JBB: An Artblog!
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First Known Representation of the Ouroboros
Detail of a sunken relief on the left outer panel of the second outermost gilded shrine, from the Treasures of king Tutankhamun (KV62), Valley of the Kings, West Thebes. Now in the Egyptian Museum, Cairo.
Painted Relief of Osiris and Isis
Abydos is the cult center of Osiris, god of the dead. The necropolis is a place of pilgrimage and burial and at least ten temples were originally constructed there.Â
Among those ten temples, three remain that are of special note. These include the Temple of Seti I, the Great Osiris Temple and the Ramesses II Temple. Among these three, the Temple of Seti I is the most well-preserved.
Hebrew terracotta bowl from the Mesopotamian city of Nippur dating back to around 400-800 CE. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, PA.
Photo by Babylon Chronicle
First Recorded Account of Ghosting
A cuneiform letter from the Old Babylonian period (circa 1900-1600 B.C.) shows the first example of ghosting. Written by a certain Sßn-magir to an individual named Sßn-eribam, the letter records the follow line:
Good behavior it is, that I write to you again and again, and you pay no attention to me. Â Â
Apparently, previous letters were sent but SĂźn-eribam had no intention of every responding.
~HasmoneanÂ
Statue of Isis
Statue of the goddess Isis, so-called âIsis of Coptosâ. She wears a tripartite wig with uraeus. The sun disc and cowâs horns identify the sculpture as Isis or Hathor. Her dress is Egyptian in style and sheath-like in appearance, and around her neck she wears an incised collar of beads.
New Kingdom, 18th Dynasty, ca. 1550-1292 BC. Granodiorite, from Coptos. Now in the Egyptian Museum, Turin. C. 694
Abu Simbel Temple
View of a colossal sculpture of Ramesses II in his Great Temple at Abu Simbel, Lower Nubia, 1856-1860Â
Photographed by Francis Frith (British, 1822-1898).
Nubian Tribute
Mural depicting a Tribute to the King of Egypt from Nubian nobility, detail of a painting in the Tomb Chapel of Amenhotep called Huy (TT40), Viceroy of Kush under Tutankhamun.
New Kingdom, 18th Dynasty, 14th century BC. Qurnet Murai, West Thebes.
Unearthed Statue of Amenhotep III
The face of the colossal alabaster statue of Amenhotep III (r. ca. 1391-1353 BC) wearing a Nemes headdress and a royal beard.Â
Found some 200 meters (656 feet) behind the Colossi of Memnon near the third pylon of his mortuary temple at Kom el-Hettan, West Thebes, 2011
Amuletic disk (Hypocephalus)Â
It was made for Tasheritenkhonsu. Linen and plaster, inscribed in ink. It dates to the Late Period, 26th Dynasty, ca. 664-525 BC. Linen and plaster, diam: 20 cm. Now in the Ashmolean Museum. AN1982.1095
âA hypocephalus is a small disk-shaped object generally made of stuccoed linen, but also of papyrus, bronze, gold, wood, or clay, which ancient Egyptians from the Late Period onwards placed under the heads of their dead. The circle was believed to magically protect the deceased, cause the head and body to be enveloped in light and warmth, making the deceased divine.â
â Magic in ancient Egypt, by Geraldine Pinch
Scene of the Amduat
Decorations show scenes from the Amduat âThat Which Is In the Underworldâ, detail of a wall carving in the second corridor of the Tomb of Ramesses IV (KV2). New Kingdom, 20th Dynasty, reign of Ramesses IV, ca. 1155-1149 BC. Valley of the Kings, West Thebes.
Relief of Horus and Seth
Decoration on the side of the throne of King Senusret I showing the theme of the unification of the Two Lands âSema-Tawyâ, which was associated with the Nile god, Hapi. He was replaced by Horus and Seth.
Furthermore, we have here one of the rare cases in which the image of Seth, god of confusion, power and desert, was not destroyed through the superstition of later generations.
Limestone, from Al Lisht. Middle Kingdom, 12th Dynasty, reign of Senusret I, ca. 1971-1926 BC. Now in the Egyptian Museum, Cairo. JE 31139
Mummy of Pacheri
It is the mummy of a man about 1.65 meter tall, who lived during the Ptolemaic period. We call him the mummy of Pacheri, although the reading of the name remains problematic. The quality of its embalming, as well as the state of conservation make it a specimen noticeable and worthy of notice.
Keep reading
âLong ago, a great civilization thrived along the banks of the Nile River. Ruled by awesome god-kings called pharaohs, Egypt was a land of bustling cities, golden palaces, and huge stone monuments. This astonishing culture endured for more than 3,000 years before it gradually disappeared. Its cities crumbled to dust, and the meaning of its writings was lost.Â
But beginning with the discovery of the Rosetta Stone in 1799, the secrets of Egyptâs people, its pharaohs, and its golden days have slowly been revealed. Bit by bit, we have solved the mystery of one of the mose fascinating civilizations of all time.â
â The Pharaohs of Ancient Egypt, by Elizabeth Payne
Stele of Nanai
When Osiris (above center) was killed, he was sent to rule over the Underworld with his fellow god, Anubis (above left). Together they watched over the dead, while Osirisâs son, Horus, became the patron god of the living pharaohs. This detail from the ancient Egyptian Stele of Nanai shows the deceased adoring Osiris and Anubis.
New Kingdom, 19th Dynasty, reign of Ramesses II, around 1250 BC. Now in the Egyptian Museum of Turin.
Guardians of the Underworld
Gate guardian deities from the realm of the Underworld, a detail of the 3rd guilded shrine of Tutankhamun, decorated with scenes from the âBook of the Deadâ to aid the kingâs journey after death. Now in the Egyptian Museum, Cairo.
Statue of Sheikh el-Balad Representing Kaaper
Sheikh el-Balad, Arabic title for the chief of the village, was the name given to this remarkable wooden statue discovered by the workmen of Auguste Mariette, the French archaeologist, because it resembled their own village chief.
The statue depicts Ka-aper, the chief lector priest, in charge of reciting prayers for the deceased in temples and funerary chapels. It is one of the masterpieces of the private statuary of the Old Kingdom.
The arms were separately modeled and attached to the body, a technique frequently used in wooden statuary. A wooden cane supported the left arm, made out of two pieces of wood joined together.
The eyes are inlaid; the rim is made out of copper and the white is of opaque quartz, while the cornea is made out of rock crystal.
Sycamore wood, from Saqqara necropolis. Old Kingdom, 5th Dynasty, ca. 2494-2345 BC. Now in the Egyptian Museum, Cairo. CG 34
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