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@hyenasilver
it can be anything
Tune in Every Other Day for Sound & Visions Sure to Delight.
Today: 'Hermes'
written and directed by Dylan Coleman-Blount
starring Gabrielle Miller & Steve Guynn
Can you guess the influence for the opening credits?
Enjoy 'Holy Poisons' by the Dave Farris Quartet
Director of Photography Jacob Goldie Goldberg
Winner of X World 2020 Short Film Festival Best Cinematography for a Mystery
#BiteIntoABrainEgg
#HyenaSilver
#itcanbeanything
Sitting with the real deal Steve Guynn while we figure out his wardrobe for the Red Haired Legend Jack Jarlsberg. Wax philosophy with this poet of the mind when you see ‘the Occasional Dream’ back to back with 'Tyrannosaurus Kincaid’ our premiere adventure series August 30th at Best Friend Bar in Lexington, Kentucky. (at Street Scene) https://www.instagram.com/p/B1oSeIRlGsW/?igshid=vyj3p9gge3fq
The Wild Bunch Filming Tyrannosaurus Kincaid Day 5 Matt Younger (sound), Adam Childs (1st AD), Jess Estridge (drone camera op), Pierce Birdsong (Tyrannosaurus Kincaid), Dylan Blount (director), Elliott Thomas (Rudolph) and Jacob Goldberg (DP) up front
Wallow in the Shadows of your own mind, Uncover your Fears in ‘Hermes’
a new film by Dylan Blount
starring Gabrielle Miller and Steve Guynn
Behind the Scenes on ‘Hermes’ the third brain-egg film
From top to bottom:
Gabrielle Miller (Louise Mars) with Dylan Blount (director) in the garden/Blount with blood on his hands/ Steve Guynn (Winslow Mars) and Dylan Blount under the attic/ Gabrielle Miller in between takes. / All Shot by Goldie
Paul Eldred behind the scenes and in the scene in 'Papa Nogoody's House of Love' our second brain-egg film.
Nick Pulliam, Paul Eldred, Monica Wain, Allen Shariaty, and Mason Roberts
in
Papa Nogoody’s House of Love
Behind the Scenes photos and film stills for S.T.Z.
or Sexually Transmitted Zombie
starring Josh Gibson, Hannah Mayfield, and Mason Roberts
Behind the Scenes photos sandwiched in-between actual stills from
S.T.Z.
or Sexually Transmitted Zombie
Septembermorrow of Spiritual Warriors Day 9
reflecting on what occurred yesterday I couldn’t help but laugh every time i remembered doing scene seven in the bathroom. true team work came out yesterday and memories were built and bonded.
zach embraced me in a hug on our first day of shooting it was unexpected and a little funny to me, but really the whole day was golden.
the night before i rushed around collecting the bong, the pinata & something i can’t really recall now, but i knew it wasn’t enough, i still needed to go to the grocery, but there wasn’t enough time before i met with mason and gibby (and allan (mason’s friend who looks like a really old dracula)) to go over their lines in scene 8 and 10 and to discuss the armor.
to which gibby described how he wanted to string together a mormon book vest. i think its a great idea.
we also discussed blocking, so i’ll have to switch up my storyboards a bit to go over.
after the readthru i head to sleep, and get about two hours
then i head to work at 11pm, talk to sarah, check one guest in, watch my show, and brainstorm the following shoot, i try to paint a banana inside of a condom and realize it looks nothing, and will look nothing like a penis, so i’m really wanting to get some things before i even go to bed. halley comes in to work early and i teach her how to set up breakfast. i ask her to watch the desk so i can exit ten minutes early at 6:50am
I put the pinata in the van and drive to walmart and then to party zone and then to Michael’s. walmart is where i hallucinate a bit, the objects out of the corner of my eyes are moving, dark shadows, when i look again they’re inanimate objects, and it must be the fluorescent lights because i should be asleep, but i keep pushing myself regardless. I can’t find anything, but can find everything in wal mart, the store’s too fucking big, and hard to find what i need and it takes too damn long to find what i want to find. i become increasingly impatient and want people to point things out to me instead of me struggling to find things.
i can’t find streamers so i drive where i think party city is but am very sourly disappointed that its not next to the japanese restaurant like i thought, but then again as i’m exiting that ‘center’ i find it across the street at disc replay. i park the car , walk in, and ask the guy setting up the halloween sections where the streamers are b’c patience is fucked. he directs me to aisle 9. i find it and get in line. i’m super tired and the kid in front of me in the shopping cart has a striking resemblance to Danny from The Shining movie, and it weirds me out.
