Cartoon by Ellis Rosen
Keni
Not today Justin
taylor price
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tannertan36

JVL
PUT YOUR BEARD IN MY MOUTH
Monterey Bay Aquarium
Stranger Things
I'd rather be in outer space 🛸
Misplaced Lens Cap

roma★

@theartofmadeline
Cosimo Galluzzi

Kiana Khansmith
2025 on Tumblr: Trends That Defined the Year
Mike Driver
No title available
untitled
d e v o n
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@imkeepinit
Cartoon by Ellis Rosen
The SS Pennsylvania of the Panama Pacific Line as depicted in the 1935 RKO motion picture Roberta. In the movie, she is carrying Sophie (Claire Dodd) from the US to Paris. In real life, she traveled from New York to San Francisco via the Panama Canal.
Travel poster by L. Wulff for the Panama Pacific Line naming their main three passenger liners.
Confit Jars with Fruit by Loran Speck
An untitled graphic illustration by Wieslaw Smetek.
“Cruel men believe in a cruel God and use their belief to excuse their cruelty. Only kindly men believe in a kindly God, and they would be kindly in any case.” - From "The Faith of a Rationalist", broadcast on the BBC in 1953
That Is (2001) by Slade
Meta cartoon by Wayno
Meta cartoon by Ellis Rosen
Have you seen one of these before? 20 little bottles containing slightly different masses of mercury so that the oscillation frequency is sl
Have you seen one of these before? 20 little bottles containing slightly different masses of mercury so that the oscillation frequency is slightly different. This is like the "Pendulum wave" but instead makes a vertical wave with the masses on springs. The accuracy of the oscillation time period is better than about 0.5 milliseconds. The use of mercury allows the masses to be controlled very precisely and its high density means the bottles can be kept quite small. This is a kind of visual representation of the sounds of a pipe organ, the smallest pipe being on the right. -via Marcel Clemens on Facebook
How did the conservative ideas of Friedrich Hayek and the Austrian school become our economic reality? By turning the market into the realm
In their war against socialism, the philosophers of capital faced two challenges. The first was that by the early twentieth century, socialism had cornered the market on morality. As Mises complained in his 1932 preface to the second edition of Socialism, “Any advocate of socialistic measures is looked upon as the friend of the Good, the Noble, and the Moral, as a disinterested pioneer of necessary reforms, in short, as a man who unselfishly serves his own people and all humanity.” Indeed, with the help of kindred notions such as “social justice,” socialism seemed to be the very definition of morality. Nietzsche had long been wise to this insinuation; one source of his discontent with religion was his sense that it had bequeathed to modernity an understanding of what morality entailed (selflessness, universality, equality) such that only socialism and democracy could be said to fulfill it. But where Nietzsche’s response to the equation of socialism and morality was to question the value of morality, at least as it had been customarily understood, economists like Mises and Hayek pursued a different path, one Nietzsche would never have dared to take: they made the market the very expression of morality.