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@indark-ness
the statues of apollo and athena, at the academy athens, in a full moon night.
The House of Cleopatra and Dioscorides. Located on the island of Delos, Greece.
”Cleopatra, daughter of Adrastus of Myrrhinous, set up this image of her husband Dioscorides…” So reads the Greek inscription written on the state-base. As you may have already noted, these statues, and the house which contained them, were not owned by the famous Egyptian queen Cleopatra VII. Rather, an Athenian couple, offering us insight into residential life on Delos during the 2nd century BC. ‘Cleopatra’, after all, is a name of Greek origin.
The house itself is fairly typical of the larger homes in the town’s Theatre Quarter district, with 12 rooms arranged around 2 open courtyards. The placement of these statues within the house may have been significant in relation to visibility from the streets outside, for the pleasure of their owners, or for impact on visitors to the household.
Recommended reading: Lisa Nevett’s Domestic Space in Classical Antiquity (2010). Photos courtesy of and taken by: Bernard Gagnon, Heiko Gorski, and Geraki.
~Approaching the prototypes~ Austin Osman Spare (1888-1956) ~ Greek Vase Figures pen and black ink on paper , date unknown
Ancient cup given to 1st marathon victor returned to Greece
An ancient Greek cup awarded as a prize to the marathon winner in the first modern Olympics of 1896 has been returned to Athens from a German university.
Greece’s Culture Ministry said Wednesday that the 6th century B.C. pottery vessel was considered lost for decades until research in 2014 by archaeologist Giorgos Kavvadias identified it in the University of Muenster’s collections.
A ministry statement said it was proved “beyond any doubt” that the two-handled wine cup painted with ancient runners was the one given to Spiros Louis, the Greek marathon victor in the 1896.
Following correspondence with Greek officials, the university agreed to return the cup, which was part of a private German collection it had bought in 1986. Read more.
Svyatoslav Richter in a hotel suite in Vienna, 1962.
~ Aphrodite.
Culture: Roman
Date: 1st century B.C.
Medium: Marble
Roman funerary monument, Trier
Either a game or two men using an abacus
https://rlp.museum-digital.de/index.php?t=objekt&oges=6050&cachesLoaded=true
Source: © Rheinisches Landesmuseum Trier & Thomas Zühmer ; Licence: CC BY-NC-SA (https://creativecommons.org/licenses/by-nc-sa/4.0/)
Venus de Milo
The Venus de Milo (Greek: Αφροδίτη της Μήλου, Aphroditi tis Milou), the work of Alexandros of Antioch.
"The Venus de Milo is an accidental surrealist masterpiece. Her lack of arms makes her strange and dreamlike. She is perfect but imperfect, beautiful but broken—the body as a ruin. That sense of enigmatic incompleteness has transformed an ancient work of art into a modern one."
- Louvre Museum, Paris.
The House of Cleopatra and Dioscorides. Located on the island of Delos, Greece.
”Cleopatra, daughter of Adrastus of Myrrhinous, set up this image of her husband Dioscorides…” So reads the Greek inscription written on the state-base. As you may have already noted, these statues, and the house which contained them, were not owned by the famous Egyptian queen Cleopatra VII. Rather, an Athenian couple, offering us insight into residential life on Delos during the 2nd century BC. ‘Cleopatra’, after all, is a name of Greek origin.
The house itself is fairly typical of the larger homes in the town’s Theatre Quarter district, with 12 rooms arranged around 2 open courtyards. The placement of these statues within the house may have been significant in relation to visibility from the streets outside, for the pleasure of their owners, or for impact on visitors to the household.
Recommended reading: Lisa Nevett’s Domestic Space in Classical Antiquity (2010). Photos courtesy of and taken by: Bernard Gagnon, Heiko Gorski, and Geraki.
Double hermai of Eros and Aphrodite, created for a Roman collector after two masterpieces by artists from the circle of the Greek sculptor Phidias
Early Imperial Period, c. 35 A.D.
white Carrara marble
Museo del Prado
Relief with dance in honor of Dionysus, probably created for a Roman mansion
Greek, Hellenistic Period, 50-30 B.C.
white marble
Museo del Prado
‘Artemis’ (stained glass). Design by Géza Maróti (1875-1941).
Budapest Museum of Applied Arts. Photograph by Szilas. Wikimedia
Black-figure kylix with seated men and youths (and details)
Greek (manufactured at Athens), Archaic Period, c. 550-540 B.C.
terracotta
MFA Boston