He might see this or something else akin because he looks to me and just starts crying, a terror takes his eyes and i’m not sure what he sees, but wonder if kids can see ghosts because i’m jus so out of it. i buy green, purple, & red streamers and then drive to michael’s
ask the shop guy there immediately and he takes me to the sculpy. i buy the moderate size sculpy and head immediately home. traffic isn’t nearly as bad as i thought it was going to be, because i get home relatively on time. i text zach, mason, & gibby that i’m moving the shoot to 4pm so i can get more sleep. but of course i don’t fall asleep until 11, and only get three hours of sleep. i can’t sleep, i just lay there once i wake
more or less right after i wake to take a piss, i can’t stop thinking about how i have to make a more convincing penis out of sculpy.
i make eggs, scoop up the broken egg shells, make green slime (tho we don’t need it until scene 9 (so lord knows why i did it then)) but i paint my first penis and it is successful as fuck.
zach said he was going to go early to setup lights but i end up getting there before mason or zach.
mason doesn’t need me to pick him up in the van, because he drives over his vw, but has broken up the ky coffee table so he can transport it. i’m psyched at everyone’s immediate go to action.
we’re planning to shoot scene 2, 3, 4, and 7 first. so we have to set up every stage/scene at the same time.
we don’t want to miss out on day light for scene 2 so we set up the lights in scene 2 and 7 first.
mason gets to work on the wall with the 8ft x 13ft jungle scene. i get to work on sculpting another dick and gibby is costuming up. his hair is combed back, but i tell him to ruffle it up. (even tho i know his best intentions are he’s trying to get into another character other than himself, but it just looks better)
i put some three legged race on pandora to get hyped but he doesn’t hear it because of the bathroom fan. instead its the next song on pandora picks for us and it drives everyone crazy so gibbs changes it to the mystikal station.
so we’re all listening to rap as we prep for STZ SHOOT DAY ONE.
Hannah isn’t home yet, but we’ve moved the couch and set up most of scene 2, 3, & 7 by the time she gets home. She starts on her day of the dead makeup and i practice the latex wound on my arm. it doesn’t look great even after i cover it in fake blood.
Mason comes in and dices out a better design and we duplicate it on Hannah’s shoulder. Hannah is surprisingly cool with everything that we do and her acting chops come into play in scene 3 and 2, too which i’m pleasantly surprised.
Hyena Silver presents a Dylan Blount film
STZ
watch at https://vimeo.com/hyenasilver
Sexually Transmitted Zombie
see it
to believe it
Storyboards for S.T.Z. For scene 4 By Dylan Blount
versus
real screen shots from S.T.Z., an award winning short film
Josh Gibson and Hannah Mayfield as Wallace and Annie Silver in S.T.Z. (Sexually Transmitted Zombie) our second film
Storyboards for scene 7 of S.T.Z. by Dylan Blount
versus
How the shots turned out in S.T.Z., an award winning film.
Septembermorrow day 7 & 8 2014
i drove back to town listening to closing time by leonard cohen.
Gold and I had earlier texted in elaborate metaphors. long text of future and friends providing light, mostly gibby.
whats the future without friends?
I drove down new circle road and stopped by aquacalientes behind deja vu and the greyhound station. there weren’t any appealing pinatas so i left and drove to the bay to buy a glass bong. they told me to put aregeno into the bong to make it look like weed. i told them i was making a film and that pot wasn’t on my mind. i told them at least the part about the gasmask, and they seemed to be into it.
i drove to h express and picked up some liquid latex, vampire blood, and sponges. the price was around 31$ as was the bong. so with gas i spent 70 dollars today.
with directions from martin i found a grocery store on alexandria. there were finally some pinatas that differed from the underwater mine pinatas, round monstrosities dressed with party hats. i met kevin, the man who may have worked there or may have just been hanging out there.
he asked, “is this for you or for your son?”
