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@iam-everywhere
I love the line 'you're lucky i didn't put you in the ground too' cuz my girl was traumatized for her life, she faced a serial killer few days before, she thought she'd die, she unalived him, crafted an entire plan to escape, emotionally, mentally and physically devastated was basically walking on the thinnest rope but did that stop her from being a girlboss? no.
pip and ravi’s kid/s are gonna have some crazy mom/dad lore. fuck you mean their uncle was murdered by their mom’s best friend’s dad because their uncles girlfriend cheated on him with their mom’s best friend’s dad so he kinda didn’t kill he cause her sister killed her and then the best friend’s dad killed their uncle. And there’s more?
a good girl's guide to murder has the best main character introduction of any book ever. first thing we see is pip being explicitly told not to bring the singh family into her project. next thing we see is pip standing at ravi's door with muffins. what a scene. 10/10, no notes, perfect way to introduce a character.
It makes me so deeply happy to see a show like Me and Thee take the bl world by storm. It's a beautiful campy queer love story about a sensitive mafia guy falling in love with a traumatized photographer and it's filled with so much joy and healing and laughter and all of the meta surrounding Thee and the whole GMM THEE V joke which only really lands if you are already part of this hilarious fandom and at least semi familiar with the GMMTV people. There's nothing like that feeling of fandom euphoria.
Pond as Thee is definitely one for the books. Me and Thee isn't even my favorite show but I get such a kick seeing so many having such a blast with it.
Thee really gives his best friend/body guard random time off to go play house with his brother and that is a level of bestie/brotherly love I get down with.
All this tells me, is that the dad 100% knows that Rome is down bad for Mok.
He’s probably internally just like, “it’s not real until you are willing to stand ten toes down and fight for him. So I guess I’ll just wait here until Mok’s and your jealousy (over my approval of TheePeach) finally gets the better of you, and you throw caution to the wind. Until you both can look me in my eyes and say that the other is your person… *sigh*”
Papa Arseni is just out here, impatiently looming in the background, like a boogie man who is secretly lovable.
Just waiting for his kids to figure out their love lives, all the while keeping his cards close to his chest…
Not only because it makes him seem more mysterious and dangerous; but also because he gets off on annoying his wife.
like I love palm because he's tragic and angsty and all but like more importantly he's so fucking funny. he takes one (1) look at nueng and goes yeah I'll die for him it's cool. he makes awkward small talk with his estranged mom, then immediately jumps to talking about his love for nueng, then jumps to getting a tattoo. he has immediate beef with ben. he shoots people and this is never brought up again. he giggles and kicks his feet when nueng speaks fluent english. I love him
STOP peach having a nightmare about when him and his sister as kids were running away from home. And him telling her that he's just going to protect her and plub asks him then who's going to look after you?
And immediately it cuts too thee walking into the hospital seeing peach has woken up! And peach doesn't even realize it until thee pointed out to him that he's crying cause he so touched 😭 and it's all because of this moment of having someone making it their literal life's mission to look after him!! and protecting him after he's been doing so much of that in his own for his sister I can't EVEN
Peach is for the people who have spent their whole lives being told they are too much and somehow never enough at the same time. Too quiet, too reserved, too set in their ways, too difficult to understand. Peach is for those who cling to routine because it is safe, because it is familiar, because in a world that asks them to be louder and brighter, peace feels like survival rather than a luxury.
Peach is for the introverts. For the ones who don’t fight to be seen, who don’t need to fill the room with noise to prove they exist. For those who are most comfortable on the edges, being the peaceful observer, watching carefully, loving quietly, carrying entire worlds inside them without ever needing applause.
Peach is for the realists rather than the dreamers. For the people who learned early that hope should be steady, not loud. Who trust what is tangible and honest, who show love through presence and consistency instead of grand promises that may never come true.
And Peach is for the people who value their space, emotional, mental, and physical, not because they don’t care, but because they care deeply. Because they know how easily they can be overwhelmed, how much of themselves they give away when they don’t protect that softness. Peach is for the ones who choose gentleness, even when the world keeps asking them to be more.
And then there is Thee. Loud where Peach is quiet, impulsive where Peach is careful, unapologetic in ways Peach never learned how to be. Thee doesn’t arrive to change Peach or fix him. He arrives and stays. He fills the silences without fear, reaches for Peach without hesitation, and loves him in a way that never asks him to become smaller or different.
Through Thee, Peach learns that softness does not need defending, that routine can coexist with joy, and that being seen does not have to be frightening.
