Untitled @indra-digi - Tumblr Blog

Jainism in India 2024 Jainism in India is an ancient Indian religion that originated around the 6th century BC. This religion is based on five major principles such as Ahimsa (Ahimsa Parmo Dharma), Satya, Asteya (not stealing), Brahmacharya (restraint) and Aparigraha (not accumulating more wealth.

Jainism in India mainly emphasizes on penance, meditation and self-study for the purification of the soul and attainment of salvation. Followers of Jainism consider non-violence and penance important in their lives. Lord Mahavira, the founder of this religion, is considered to be the last Tirthankara, although followers of Jainism believe that 23 other Tirthankaras have been incarnated before this.

History of Jainism in India

The history of Jainism in India is very old, and its connection is deeply connected with Indian culture and civilization. Followers of Jainism believe that Lord Rishabhdev, the founder of their religion, who was the first Tirthankara, preached spiritual knowledge in this world. Rishabhdev is also mentioned in the Rigveda, which shows that Jainism has its roots dating back to the Vedic period.

Lord Mahavira, who is said to be the founder of Jainism in India, was born in Kundalpur (present-day Vaishali district) of Bihar in around 599 BC. His father’s name was Siddharth and mother’s name was Trishala. Mahavira left the palace at the age of 30 and adopted the life of a monk and after 12 years of rigorous penance, he attained Kevalgyan (ultimate knowledge. He preached principles like truth, non-violence, and non-parigraha and exhorted people to follow the path of purification of the soul.

Main Principles of Jainism in India

Ahimsa (Ahimsa Parmo Dharma): Ahimsa is considered to be the most important principle in Jainism. According to this, no harm should be done to any organism, no matter how small it is. The followers of Jainism are vegetarians and even take care of the protection of the creatures living on land, water, and air. They practice kindness and compassion towards living beings.

Satya (Speaking the Truth): Adherence to truth is another important principle of Jainism. Lying, cheating someone, or resorting to untruth is considered a sin. Jainism states that speaking the truth purifies the soul and helps a person to move forward on the path of attaining salvation.

Asteya (not to steal): Stealing any object or property is forbidden in Jainism. Taking someone’s property or things without permission is considered a sin. According to this principle a person should control his desires and use only those things which he will get honestly.

https://indradigi.com/wp-content/uploads/2024/09/R-6.jpeg

Brahmacharya (restraint): In Jainism, great importance is given to restraint and self-control. It is not just limited to avoiding physical relations, but it also speaks of the control of the mind and senses of the individual. By following restraint, a person can achieve mental and spiritual peace.

Aparigraha (not accumulating much): According to Jainism, one should accumulate as much wealth as one needs. The accumulation of more wealth and clothing can trap a person in worldly attachments and remove him from the path of attaining salvation. By following aparigraha, a person is freed from greed and attachment.

Tirthankara and Lord Mahavira

Tirthankaras have a very important place in Jainism. Tirthankaras are those who, through their enlightenment, showed the path of attaining salvation by renouncing the attachment of the world. Followers of Jainism believe in 24 Tirthankaras, of which Lord Mahavira was the last Tirthankara. Mahavira gave an organized form to Jainism and spread it to the masses.

Lord Mahavira’s message was that all beings should be looked at equally and should not hurt anyone. He taught that the path to purify the soul is in moderation, meditation and penance. Mahavira himself did 12 years of rigorous penance and attained only knowledge. His sermons emphasize the immortality of the soul and the karma principle.

Importance of Karma in Jainism

The principle of karma is important in Jainism. Karma is considered a subtle substance in Jainism that remains connected to the soul. According to Jainism, the karma of each person determines the direction of his life. Good deeds lead the soul forward on the path of salvation, while bad deeds keep the soul entangled in the shackles of the world. Followers of Jainism follow penance, meditation and restraint to get rid of the shackles of karma.

Religious texts of Jainism in India

The main religious texts of Jainism are called ‘Agam’. These texts are based on the teachings and teachings of Lord Mahavira. There are two major sects in Jainism – Svetambara and Digambara. The followers of the Svetambara sect wear white robes, while the followers of the Digambara sect remain naked and believe that the clothes are also a symbol of Maya. There are some differences in the religious texts and observances of both sects, but both follow the teachings of Mahavira.

