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Kiana Khansmith
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PUT YOUR BEARD IN MY MOUTH
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@in-dorare
Last light, Mary Mattingly
Twelve panes of quiet, one of green ⊞
An ivory seal with a pair of bats China 19th/20th c.[1200x901]
Kenta Kobayashi
pearl button sample card, 1931.
https://www.instagram.com/frachella/
Mariano Fortuny scheherazade silk-lamp
Urban Canopy ~ Hong Kong by Christophe Caudroy ⌘ Elevated highways float above surviving woodland
Kazu Toki: 'Wind, Moon and Flower' (1989)
Five layers of fabric been woven on a handloom (opposite), using the five different colored threads traditional in japan together with fiber optic, used in the industry as a transmitter of light. 'Pushing', 'polishing'or 'slashing' the fabric shifts the fibres to create the ambiguous shimmenng shapes. The artist worked on this piece in collaboration with the weaving studio Nozakiorisho Inc. and the textile company Toray Inc.
All the Vermeers in New York (Jon Jost, 1990)
Liv & Ingmar (2012), dir. Dheeraj Akolkar
wisteria placque by rene lalique, 1900s