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gayfilmgeek

anniesymonscostumedesign.com/kiss-short-film

huariqueje

Half Asleep - Jeremy Miranda , 2026.

American , b. 1980 -

Acrylic , 7 3/4 x 9 1/2 in.

nemfrog

Draw a cat using only straight lines. Design in theory and practice. 1910.

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drpepperwhoree

remember that pride is still a protest

aarchval

Georgia O'Keeffe photographed by Alfred Stieglitz, 1923.

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GOOD NEWS, Daniela and Iona Groza Pop

thingsfromthedirt

Wiener Werkstätte Lacework “Temptation in the Garden of Eden”, by Dagobert Peche (ca. 1920)

henk-heijmans

An arctic fox leaps a river in Hornstrandir National Park, Iceland, 2011 - by Erlend Haarberg, Norwegian

brokenimageswherethesunbeats

A capitalist society requires a culture based on images. It needs to furnish vast amounts of entertainment in order to stimulate buying and anesthetize the injuries of class, race, and sex. And it needs to gather unlimited amounts of information, the better to exploit natural resources, increase productivity, keep order, make war, give jobs to bureaucrats. The camera’s twin capacities, to subjectivize reality and to objectify it, ideally serve these needs and strengthen them. Cameras define reality in the two ways essential to the workings of an advanced industrial society: as a spectacle (for masses) and as an object of surveillance (for rulers). The production of images also furnishes a ruling ideology. Social change is replaced by a change in images. The freedom to consume a plurality of images and goods is equated with freedom itself. The narrowing of free political choice to free economic consumptions requires the unlimited production and consumption of images. - Susan Sontag, On Photography