Worship and Festivals in Jainism in India

Worship and penance are of great importance in Jainism. Lord Mahavira and other Tirthankaras are worshipped daily in Jain temples. Jain followers regularly observe fasts, fasts, and penances. Paryushan Parva and Mahavir Jayanti have special significance among the festivals. During the Paryushan Parva, Jain followers perform penance, meditation and atonement for self-purification.

Mahavir Jayanti is celebrated as the birthday of Lord Mahavir and on this day special pujas, discourses, and religious functions are organized in the Jain community.

Global Impact of Jainism in India

The teachings of Jainism have been influential not only in India but also across the world. His teachings of non-violence and restraint have inspired many prominent leaders like Mahatma Gandhi. Even today, the followers of Jainism spread the message of peace and non-violence while following their religion all over the world. The message of Jainism that every living being is important and should be respected without any discrimination is relevant in today’s world as well.

conclusion

Jainism in India is an ancient religion based on purification of the soul and attainment of salvation. Its principles of non-violence, truth, non-steya, celibacy, and non-parigraha are important and relevant even today. The teachings and teachings of Lord Mahavira have spread the message of ethics, compassion, and spirituality in the society. Followers of Jainism follow their religious beliefs and give the message of non-violence and peace worldwide.

click here

#indian art and culture #indian heritage #artists on tumblr #indian art #Jainism in India

Jainism in India 2024

Jainism in India is an ancient Indian religion that originated around the 6th century BC. This religion is based on five major principles such as Ahimsa (Ahimsa Parmo Dharma), Satya, Asteya (not stealing), Brahmacharya (restraint) and Aparigraha (not accumulating more wealth.

History of Jainism in India

Main Principles of Jainism in India

Tirthankara and Lord Mahavira

Importance of Karma in Jainism

Religious texts of Jainism in India

Worship and Festivals in Jainism in India

Mahavir Jayanti is celebrated as the birthday of Lord Mahavir and on this day special pujas, discourses, and religious functions are organized in the Jain community.

Global Impact of Jainism in India

conclusion

#indian culture #indian heritage #Jainism in India

Lingayat Religion 2024 Lingayat Religion, also known as Veerashaiva religion, is a major religious movement founded by the 12th-century social reformer and saint Basaveshwara in the state of Karnataka in South India. This religion is based on Shiva devotion and is different from many traditions of Hinduism.

The teachings and ideals of Lingayat religion emphasize equality, devotion, and morality in society. The Lingayat community is mainly located in Karnataka and Maharashtra, but also has a presence in Tamil Nadu, Andhra Pradesh and Telangana.

Origin and History of Lingayat Religion:

Lingayat emerged in the 12th century, when social reformer Basaveshwara raised his voice against social inequalities, caste discrimination and religious rituals. Basaveshwara established a religion that was free from rituals and based on devotion to Shiva. He tried to establish a society where all people enjoyed equality and justice.

Basaveshwara’s contribution:

Basaveshwara was born in Karnataka and was born in a Brahmin family. He challenged the caste discrimination and exploitation among different sections of society. Basaveshwara carried forward the tradition of wearing a linga, which is a prominent symbol of Lingayat religion. The Linga signifies the presence of Shiva in a symbolic form, and it connects the bearer to Shiva. Basaveshwara spread the belief that all human beings are equal and there should be no discrimination on the basis of any caste or religion.

Lingayat Movement: Under the leadership of Basaveshwara, the Lingayat movement became an important social reform movement. He, along with his followers, initiated a social and religious revolution, advocating for the rights of women and lower castes. The Lingayat movement opposed the caste-system, idol-worship and religious rituals, and gave importance to personal Shiva devotion. Through this movement, Basaveshwara tried to create a society where religious and social inequality could be eliminated.

Main principles of Lingayat religion:

Monotheism: The major tenet of Lingayat is monotheism, which means that God is one and He is Shiva. Lingayat followers consider Shiva as the supreme God and express their boundless devotion towards him.

