as well as bipolar, narcissistic, codependent and borderline disorders. Further confusion arises in the case of ADHD (Attention Deficit Hyperactive Disorder), as well as obsessive/compulsive disorder, which is sometimes more accurately described as an excessive, fixated flight response to trauma. This is also true of ADD (Attention Deficit Disorder) and some dissociative disorders which are similarly excessive, fixated freeze responses to trauma. (See my article “A Trauma Typology”.)
This is not to say that those so diagnosed do not have issues that are similar and correlative with said disorders, but that these labels are incomplete and unnecessarily shaming descriptions of what the client is afflicted with. Calling complex PTSD “panic disorder” is like calling food allergies chronically itchy eyes; over-focusing treatment on the symptoms of panic in the former case and eye health in the latter does little to get at root causes. Feelings of panic or itchiness in the eyes can be masked with medication, but all the other associated problems that cause these symptoms will remain untreated. Moreover most of the diagnoses mentioned above imply deep innate characterological defects rather than the learned maladaptations to stress that children of trauma are forced to make– adaptations, once again that were learned and can therefore usually be extinguished and replaced with more functional adaptations to stress.
In this vein, I believe that many substance and process addictions also begin as misguided, maladaptations to parental abuse and abandonment – early adaptations that are attempts to soothe and distract from the mental and emotional pain of complex PTSD.”
- pete walker
The mistake is allowing oneself to be desperate. The mistake is believing that indulgence in desire a decision to follow desire isn't possibly painful. Desire drives everything away: the sky, each building, the enjoyment of a cup of cappucino. Desire makes the whole body-mind turn on itself and hate itself.
Desire is Master and Lord.
Kathy Acker Great Expectations