Middleman
exhibition view, 2023

Andulka

ellievsbear
sheepfilms
𩵠avery cochrane š©µ
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untitled

⣠Chile in a Photography ā£
taylor price
No title available

@theartofmadeline

izzy's playlists!
hello vonnie
todays bird

Product Placement
ojovivo

No title available

No title available

if i look back, i am lost
"I'm Dorothy Gale from Kansas"
The Stonewall Inn
seen from United States

seen from United States

seen from United States
seen from Canada

seen from Singapore
seen from Mexico

seen from Russia
seen from Philippines

seen from Malaysia
seen from United States
seen from Malaysia
seen from United States

seen from Canada
seen from United States

seen from United States
seen from France
seen from Venezuela
seen from Palestinian Territories
seen from United States
seen from United States
@honzazamojski
Middleman
exhibition view, 2023
Middleman
exhibition view, 2023
Middleman
exhibition view, 2023
Middleman (The Spider)
mural, adhesive foil, painted MDF, steel, 2023
EYES
MGLC Lublana, 2023
Untitled (Frog) Untitled (War) Untitled (Blues) Untitled (Sun) Untitled (Self-portrait) Untitled (Pen) Untitled (Death) Untitled (Black Planet) Untitled (Fear) Untitled (God) Untitled (News) Untitled (Sky) Untitled (Enemy) Untitled (Rest in Peace) Untitled (Capital)Ā
drawing on paper (made by using carbon copy paper + letraset typography), 2022
Patrzymy inaczej na te same sprawy
exhibition view, 2022
Blue Blood Blood Blued Bloo, 2022
Untitled (Running)
drawing on paper, 2021
Orange or Anger
mural, 2021
Orange (Anger) drawing on paper (made by using carbon copy paper + adhesive paper + dry pastels), 2021
Red (Rat) drawing on paper (made by using carbon copy paper + adhesive paper), 2021
Green (Screen) Drawing on paper (made by using carbon copy paper + adhesive paper), 2021
E C H O
or Eyes Canāt Have Objects or Eyes Canāt Hate Objects or Eyes Canāt Hurt Objects or Eyes Canāt Help Objects
Will the time traveler who is traveling to the past remember things they saw in the future? If so, will it be memory or fantasy from the point of view of someone living in the past visited by that traveler? Is what imagined is as true or as ridiculous as what is recalled? What is the difference between keeping our optimistic minds tuned to the future from poking our fingers at the guts of history that everyone would love to forget? What about interpretation? What about it!? How to understand a language that no one can translate anymore, and is the interpretation not a coarse form of violence against the object that is interpreted? Who has the right to interpret and who cannot have that right? Are there indisputable truths and rules, or does every rule have to be confirmed by an exception to it? What can the accumulation of exceptions lead to? Is it establishing a new truer truths or reversing the current order of things? Will the time traveler visiting the future remember what they have experienced in the past? If so, will it be memory or interpretation from the point of view of someone living in the future visited by that traveler? Is what is recalled as true or just as ridiculous as what is interpreted? What is the difference between a fleeting and emotional memory from a biased analysis of facts that everyone would love to forget? And does any of the twelve texts shown at the exhibition answer at least one of the questions raised above?
FUTURISM FASCISM FEARER FALSE FACT / BANKRUPTS BILLINGS BULLETS BLOODS BUTTS / DEATH DOODOO DEALERS DAYDREAM DEMOCRACY / POP PORN POETS POLICE PRIVACYĀ
Drawings (made using carbon copy paper), dry pastel, 2020
E C H O
Mural, drawings, 2020
E C H O
Mural, drawings, 2020