It's my 15 year anniversary on Tumblr 🥳
How it started -> How it’s going
Probably time to switch out that profile picture.
Misplaced Lens Cap

@theartofmadeline
Sweet Seals For You, Always

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NASA
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

❣ Chile in a Photography ❣
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Lint Roller? I Barely Know Her
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art blog(derogatory)
trying on a metaphor

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@indietunes
It's my 15 year anniversary on Tumblr 🥳
How it started -> How it’s going
Probably time to switch out that profile picture.
(via https://soundcloud.com/double-double-whammy/2brokenreal2-jack?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
The Lumineers - S/T
If there’s one band that is the face of the “millennial burger joint” meme, as well as how ridiculously corny that early 2010s indie-pop / folk-pop got, it’s The Lumineers. I remember being a big fan back in the day, but I haven’t kept up with them in a long time, let alone listened to them. The Lumineers blew up with the song “Ho Hey,” and I’ll be damned if that song isn’t the epitome of how corny folk-pop got in that era. Hell, it became known as the “stomp clap hey” sound, because that song “pioneered” that sound, so to speak. In retrospect, it’s easy to see why people hated these bands, but I was there when the ancient text was being written. I was a fan of these bands, and it was truly something special. Maybe not special for people that hated them, but special for people that wanted to be apart of something.
The Lumineers have fallen off in recent years, but their debut is a great slice of indie folk-pop. I found a copy of it online recently, and I was compelled to check it out, because I’ve already been listening to some stuff in that vein. I got some albums from Band Of Horses, The Shins, Vampire Weekend, and a bunch more stuff, so I figured this album wouldn’t hurt as well. I haven’t heard it in about a decade, but I remember still enjoying it, albeit for different reasons, and I’d say I feel that way about listening to it a handful of times after picking it up. It’s a pretty fun, catchy, and whimsical indie-folk-pop album that has some good hooks, lyrical nuggets, and a good sound. Now it’s not perfect, and it does have a dated sound, but I still really like it.
This is one of those albums that I can admit isn’t anything amazing, but I’m a sucker for it. I love a lot of tracks here, but they’ve got a generic folk-pop sound that don’t really do anything worthwhile, although they’re catchy and fun. The lyrics are also pretty good, even if they teeter on corny at times. “Ho Hey” is a good example of that, but it’s still a lot of fun for what it is. The album has its slower moments, and their vocalist doesn’t always make them work, at least with how his voice isn’t anything amazing. I tend to zone out when the slower songs pop up, but at the same time, they aren’t bad. The album isn’t that long, as it’s only 42 minutes, but it can feel a bit lengthy at times, especially when it moves slower. I don’t know, I quite enjoy this album, even if it’s not the best folk-pop album of its era.
Chvrches - Every Open Eye
Over the last handful of years, there are a lot of bands and artists that I’ve really come around to, especially when I didn’t always like them. One of those bands is the Scottish synth-pop band Chvrches, and I remember not being a fan of their debut album, 2013’s The Bones Of What You Believe. I don’t know why, but I need to go back to that album, just to see if it’s held up. Their sophomore album, 2015’s Every Open Eye, is the one that got me into them. Sadly, though, I haven’t kept up with them since. They dropped two more albums, one in 2018 and one in 2021, but I haven’t heard either one of them. I remember going back to Every Open Eye a couple years after it came out, and it really grew on me (even though I liked it a lot), so I was excited when I found a copy at Half Price Books a couple weeks back. I was even more excited when I saw it was a special edition, so there were a few bonus songs.
I haven’t heard the album in a very long time, so I was curious and excited to check it out, but I’m happy to say that the album is pretty dang good, albeit not perfect. I love the band’s brand of synth-pop, especially because it sounds like it’s straight out of the 1980s. Lauren Mayberry is a pretty good vocalist, even if her voice is a bit nasally, but I’ve grown on it over the years. Their sound is pretty straightforward, too, but they’re great with hooks. Well, for the most part, anyway, because this album has one major glaring issue — the album is too repetitive. The standard edition is 43 minutes, but the bonus tracks make it 56, and that’s just way too long. A lot of the songs sound the same, but there are a couple of songs that don’t do much for me, especially when it’s due to one of the other members singing lead on a few songs.
Martin Doherty, who plays synth, guitars, bass, and a lot of other stuff, also sings on a couple of songs (one song on the standard edition and one more in the special edition), but he just doesn’t do anything for me. His voice is so flat and lifeless, I just don’t care for it much. He’s not outright bad, but I zone out during those songs, because they bore me to tears. Otherwise, Mayberry does a great job, even if a lot of songs are very repetitive and derivative of one another. Nonetheless, there are some highlights, such as “Neverending Circles,” “Leave A Trace,” and “Make Them Gold,” among many more. It’s just that the sound isn’t very diverse, so you just get synth-pop, for better or worse. There are a couple of slow tracks in there, but it’s mainly just energetic synth-pop, which is fine, but it does get a bit old after awhile. I’d ultimately recommend this, because it’s fun and energetic, but it’s not very diverse.
ELLIOTT SMITH on tour, 1998
PJ Harvey in NYC, 1995
Photographed by Michael Lavine.