And in watching Thee love Peach, he heals more than just him. He heals us too. He heals the parts of us that were taught to shrink, to quiet ourselves, to apologize for needing space and still wanting to be chosen. Thee reminds us that there are people in the world who will meet us where we are, who will sit beside our silence and call it beautiful. And for the first time, it feels possible to believe that we, too, are allowed to exist exactly as we are.
Thee was the universe’s apology to Peach, and to all of us who were never met with the gentleness we deserved. A quiet proof that even when it comes late, gentleness still finds its way.
Me and Thee continues to surprise me because seeing a Blue Boy break down in a hospital because he feels safe enough with someone rather than him being the one providing the safety and security . . . wow.
Maybe because I live in the colors, but this moment has weight. Blue Boys are loyal. Blue Boys are safe. Blue Boys are calm. Yet here is Thee, a Red Rascal, giving all that to his Blue Boy Peach because he is showing his love in all the ways Peach would show his love.
But I don't think this is just a Thee thing. I think it's a family thing.
So let me look closer at these two Red Rascal brothers and their Blue Boy love interests in the fifth episode titled "Selfie."
Rome loves Mok. He has made that pretty clear as he asks his mom why his family has the "no-love rule" as he looks at Mok with the saddest heart eyes.
But even him pinning Mok down on the bed shows how much he wants Mok.
And that's where the brothers show that they are related not just by blood, but also by thought because Rome is a Red Rascal just like his older brother.
Who shows his love for his Blue Boy in very obvious ways that make sense specifically to his Blue Boy as he wears blue in a very blue room.
Like, normally I would worry that a Red Rascal character is drinking red wine while reading a red covered Anna Karenina, which is about a married rich woman's tragic downfall after her passionate affair, but he stops reading it the second his man sneezes and he shares his wine with him.
Rome ain't trying to have a scandalous affair with a sad ending. He is trying to show his future husband that he can take care of him, which is exactly what Thee is trying to do, and it's why both brothers wear their man's color.
They are passionate and impulsive Red Rascals regardless of what they say.
But that just means that they are working on a crazy level to guarantee their Blue Boys know they are loved even if they don't want any part of it.
There is no barrier they won't break to get to their man. And if their man doesn't see them as having a future together (reflection!!!), they are going to make sure their man sees them, every day, all day.
They are going to do whatever they need to do to make sure their man takes them seriously because they are serious about their man, like learning how to play the handpan.
Or threatening hospital staff.
Or putting little hearts on his man's blue vacation banner.
But, once again, Thee does all of this with the fervor of a Red Rascal no matter how hard he might try to hide it because it will always pop up like it did with the dark red velvet curtains when he spoke to his brother about him loving Mok.
Or the red lining of Thee's all-black suit jacket that was exposed when Peach finally allowed Thee to get comfortable in his house.
Or when his Blue Boy decides to bring up the man who harmed him during their lovely dinner.
While Peach gets calmer (and bluer) because he feels safe with Thee,
Thee gets more upset (and redder) that Peach would even be worried about a man who would try to harm him.
~This is how you get a Colors Award for lighting!~
Just like with Mok, Peach's world may have been completely blue before,
But his Red Rascal's presence is changing him just like it's changing his once tan-colored sheets to a light pink.
And it's changing the way he sees the world as he switches between his blue and red camera strap.
Peach is a Blue Boy.
Who is used to being alone and providing peace and protection for others.
But he is quickly falling in love with a Red Rascal who makes him feel safe.
And that Red Rascal will swim the entire ocean just to remind his Blue Boy that he is loved. Always.
Honestly, when I saw that you were the one saving me in that moment, I felt good. I knew I was safe with you. People are usually afraid of me. Once again, you're the first to think otherwise.
Ep. 5 | ME & THEE (2025) Dir. X Nuttapong
#Theerakit Kian Lee is the fckng standard bro
Wiwid: I don't want to work with Peach.
Thee: Then I don't want to work with you.
Thee: And I own this company.
Thee: And this gun.
Thee: ... I think I win.
No one correct the crazy on this one. Let him cook I need to see Peach’s dowry
This was Hot! Undeniably hot 🔥 But you know what was hotter?
THIS!!!
The way I could write an essay about “Is there any way you could be mine only?”
Not “I want you to be mine only”, not “Please be mine only”. Is there any way?
IS THERE ANY WAY
THE YEARNING THE DESPERATION THE NERVOUS HOPE MY GODDD
I can’t stop thinking about the fact that, for all of Thee’s theatrics and dramatic reactions, the moment he thought that Peach was not interested in being pursued by him, he was quiet, calm and respectful. No tantrum, no arguing, no passive-agressiveness. Just acceptance of what he thought Peach was feeling, and a simple question to confirm it. “This is the end, isn’t it?”
This show is a masterpiece
