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DJ Shadow - 'Midnight In A Perfect World' (from Endtroducing)

Endtroducing is a prodigious feat of juxtaposition and ingeniously woven contrasts, from funk and frantic, makeshift drum & bass to low, cello drones; from tropical flute to heavily treated beats to abstract awnings of sound. It takes you to the darkest corners of recorded music: a sobering, arcing, plunging, juddering, awe-inspiring reminder of the vast, ignorable legacy of music in the year 1996, as well as the sheer range of its potential reference points, discovered or otherwise, way over the horizon of rock orthodoxy. In the perfect world of the 1990s, it did indeed feel like, culture-wise, we were in the midnight hour.

David Stubbs, author

The photos of Louis Faurer

She lived inside someone’s locket

The fall of 1968 was such a terrible time: I was a physical and mental wreck, nerves shredded and ghosts and spiders looming and squatting across the mind. My social contacts had dwindled almost to none; the presence of other people made me nervous and paranoid … [“Astral Weeks”] assumed at the time the quality of a beacon, a light on the far shores of the murk; what’s more, it was proof that there was something left to express artistically besides nihilism and destruction. It sounded like the man who made “Astral Weeks “was in terrible pain, pain most of Van Morrison’s previous works had only suggested; but … there was a redemptive element in the blackness, ultimate compassion for the suffering of others, and a swath of pure beauty and mystical awe that cut right through the heart of the work.

LESTER BANGS

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How to shoot someone who outdrew you