Robert Rauschenberg por Irving Penn, 2005
Cosimo Galluzzi
i don't do bad sauce passes
Claire Keane

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shark vs the universe
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Mike Driver
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Robert Rauschenberg por Irving Penn, 2005
Karel Thole
Fritz Capelari RETURNING HOME 1915
Devon Aoki walking at the Fall/Winter 1998 Mugler show
Mecánica humana. Quien sufre trata de comunicar su sufrimiento —ya sea zahiriendo a otro, ya sea provocando su piedad— con el fin de disminuirlo, y a fe que lo consigue. A quien está abajo del todo, al cual nadie compadece, ni tiene poder para maltratar a nadie (por no tener hijos ni otras personas que lo amen), el sufrimiento se le queda dentro y le envenena. Y ello resulta insoslayable, como la gravedad. ¿Cómo se libera uno de ello? ¿Cómo se libera uno de lo que es como la gravedad?
Simone Weil - La gravedad y la gracia
Crucifixion - Ang Kiukok
Ang Kiukok, Thinking Man, 1981
Henrietta Berk (American, 1919-1990), Oakland Landscape, c.1967-69. Oil on canvas, 53 1/2 x 45 3/4 in.
Vivien McDermid (Scottish, 1981) - Postcard (The Sky Chews Sour Grass, Lemons and Charcoal, Cynthia) (2024)
Yaroslav Gerzhedovich
bijin-ga 美人画, « peintures de belle personne » c. 1915, de
Kitano Tsunetomi 北野恒富 (1880 - 1947).
São Francisco (1941)
Candido Portinari (1903-1962)
MASP
São Paulo/Brasil
in: https://masp.org.br/busca?search=portinari
artwork carried by pioneer 10, the first spacecraft to leave our solar system. the vessel carried "messages for other worlds," including this drawing by linda salzman sagan representing humanity, 1972.
Rata Forest in New Zealand
Hilda Palafox (Mexican, 1982) - Camino de Vuelta (2022)
Emin accomplishes what any great artist must do — turn the sacrificing of privacy into the spark of human connectivity.