Helen Frankenthaler
Show & Tell
hello vonnie
almost home

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Janaina Medeiros
tumblr dot com
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Keni
Sweet Seals For You, Always
we're not kids anymore.
taylor price
trying on a metaphor
Not today Justin
YOU ARE THE REASON
$LAYYYTER
todays bird
🩵 avery cochrane 🩵
One Nice Bug Per Day
NASA
Cosimo Galluzzi
seen from Russia

seen from Malaysia
seen from Germany
seen from United States

seen from United Kingdom

seen from South Africa
seen from United States

seen from United States

seen from Germany
seen from Tunisia
seen from Singapore

seen from Bangladesh
seen from United States
seen from India
seen from Tunisia
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@importantinspiration
Helen Frankenthaler
George Grosz (German, 1893-1959), Fleischerei [The Butcher’s], 1930. Watercolour on paper, 63.1 x 43.5 cm.
Purple Rain (1984)
snctm. & jamesjamesjames - omokage. (2019) album cover
Giovanni Segantini, Ave Maria bei der Überfahrt, 1886
Laura Owens, Untitled (Lion), 2004
Placebo - Placebo (1996)
Album Cover
“The Book SPUK contains slightly modulated, entirely redrawn comic-stories from Donald Duck. Edition Fink, Zürich, 2004
the other thing about gaddafi is he had drip. his shirt of different african leaders and revolutionaries
Nausicaä of the Valley of the Wind, 1984
Cristina David, "Happy End for Herman", 2013, installation (playing cards, shelf, text on paper), 1 x 70 x 20 cm “The Queen of Spades is a novel by Alexander Pushkin written in 1833 in which the author describes the obsession of Herman, an officer in the Imperial Russian army, for the secret about a gambling cards game called Faro. The German officer succeeds to find an answer to a secure winning. He doesn’t know the algorithm behind the solution that he found with the cost of a life, but Herman trusts the information and he proceeds to try it in a real game. By a silly twist of events Herman loses at Faro, he goes mad and he is committed to an asylum. I disagree with this sad end of the novel. I think it is unfair. The officer was only taken by surprise by the possibility of a gambling game to have something so sure as a 100% winning solution. It was not the greed that made him follow his plan, it was curiosity. Scientific curiosity maybe. That is why I prepared a card desk especially designed for Herman. He would not be ale to lose now. Therefore the end of the short story has also changed.”
Book Cover, Black Ivy: A Revolt in Style, 2021
Niklaus Rüeg, Meanwhile... (2016)
Otto Ubbelohde, 1909