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barchie tropes in s6 365 days of barchie: 232/365

“Nobody wants to do it- not real change, not soul change, not the painful molecular change required to truly become who you need to be. Nobody ever does real transformation for fun. Nobody ever does it on a dare. You do it only when your back is so far against the wall that you have no choice anymore.”

— Elizabeth Gilbert

icecreamheadachez

letsmakepoppunkgreatagain

Blackbear - @ my worst

my-never-ending-nightmare

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sammyxsteel

sid vicious

guerrilla-operator

GREEN DAY

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Sid Vicious

punkieagainsttheworld

Sid Vicious and Johnny Rotten

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Sid Vicious and Nancy Spungen outside Marylebone Magistrates Court in London after being charged for possessing the drug methamphetamine on February 8, 1978.

k-i-l-l-e-r-b-e-e-6-9

Ramones

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Ⓐ SLC PUNK! Ⓐ

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Young punks of the mid-’80s working class punk scene of north east England, as captured in 1985 by Chris Killip in the moshpits of The Station, an anarcho-punk venue set up in an old police social club in Gateshead, opposite Newcastle.

Retired Harvard professor Chris Killip was trying to photograph nightlife in Newcastle during a fellowship at the time and was blown away after finding out about The Station.

“…It was peak Thatcherism, and Tyneside – that being Newcastle upon Tyne, Gateshead, Tynemouth, Wallsend, South Shields and Jarrow – was hit hard by the region’s decline of industry. Shipbuilding, engineering and coal-mining jobs were diminishing and this caused long-term unemployment, whereby poverty, deprivation and crime prevailed. For a small group of youths in Gateshead, however, they found unity in The Station – a former police social club that had been transformed into a live venue and rehearsal space run by a local punk collective.

itsnicethat.com/

You’d think that a 39-year-old man, sporting white hair and always wearing a suit, would be questioned upon arrival at a place like this and that The Station was the kind of place one might be warned away from, especially if they didn’t fit a certain type.

“…But instead of the anti-social violence wrongly associated with anarchism Killip found solidarity. “These weren’t the punks of 1970s London,” he says, “these guys were politically aware. They were very keen on animal rights and would often join the miners’ strike marches (…) It was so different to anything else because it wasn’t a commercial space. It was owned by the people who were dancing there and the bands that played there – a group called the Gateshead Music Cooperative.”

“There is a great value in capturing these cultural moments,” he says. “It’s a part of somebody else’s history, and it’s a history that gets overlooked. Young people doing something – succeeding at doing something, organising this club, running it successfully – it’s all forgotten. My hope is that it can be an inspiration to young people today. As in: get your act together, don’t ask permission, get on with it and do it.”

flashbak.com/

(via & via)

idfwpwfwme

Can we go back? I need to be a teen during this time.