Ishta Linga: Linga has special significance in Lingayat religion. The Linga is considered a symbol of Shiva, and every follower wears it on his body. This is called the ‘Ishta Linga’, which denotes the personal relationship of the individual with Shiva.

The Linga is worshipped at an individual level and does not require any temple or priest. Religious rituals have been opposed in Lingayat religion. Basaveshwara believed that rituals are not required for the attainment of God, but true devotion and morality are most important. That is why devotion, sadhana and virtue are given priority over rituals in Lingayat religion.

Equality and Justice: Basaveshwara and his followers advocated equality and justice in society. He opposed caste discrimination and demanded equal rights for all people. According to him, all human beings are children of God and there should be no discrimination among them.

Simple Living and Morality: Lingayat religion emphasizes on living a simple and moral life. It is said to lead a simple and balanced life by staying away from material comforts. This religion expects its followers to follow honesty, virtue and religious discipline.

Lingayat Religion and Hinduism:

Lingayat religion is often considered a part of Hinduism, but its followers recognize it as an independent religion. Many principles and ideals of Lingayat religion are different from Hinduism. For example, the caste system has an important place in Hinduism, while the Lingayat religion strongly opposes it.

Moreover, idol worship and religious rituals have significance in Hinduism, while these are opposed in Lingayat religion. In Lingayat religion, Shiva is worshipped on an individual level, and temples and priests have less role to play in it.

Lingayat Religion followers have long demanded that they be recognized as an independent religion separate from Hinduism. It has also been a major political and social issue in Karnataka and has been debated at times.

Impact of Lingayat Religion on Society:

Lingayat has had a profound impact on South Indian society. Lingayat Religion challenged social and religious inequalities and established equality and justice in the society. The Lingayat movement played an important role in empowering the rights of the lower strata of society, women and Dalits.

The followers of Lingayat religion have also made notable contributions in the fields of education, art, and social reform. There have been many prominent leaders, thinkers and reformers of Lingayat society in Karnataka, who gave a new direction to the society.

Modern References to Lingayat Religion:

In modern times, the influence of Lingayat religion is seen not only at the religious level, but also at the political and social level. The Lingayat community plays an important role in Karnataka politics and there have been many movements for the identity and rights of this religion.

In recent years, Lingayat followers have been demanding the government to separate their religion from Hinduism. In 2018, the Karnataka government had recommended recognizing the Lingayat community as an independent religion, but it could not get national recognition. Nevertheless, the Lingayat community is constantly striving to establish their religion independently.

Conclusion:

Lingayat occupies an important place in Indian religious and social traditions. This religion promotes the values of equality, devotion and morality in the society. This movement started by Basaveshwara is still relevant in society today and has a deep impact on religious, social and political levels.

The principles and ideals of Lingayat guide the lives of millions of followers even today and inspire to give a new direction to the society.

#indian art and culture #indian culture

Navratri Festival 2024 visit here Blog - Best Indian art and culture | Indradigi.com

India is a very big country, people of all religions reside in it, people of all religions have their own festivals. Like Deepawali, Dussehra, Eid, Raksha Bandhan, Lohri, Teej, Holi, Navratri etc. Navratri Festival is considered a major festival in Hinduism. This festival is known as the worship of nine forms of Goddess Durga. Although this festival is celebrated with great pomp throughout India, but it has great importance in some states like Gujarat, West Bengal, Maharashtra and Uttar India etc. This festival is celebrated in the form of Maa Durga Upasana in 9 days and nights, it literally means “nine nights” Although the festival of Navratri comes four times in every year, but among these, Shardiya Navratri and Chaitra Navratri are considered to be of great importance. Shardiya Navratri comes either in September or October.

What is the religious significance of Navratri Festival

The festival of Navratri has great significance from the religious point of view because on this day Goddess Durga won religion over unrighteousness by killing a demon named Mahishasura. Navratri is also seen as the victory of religion over Adharam. This festival is believed to be related to Goddess Durga, who is the goddess of power, this festival lasts for 9 days and on these nine days, Goddess Durga is worshipped in different forms.

