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Bakarwal blankets: this pastoralist community makes them using wool from their animals. It has become almost impossible to continue with this beautiful and essential craft. Ritayan Mukherjee reports:
The woollen blankets are made by members of Scheduled Tribe communities – Megh and Mihngh, known for their wool craftsmanship. Once the blankets are made, they are washed and dried by the Bakarwal men. The thread and yarn for the blankets are usually made by Bakarwal women, and the yarn is dyed at home by Bakarwal families.
Mohammed Kalu has come from Khanna Chargal, a small settlement in a riverbed upstream from Pargalta. Pointing towards an old woollen blanket on which his little son is asleep he says, “[The blanket] lives as long as a human being or longer. But the market-bought acrylic wool blankets hardly last a few years.
He adds that blankets made of pachim (the local word for acrylic wool) take days to dry if they get wet, unlike pure woollen blankets. “Our feet burn and body aches after using the acrylic blankets in winter”.
“I can look at a quilt and tell you which family it comes from,” says Zareena Begum who lives in the same settlement as Talab Hussain.
“It is difficult to get people who still have mills,” says Maaz Khan. In his sixties, Khan is from a family that still processes wool. Many in the community say that the charkha (spinning wheel) is dead and have given up spinning.
As a result, pastoralists are also finding it difficult to sell wool. “We used to get at least 120-220 [rupees] for a kilogram but now we get nothing. A decade or so ago even the goat hair had a price in the market; now even sheep wool has no buyers,” says Mohammad Talib, a Bakarwal from tehsil Basohli, in Kathua district. The unused wool lies in their storerooms or is discarded at the shearing spot. The number of artisans working with wool has also reduced.
Maintaining a herd of animals for their wool is no longer easy as grazing grounds are scarce in and around Jammu. They also have to pay people whose land their animals graze on.
Recently a lot of areas around the villages in Samba district were taken over by invasive species, Lantana camara. “We can’t graze here. There are weeds everywhere,” says Munabbar Ali, resident of a small village in Basohli tehsil .
Many of the old breeds of animals have been replaced by the state and Bakarwal’s say that the current cross-bred sheep cannot stand the heat of the plains for too long, and neither can they navigate mountain paths, “When we migrate to Kashmir, they stop in their tracks if there is a small ledge as it is difficult for them to jump. The old breed would walk well,” Tahir Raza a shepherd told us.
https://ruralindiaonline.org/.../bakarwal-blankets-out.../
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From The Adventures of Guille and Belinda, a photo series by Alessandra Sanguinetti.
The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams follows cousins Guielle and Belinda for five years through a series of photographs as they play, dream and unwind their way through the enchantment of childhood. In 1999, when they were 10 and 9 years old and living in a rural province of Buenos Aires, their paths crossed with photographer Alessandra Sanguinetti. Drawn to the girls, Sanguinetti took pictures to 'crystallize their rich yet fragile and unattended world'. The photographs capture the evolving relationship between Guille and Belinda as they grow together through teenage, adolescence and early adulthood.
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Details of rug hooked dog (life-sized medium dog)
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Growing up Mormon AND with long hair that I didn’t cut because of pressure from my mom, to me the metaphor here is pretty obvious… you can read it how you want though.
kamikaze girls (2004)