“I’m making a movie,” I responded
“oh,” he took down the pinata and gave it to me, he tore open the back and told me i could put the candy inside.
by the time i was done picking up the pinata it was twenty minutes after 5 and mason asked about our eta. i texted gibby, “ready?”
“sure,” he texted back
and i picked him up after taking a phantom shit in his toilet and we headed to mason’s. we read through the script. mason’s friend Alan was there, he looked like that vampire from the munster’s except much older. he said he was an actor, or had been a stage actor.
so maybe we’ll put him in something, but how often do we have old men in our scripts...
the readthru went pretty well. we talked briefly about the difficulty of making a glass breakaway bong.
tomorrow we’re going to have to hustle
Storyboards for S.T.Z. Scenes 2 and 3
versus
How the shots turned out for this award winning film
Septembomorrow of Spiritual Warriors day 6 1141pm dcb 28 2014
i met with zach at mason’s today to go over scene 8, 10, 6, & 11. we looked at mason’s house. discussed the front porch not working out and instead used lester’s back porch for scene 11. we talked lighting setups and shots. we mostly discussed the bong effect and what we’ll need to put together to make it work. mason seemed reluctant. but zach was very adamant about the possible effect.
either way we’re going to try it out. if it doesn’t work out we’ll have a backup plan to go into effect and roll with the punches. i felt very tired and ready to go through everything quickly. i wanted to stay on topic and get everything organized.
i hadn’t gone to halloween express like i had wanted to earlier in the day. it took me a minute to unwind from waking and i made eggs and watched startrek.
i did record breaking the eggs open for hermes sound fx at the beginning so at least i worked on hermes a little bit.
after meeting with mason and zach i headed out but decided to go to als bar for food and then there mason met up with me and we ate burgers and drank beer. elissa served us and we asked if she had a bathtub. because
after meeting at mason’s house or during the meeting at mason’s house i told them about the idea for the next episode and mason took us from across the street to the hippie commune and we saw the garden and the giant tour bus that his friend had turned into living quarters. these are all possible shooting locations for the next project. the main pull was the bathtub.
but they didn’t have a bathtub.
mason said the bathtub we’d be looking for with lion feet would be like 300 pounds.
elissa had a shower.
after eating with mason i headed to gibby’s to meet up with zach and we showed zach the place. he recognized the different scenes from ‘the townie’, which was flattering. it was flattering an hour ago when christo called ‘the townie’ an ‘experience’. quite a complement.
we went through scene 2, 3, 4, 7, and 4. these are all scenes we’re going to be shooting.
zach showed me what zandale looked like at night and i decided that we should shoot scene 1 early in the morning it’ll be a lazy blue & purple, maybe pink in the air.
i tipped the bartender at al’s way too much. and i regretted it when i went through the speedway line to buy caffeine.
-db
Kurt Stenzel - Jodorowsky's Dune (Original Motion Picture Soundtrack) (Original Motion Picture Soundtrack) Released 2015-11-13 on Light In The Attic Download...
Today marks the 2 year anniversary of our journey in making S.T.Z. (short for Sexually Transmitted Zombie)
< https://vimeo.com/133816907 >
I had just come off a three year existential awakening that is ‘the Townie’ and I didn’t think I would recover to ever make another film. But then I watched ‘Jodorowsky’s Dune’ and was reawakened by Jodorowsky’s words. To make a film, first you find your ‘Spiritual Warriors’. this was the case for ‘the Townie’ and it became the case for ‘S.T.Z.’ Like Jodorowsky chose Moebius to be his eyes for Dune, I chose Zak Norton to be my eyes for ‘S.T.Z.’
I was working for Latif making videos for artists in town, interviewing artists and watching them do their craft. I needed a good mic to interview Jerielle Hanlon so I borrowed one from Zak Norton. He and his brother Ben had just made ‘Loofo’. They were sitting in their living room talking about all their next steps after graduation and Zak was talking about these new lights he had just gotten. I saw all the gear around me and asked him, ‘Do you want to make a movie?’
That’s how it began. This video is the soundtrack to ‘Jodorowsky’s Dune’. I hope it can bring someone inspiration today.