Nine forms of Navadurga:

Shailputri: Daughter of Parvat Raj Himalaya, she is worshipped on the first day of Navratri.

Brahmacharini: The epitome of sadhana and restraint, is the goddess of the second day.

Chandraghanta: A symbol of strength and courage, she is worshipped on the third day.

Kushmanda: The goddess who created the universe, she is worshipped on the fourth day.

Skandamata: Mother of Lord Kartikeya, she is worshipped on the fifth day.

Katyayani: Mahishasura Mardini is worshipped on the sixth day.

Kalratri: The goddess who destroys all kinds of fear and negativity, she is worshipped on the seventh day.

Mahagauri: Goddess of peace and compassion, she is worshipped on the eighth day.

Siddhidatri: The giver of siddhis and powers, she is worshipped on the ninth day.

Legend related to Navratri Festival

Although there are many stories related to Navratri, but the most prominent story is believed to be the war between Goddess Durga and Mahishasura, Mahishasura was a very powerful demon who got a boon from Lord Brahma that no man could kill him.

https://indradigi.com/wp-content/uploads/2024/09/R-4-1536x1152.jpeg

Due to this boon, the demon had become very powerful and had also become very tyrannical, due to which he had also defeated many gods, then the gods worshipped Goddess Durga and Goddess Durga fought with Mahishasura for 9 days. On the other hand, Lord Rama fasted on Navratri to worship Shakti before the battle with Ravana. or Ravana was killed on the tenth day. This festival is also seen as the victory of Rama and the defeat of Ravana.

Cultural Significance of fast

Navratri festival is celebrated in different forms in different parts of India like in Gujarat, people play dandiya, do garba and go to new places. In Maharashtra too, Garba and Dandiya are celebrated a lot. While in West Bengal this festival is celebrated in a different way, in the last five days Goddess Durga is worshipped, her very huge idols are installed and.

On the tenth day, it is immersed. This festival is also very important in North India, people in Uttar India keep fast, on this day people worship the Mother Goddess, this puja lasts for eight days, on the ninth day, nine girls are honored by sitting as a goddess.

What are Navratri rules and fast

Fasting during the Navratri festival is considered very virtuous, people who fast use satvik food and stay away from non-vegetarian things. The purpose of this festival is not only physical penance, spiritual but also mental and spiritual purification.

The rules of this fast are as follows

Eating fruits at a time or drinking only water

According to this fast, one should eat satvik food once a day

Those who observe this fast should exercise physical and mental restraint

As I just told you, Goddess Durga is worshipped in this fast, so this fast also rules that during this time the Goddess should be worshipped

Last Day of Dussehra Navratri

The festival of Dussehra comes on the tenth day of Navratri Festival, or rather, the festival of Dussehra is celebrated on the tenth day, on this day Sri Rama God declared the victory of good over evil by killing Ravana. And Maa Durga also killed Mahishasura and won good over evil, on this day effigies of Ravana, Meghnad, Kumbhakarna are burnt.

Navratri Festivals and Modern Society

The festival of Navratri is considered very important not only from religious point of view but also from social point of view, this Navratri Festival is celebrated in general, Goddess Durga is worshipped collectively, which promotes the feeling of unity. Fairs are organized on the day of good Navratri; a large number of people participate in it.

Conclusion

From this festival, we get the education that no matter how complex the evil is, 1 day it definitely ends, as we have just seen, Durga Maa had won by killing Mahishasura, victory of good over evil. On the other hand, we get another example where Lord Ram killed Ravana and won good over evil.

Navratri festival is an integral part of Indian culture, it is important not only from religious and spiritual point of view but also from social and cultural point of view. On the day of Navratri, people worship Goddess Durga to awaken their inner and outer powers.

#Navratri Festival 2024 #Nine forms of Navadurga:#Legend related to Navratri Festival

Ellora Caves a Marvel of Indian Architecture 2024

Ellora Caves: A Marvel of Indian Architecture

Introduction

The history of India is very rich in itself. India’s historical heritage with its cultural and artistic Known for all over the world. One of these Ellora caves in Maharashtra has its own It has a rich history inside it. Ellora caves are known for their religious diversity. The architecture and painting of Ellora Cave is very attractive.

