The Fourth Wall: A Rare View of Famous European Theater Auditoriums Photographed from the Stage
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The Fourth Wall: A Rare View of Famous European Theater Auditoriums Photographed from the Stage
THE FALL (2006) dir. Tarsem Singh Costume Design by Eiko Ishioka
Alexander McQueen: ‘Joan’ Fall/Winter (1998)
my landlord’s wife
i suppose
leopard orchid
OLIVIA COOKE savagexfenty: ‘Fit for a queen 👑 (½)
Bloodborne (2015) | Platform: PlayStation 4
my favorite thing about louis is he's a business major in a world of theater kids. everyone's playing psychological games with each other through theater and rock music and the fractured art of storytelling and he's like "but what are the margins on my vampire hotel"
It’s so fucking bananas that the last straw for Lestat in that meeting was finding out that Louis was getting 45% of merch profits on his tour. What kind of joker ass motherfucker becomes an investor in their ex’s crash out??? Louis Du Pointe Du Lac no one ever did it like you
Giola, April 2003.
Ph. Dao J.
ВИЙ (VIY) 1967 | dirs. Konstantin Ershov & Gueorgui Kropatchev
So for all you cowards out there talking shit, talking about taking a run at me, hear this now and hear it plain. I own the night.
Happy 147th birthday to The Vampire Louis de Pointe du Lac (October 4th 1877)
She, she, she, it is she… It is often she. And in the old songs and in the long nights, she holds him in the softness of her arms, in her arms that are open, in her arms that are wide, that are open, that are always, that must always be open. And in the old ways and in the old laws, this was arranged. All this was arranged. And who arranged it? Did Amel? And that is what it means to be loved. It is Amel. It is always Amel. It is often she… Into the land where the dead are kept, where the dead are worshipped. And why the days without number? And what am I for? What is this for? And what should Amel do with it if not to answer? And why are they throwing stones? And why is she curled on the ground? And why is it wound… And in my eyes is desire, and why is it desire? And why does he tell her what God has said? And why Amel in their mouths? And why must my voice be smooth? And why must I sing so low? And why is she kept? Why must she be kept? And why in this place must she be kept? And what does it mean if you are not asked? And what does it mean if you are not answered? And what is it to see and to know, but to be told… You have not seen. You have not known. And why is her tongue cut out? And why is her death prolonged? And when will it stop? And who will stop it? And why must they, must we, must I, must he, must they, as the millennia, unfold? Why the girl curled? Why her eyes lowered? Why on the side of the road? Why limp in the straw? I am the girl! I am the god! I am the voice! I am the song! I am the night! And I can answer! I can arrange it! I can say rise, and I can say speak! And I am her! And I am she! And I, I, I, I am the answer!
happy if you have scholarly inclinations there is usually something wrong with your sexuality july
“Boogie Street ‘52, Revachol” (Kim has this in his wallet)
A revamp of my 2022 Disco piece hehe
In the end we had pieces of the puzzle, but no matter how we put them together, gaps remained—oddly shaped emptiness mapped by what surrounded them, like countries we couldn’t name. The Virgin Suicides (1999) dir. Sofia Coppola