Ludwig Heinrich Jungnickel (Austrian, 1881–1965)
He-goat, Smoking, N/D
Leopold Museum, Vienna, Austria
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Ludwig Heinrich Jungnickel (Austrian, 1881–1965)
He-goat, Smoking, N/D
Leopold Museum, Vienna, Austria
Marcel Broodthaers, Armoire de cuisine, 1966-68 and Nancy Spero, Codex Artaud, 1971-72
Paul Klee. Arabische Lied (Arab Song).1932. Oil on burlap. The Phillips Collection.
"The body itself is barely distinguishable from the surrounding environment… the subject clandestinely peers out from its ‘cover’ to see what is ‘out there’ but the ‘out there’ has already infiltrated inside the subject."
- P. Samuels on Klee’s Arab Song.
1. Mark Rothko, Slow Swirl at the Edge of the Sea, 1944, oil on canvas, 191.4 x 215.2 cm, MoMA, New York. Source
2. Mark Rothko, Untitled, 1944-46, watercolour, tempera, ink and pencil on canvas, 54 x 74.9 cm, MoMA, New York. Source
It’s true: Rothko’s work didn’t always consist of blocked layers of translucent colour. These two pieces, which relate to the unconscious mind, show clear influences from the Surrealist movement.
Cezanne’s objects. By Joel Meyerowitz.
Innleuchten. Photograph by Andreas Gärtner.
Wolfgang Tillmans, paper drop (window),2006, C-type print in artists frame,145 x 200 cm
Cy Twombly, Untitled
you do not have the permission to vote
Street art in Hong Kong via @thereaIbanksy
Paul Klee, Evening in Egypt, 1929
Cy Twombly, The Rose
Philip Taaffe, Overtone, 1983
Oskar Fischinger, Square Symphony, 1943
Paul Cézanne - The Oak (1885)
Hélio Oiticica (Brazilian, 1937-1980), Metaesquema, 1957. Gouache on cardboard, 20 3/8 x 17 in.
Paul Klee, Fish Magic, 1925. Oil and watercolor on canvas on panel. Via wiki