Ellora Caves have been included in the world’s historical heritage by UNESCO. Tourists coming from far and wide around the world they feel thrilled to come here. The number of foreign tourists visiting Ellora and Ajanta caves is increasing year after year. Next, we will learn about the history, art and religious importance of Ellora caves, and Indian culture.

Ellora Caves: History and Origin

Ellora caves are also near the Ajanta caves in Aurangabad, Maharashtra. These caves were constructed between the sixth and tenth centuries by cutting rocks. These caves are also historically important because it is a unique blend of caves of Hindu, Buddhist, and Jain religions. The Ellora caves are a portrayal of the artistic and religious progress of ancient India.

These caves were built during the reign of the rulers of Wakataka and Rashtrakuta dynasty. The caves of Ellora are well carved by cutting large stones. Thirty-four caves of Ellora are famous. Within these 34 caves, 12 caves belong to Buddhism, 17 caves belong to Hinduism and five to Jainism. Made by cutting huge rocks, these caves are a masterpiece in themselves. These caves, made by cutting huge rocks, present an excellent piece of art in themselves.

Architecture of Ellora Caves

Known for their unique craftsmanship, the caves of Ellora hold a significant place in history. Here religious stories are portrayed in paintings and sculptures. The most famous of these caves is the Kailash Temple which is located in number sixteen. The Kailash Temple was constructed during the worship of Lord Shiva. This temple is dedicated to Lord Shiva.

It is one of the biggest single rock formations in the world. During the construction of the Kailash Temple, it was constructed by cutting 18,000 tons of rocks. The architecture of Kailash Temple is phenomenal. The Kailash Temple’s most notable feature is that it is entirely carved.

The main points of interest are its elaborate sculpture, the statues of Shiva and Parvati, and the scene where Ravana raises Mount Kailash. Paintings and sculptures are carved in these caves in such a way that they are seen presenting living examples. Such wonderful paintings and artworks are not found anywhere else in the world.

Religious significance

Ellora caves are of great importance religiously. These caves symbolize the unity of Hinduism, Buddhism and Jainism. Despite different religions, the center of everyone’s faith is the same. Such diversity at one location is a sign of religious harmony and tolerance.

Buddhist Caves

There are Chaityas (Stupas) and Viharas (monasteries) in the Buddhist caves of Ellora. In this, a cave whose number is 10 is also called Vishwakarma cave. It is one of the most famous of the Buddhist caves. Just inside it is a giant statue of Lord Buddha in which he is sitting in meditation posture. The Buddhist teachings and beliefs are conveyed through the paintings and sculptures in this place.

Hindu Caves

The most significant Hindu cave is the Kailash Temple, but other caves also have images of gods and goddesses and scenes from sacred narratives etched on them. The events of the Ramayana and Mahabharata are portrayed in Cave No. 14, also known as the “Ravana Ki Khaai.” This collection of sculptures demonstrates the breadth and depth of Indian religious art.

Jain Caves

Jain caves also have a history inside them. The caves 32 and 34 stand out among them. The sculptures of Jain Tirthankaras adorn these caves. The subtleties and details in the sculpture of the Jain caves, which convey the Jain philosophy of non-violence and self-control, have received particular attention.

Tourism and Cultural Significance: One of India’s main tourist destinations is the Ellora caves. Millions of visitors come here from all over the world. The caves are a unique tourist destination because of their distinctive architecture, religious significance, and cultural legacy. The depth of Indian history and art leaves a lasting impression on visitors.

