Panna a netvor (1978) dir. Juraj Herz
YOU ARE THE REASON
h

PR's Tumblrdome
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
KIROKAZE
Aqua Utopia|海の底で記憶を紡ぐ

tannertan36
Lint Roller? I Barely Know Her
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d e v o n
TMBGareOK. The Official They Might Be Giants tumblr
hello vonnie
tumblr dot com

shark vs the universe
todays bird

@theartofmadeline

ellievsbear

Product Placement

if i look back, i am lost
seen from Bolivia
seen from Brazil
seen from Morocco
seen from Croatia
seen from France

seen from India
seen from Vietnam

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Colombia

seen from United States
seen from France
seen from Dominican Republic

seen from Thailand
seen from Venezuela
seen from Venezuela
seen from Brazil
@indigoghosst
Panna a netvor (1978) dir. Juraj Herz
Amazing
I had no idea john waters was raised by mary oliver and mary malone in their bookshop.. didn't even know mary oliver and mary malone ran a bookshop back in the day!!
Katsushika Hokusai 葛飾 北斎, Two bats flying, c. 1830-50
more
"Can the absence of words tell a story? Like a pattern in lace, the holes as important as the threads?"
Eden Robins, Remember You Will Die
Trauma evacuates memory in that it perpetually disturbs one’s sense of being settled. Memory is poised to take flight whenever it is threatened, when there is a sense of a trauma returning or of a new trauma that is about to happen. This sense of impending catastrophe is an illusion, however, because the trauma never quite arrives. It never arrives because it has already happened; it is already in the present as an effect of some persistent past. The traumatized subject is continually uprooted. She might seem to be in a familiar place, in the sense that she has been there before, and she will most likely return there again and again through the force of repetition. Yet this place is neither an origin nor a final destination, keeping her suspended between a failed remembering and an incomplete forgetting. If trauma is understood as that which is in excess of frames of understanding, it is often impossible to positively speak one’s memory of a traumatic event or to know what really happened. Yet memory is also not bound by the subject who forgets. It materializes in the most unlikely places or fixes itself to things with no logical connection to the traumatic event. It yields an overvaluation of objects, as Freud called it, the condition in which something becomes so full of desire and longing and fear that it is hardly recognizable.
Grace M. Cho, Haunting the Korean Diaspora
Berkshire Landscape by Tim Flach (2008)
Richard Goldstein & James Baldwin | The Last Interview
lol i litereally stopped reading right before one of his most important quotes. including it with a lot of added context because i always see that quote on its own without the rest of the conversation which is really fascinating.
More Joan of arc renderings
I’m enjoying trying this new collage style but its versy strange still to be working on the computer and not by hand
ferdinand hodler, the dream of the shepherd
Leonora Carrington The Giantess (The Guardian of the Egg) 1947
james baldwin was so right when he said “the children are always ours, every single one of them, all over the globe; and I am beginning to suspect that whoever is incapable of recognizing this may be incapable of morality.”
By Jeroen Taal - In Scotland
I had no need of a ghost. I was my own haunting.
Jeanette Winterson, Night Side of the River; from ‘The Spare Room’
Anne Carson, Plainwater: Essays and Poetry
[ID: A quote by Anne Carson.
It reads, "To desire and be desired, what could be simpler? A woman cannot tell a simple story, my father used to say. Well here is what it looks like on the videotape. You see desire go traveling into the total dark country of another soul, to a place where the cliff just breaks off. Cold light like moonlight falling on it." End ID.]
Béa Henri