night time, my time.

[babyxdelilah]

𝘰𝘩 𝘥𝘦𝘢𝘳, 𝘪 𝘥𝘰 𝘸𝘪𝘴𝘩 𝘪 𝘩𝘢𝘥𝘯’𝘵 𝘤𝘳𝘪𝘦𝘥 𝘴𝘰 𝘮𝘶𝘤𝘩

𝘮𝘢𝘥𝘦 𝘣𝘺 𝘣𝘢𝘣𝘺𝘹𝘥𝘦𝘭𝘪𝘭𝘢𝘩

𝘴𝘰𝘶𝘳𝘤𝘦𝘴 — ✩ ✩ ✩ ✩ ꩜ ✩ ✩ ✩ ✩

[miamaimania]

“Veil of Smoke” by Unknown Photographer ◇ Cigarette smoke caught between transparency and touch

[onyxheartbeat]

I’m in love with neon lit cemeteries of Iceland.

Photo sources — ✝️ ✝️ ✝️

[expressions-of-nature]

Askja Víti, Iceland by Jan Drahokoupil

[89words]

“What cannot be said will be wept.”

— Sappho, Fragments

[v-m-r-i]

[neat-thins]

Snoqualmie Falls, Washington

[canmking]

G Z A

[lavagoth]

[lacerise]

Helen Folasade Adu

[xxpurpledieselxx]

Mac 10 9mm

[louremstudios]

[aconissa]

Carl Fischer, Muhammad Ali as Saint Sebastian, 1967

‘(Ali) was deep in thought, mulling the similarities between his own martyrdom and that of the saint he portrayed. “He took his right hand out from behind his back and pointed at each of the arrows,” recalled Lois to Rolling Stone. “Then he’d say the names of the people in this world that were out to get him.” Names of government figures who’d emerged from Ali’s mouth slowly and deliberately: Lyndon Johnson, General Westmoreland, Robert McNamara, and more—one for each of the six wounds.

When the cover hit newsstands, on April 4, 1968, the loaded metaphor wasn’t lost on the American public; readers were shocked and in awe. The same day, Martin Luther King Jr. was assassinated, endowing the image with even deeper significance, and highlighting themes of racial persecution and peaceful protest.’

The Photograph That Made a Martyr out of Muhammad Ali

[jinxproof]

Sofia Coppola | X-Large NYC | 1993 © Ricky Powell

[thunderstruck9]

Ed Ruscha (American, b. 1937), The Funneling of You-Know-What, 1985. Acrylic and dry pigment on paper, 102.2 x 152.7 cm.

[nvdish-angel]

[lehooes]

emilie hofferber