The Ellora caves are also a representation of the preservation of Indian cultural heritage. The site serves as an example of bringing together different facets of Indian culture, and the art and architecture here attest to the flourishing of Indian civilization.

conclusion

The Ellora caves offer exceptional illustrations of Indian architectural design, religious acceptance, and cultural legacy. The ancient Indian society’s religious beliefs and cultural values are portrayed vividly in the sculptures found here.

click here

#Ellora caves #Hindu caves #Buddhism caves

Ajanta Caves in Maharashtra 2024 visit here-https://indradigi.com/blog/

Ajanta Caves: A Precious Heritage of Indian Art and Culture

Ajanta Caves in Maharashtra have been constructed by cutting 30 rocks. The artefacts composed inside these Ajanta caves are Indian ancient Reflect excellence. They have been included in the historical heritage by UNESCO. The exquisite sculpture and frescoes found in the Ajanta caves are well-known. Ajanta Caves are one of the precious heritages of Indian history.

Ajanta Caves in Maharashtra are famous all over the world for their art, culture and history. Ajanta caves are located in the Aurangabad district of Maharashtra. Ajanta caves are known all over the world for their Buddhist painting and sculpture. These Ajanta caves were built between the 2nd century BC to the 7th century. Ajanta Caves have been included in the World Heritage Site by UNESCO. Ajanta caves present a unique example of Indian history. Today we will understand in detail the historical, cultural and religious importance of Ajanta Caves in Maharashtra.

Historical Introduction to Ajanta Caves in Maharashtra

These Ajanta caves were constructed during the time of Buddhism. That was the peak time for Buddhism. These Ajanta caves were built for the meditation and meditation of Buddhist monks. So that they can learn about all the fellowships of Buddhism during their study. Paintings and sculptures carved inside the caves Shows the most exquisite examples of the art and culture of ancient India. Ajanta caves were the main centers of the spread of Buddhism.

The Ajanta Caves were constructed in two main phases:

The first phase is considered to be the period from the 2nd century BC These Ajanta Caves in Maharashtra were excavated and painted at that time by the empire of the Satavahana rulers. The second phase is between the fifth and seventh centuries. The second phase took place under the patronage of the Wakataka kings, at that time the influence of Gupta art and culture was seen.

Architecture and structure of Ajanta Caves in Maharashtra

There are a total of 29 caves in the Ajanta Caves in Maharashtra the shape of these caves, built on the banks of the Wadhura river, appears to be like a horseshoe.

These caves are mainly in two ways:

Vihara (Monastery) This place was the place of residence and meditation of Buddhist monks. These monasteries generally had wide courtyards. There were living rooms for Buddhist monks which were in a row.

Chaityagriha (Stupa Sthal) These Ajanta caves were built only for worshiping and meditating. The Ajanta caves was built as an image of Lord Buddha. The stupas built inside these caves are considered by Buddhist monks to be the form of Lord Buddha.

Paintings of Ajanta Caves

The paintings made inside the caves of Ajanta Caves in Maharashtra present the oldest and exquisite example of Indian painting. These arts are considered as one of the most important paintings in Indian history. To have a real glimpse of the life of Lord Buddha, one should visit the caves of Ajanta once. Events related to the life of Lord Buddha and the Jataka stories are depicted on the walls of the Ajanta caves.

1.Jataka Stories: The description of Lord Buddha’s previous birth is found in these Jataka stories. About it is painted on the walls of these caves. The messages of humanity, compassion and love have been depicted through these wall paintings.

2.Life of Buddha: Some of the paintings seem to depict the life of Mahatma BuddhaSuch as his birth, knowledge, his life and nirvana are revealed.

Following are the characteristics of Ajanta painting:

Descriptive Style: Every aspect of his life has been monitored through pictures.

Use of natural colors: Natural colors have been used to make these paintings made inside the Ajanta Caves in Maharashtra Which faded over time. But even today there is no decrease in their beauty. Human emotions: The characters in these paintings are uniquely created to show human emotions clearly. This is what makes these paintings great. This art was one of the most exquisite arts of that time.

Sculpture

As good as the paintings are carved inside these caves, the sculpture of Ajanta caves is equally unique. Inside these Ajanta caves, the figures of Lord Buddha and other Buddhist religious leaders have been carved on stone. Highly skilled craftsmen have been performed in these sculpture constructions. This period was the highest period of Indian painting. The Buddha’s stance, his contemplative countenance, and his compassionate spirit are all expertly portrayed in these sculptures.