PJ Harvey has spent more than three decades refusing to become predictable. Emerging in the early 1990s with a raw, ferocious guitar sound and a voice that could shift from wounded whisper to elemental howl, she quickly became one of the defining artists of alternative rock. Albums like Dry, Rid of Me, To Bring You My Love, Stories from the City, Stories from the Sea, and Let England Shake show her extraordinary range: blues, punk, art rock, folk, poetry, political lament, theatrical character study. She is admired for the severity of her artistic discipline, her willingness to reinvent her sound and persona, and the way she writes from inside desire, violence, femininity, landscape, war, faith, and exile without softening any of it. She has the rare aura of a true auteur: every record feels like a world with its own weather, costume, language, and mythology.
Picture a man Seen like a speck out from the shore Swimming out beyond the breakers like he's done his life before He feels the coming of a squall will drag him out a greater length But knows his strength And tries to gather it
And he swims on Turning back to shore again Above the outer atmosphere of a world he's never seen And looking down to his new home, he feels the rising of a wave And knows at once he will not weather it
Like that man I looked down into the depths when I met you I couldn't measure it
Any time I've struggled on Against the course Out on my own Every time I'd burn through the world, I'd see That the world, it burns through me But when I'd let go My struggling form My willing soul Every time I'd flow through the world, I'd see That the world, it flows through me That the world, it flows through me
Picture a grave Picture six feet freshly dug The sharp temporary walls at the long-term cliff edge of the world Light and air find some new deepness there and usher down the sky Where one stands by and tries make sense of it
But try measure loss Measure the silence of a house The unheard footsteps at the doorway The unemployment of the mouth The waking up, having forgotten And remembering again the full extent of what forever is
With each grave I think of loss And I can only think of you And I couldn't measure it
Any time I've struggled on Against the course Out on my own Every time I'd burn through the world, I'd see That the world, it burns through me But when I'd let go My struggling form My willing soul Every time I'd flow through the world, I'd see That the world, it flows through me That the world, it flows through me
and the lilacs drink the water marking the slow, slow, slow passing of time
Song: Saltkin Artist: Purity Ring Year: 2012 Why it's Dope: A mesmerizing opening synth that is nimble yet cavernous, confident percussion that balances out the tune's spaciousness, an elegant vocal performance that has a mystical quality to it, and striking lyrics that are surprisingly violent and somewhat esoteric.
Lose — Boeckner
Take My ❤️
Because you can never go from going out to being friends, just like that. It’s a lie. It’s just something that people say they’ll do to take the permanence out of a breakup. And someone always takes it to mean more than it does, and then is hurt even more when, inevitably, said ‘friendly’ relationship is still a major step down from the previous relationship, and it’s like breaking up all over again. But messier.
This Lullaby by Sarah Dessen
Untitled - Lari Heikkilä
amandaonwriting:
Words that describe words
Ananym – A type of anagram, formed by reversing letters of another word. For example, an “emirp” is a prime number that results in a different prime number when its digits are reversed.
Antiphrasis – The humorous or ironic use of a word or phrase in a way that’s contrary to its normal meaning. For example, naming a Chihuahua Goliath or calling a bald man Curly.
Antonomasia — The substitution of a personal name for a common noun to describe a member of a group. Examples include calling an office worker “Dilbert” or a traitor a “Benedict Arnold.”
Backronym — A backward acronym, constructed by taking an existing word and creating a new phrase using the letters in the word. For example, the rating system used to assess newborns—the Apgar score—was devised and named after Virginia Apgar. Ten years later, the backronym APGAR was introduced as a mnemonic aid: Appearance, Pulse, Grimace, Activity, Respiration.
Charactonym — A name of a fictional character that suggests the personality traits of that character. Charles Dickens was a master at creating charactonyms. My favorite is Mr. M’Choakumchild, the unpleasant schoolmaster from Hard Times.
Contranym — A word with two opposite meanings. For example, “oversight” can mean an error or mistake or it can mean watchful care. Dysphemism — The substitution of a harsher or offensive term in place of a relatively neutral term. Referring to genetically modified food as “frankenfood” is an example of a dyphemism.
Malapropism — The humorous misuse of a word by confusing it with a similar-sounding word. William Shakespeare used malapropisms frequently. From The Merchant of Venice, “Our watch, sir, have indeed comprehended two auspicious persons.” (Should be apprehended and suspicious.)
Metaplasm — A change in a word created by adding, omitting, inverting, or transposing its letters, syllables, or sounds. Examples include “rithmetic” for arithmetic, “libary” for library, and “nucular” for nuclear.
Pangram — A sentence that contains all the letters of the alphabet. We all know, “The quick brown fox jumps over the lazy dog.” But how about: “Pack my box with the five dozen liquor jugs,” or, “The five boxing wizards jump quickly”?
Pleonasm — The use of more words than are necessary to convey meaning, either as a fault of style or for emphasis. Examples include “free gift,” “advance planning,” “please RSVP.”
Syllepsis — A figure of speech in which one word is applied in two different senses. My favorite example of syllepsis comes from The Devil’s Dictionary by Ambrose Bierce. “Piano, n. A parlor utensil for subduing the impenitent visitor. It is operated by depressing the keys of the machine and the spirits of the audience.”
By Laura Hale Brockway, the author of the writing and editing blog impertinentremarks.com
Source: Impertinent Remarks
Track of the day // Waxahatchee - Much Ado About Nothing
couldn’t tell if you were crying or laughing, they both sound the same.