Buddhism and Ajanta Caves

The Ajanta caves reflect the cultural and social significance of Buddhism. It was inside these Ajanta caves that Buddhist monks meditated and recited prayers. Inside these caves, there is also a mention of the teachings and teachings given by Lord Buddha.

Which depicts the teachings and religion given by Lord Buddha through pictures. Mahayana, Hinayana are the two major branches within Buddhism. Ajanta caves are also considered to be the meeting place of these two. The work of installing the idols of Lord Buddha inside the Ajanta caves was done by the Mahayana branches and started worshipping them. While the Hinayana branch-built Stupa. Both these branches adopted the same religion.

Ajanta Caves: UNESCO World Heritage Site

The work of incorporation of Ajanta Caves in World Heritage was done by UNESCO in 1983.This recognition was given keeping in mind the historical, cultural and artistic significance of Bodh Dharma. Ajanta caves are an invaluable heritage for India and hold an important place all over the world. The art and sculpture of Ajanta Caves in Maharashtra attracts historians, art lovers and tourists from all over the world.

Conservation of Ajanta Caves

The Archaeological Survey of India (ASI) is responsible for securing the Ajanta Caves in Maharashtra. By the way, the Archaeological Survey of India takes care of every heritage of India. These have to be kept much safer in view of human interference and human degradation. But preserving the Ajanta caves’ historic architecture is a difficult process. However, the Archaeological Survey of India has been making many efforts to preserve these paintings and sculptures through its own. Many techniques are being used to keep them safe.

Ajanta Caves and Tourism

Ajanta caves attract not only tourists from India but tourists from all over the world. Ajanta Caves in Maharashtra are quite popular among foreign tourists. Year after year, millions of tourists come here from abroad. They are crazy about the art of tourist India, India culture and history here. those who are curious to learn regarding Indian history, art, and culture.

conclusion

Ajanta Caves in Maharashtra present a unique example of India’s culture art. which would provide us with an interesting insight into the art, religion, and society of ancient India. Today the oldest heritage in the world is inside India. Not only have the paintings, carvings, and dwellings here augmented Indian culture, but they have also left their mark as worldwide treasures.

The message we get from the Ajanta caves is that how deep was the importance of art and culture in Indian ancient times. Correspondingly, we should keep protecting our valuable inheritance. Preservation of these historical heritage is not only the job of the government, but the common man should also perform his duty

#indian art and culture #ajanta caves

Major Languages in India 2024 visit here-https://indradigi.com/blog/

Languages in India

With 22 official Languages in India and more than 1,600 dialects, India is a linguistic and cultural mosaic where each is intricately entwined with the country’s rich artistic and cultural heritage. Ancient Indian language Sanskrit has shaped spiritual traditions and philosophies through its influence on classical Indian music, dance, and literature.

Through literature, film, and folk arts, Hindi, the most widely spoken language in India, reflects the rich diversity of North Indian culture. Two of the oldest Dravidian languages, Tamil and Telugu, are home to vibrant classical literatures and artistic expressions such as Kuchipudi and Bharatanatyam.

In Eastern India, Bengali, the Languages in India of famed poet Rabindranath Tagore, is a center for literature, music, and the arts. Prominent South Indian languages Malayalam and Kannada are renowned for their elaborate dance forms, classical poetry, and temple architecture. In India, every language functions as

Human writing has reflected culture, lifestyle, society and contemporary society throughout history. In the process, each culture developed its own language and created a vast literary base

This wide base of literature gives us a glimpse of the evolution of each language and culture over the centuries

Human writing has reflected culture, lifestyle, society and contemporary society throughout history. In the process, each culture developed its own Languages in India and created a vast literary base

This wide base of literature gives us a glimpse of the evolution of each Languages in India and culture over the centuries

Diverse dialects can arise from a particular language. The languages spoken in different regions of the India belong to the family of many languages, most of which belong to the Indo-Aryan group of languages. It is the Indo-Aryan group originated from the Indo-European family. Some language groups are the indigenous groups of the Indian subcontinent.

Classification of Indian Languages

Languages in India are classified into the following major sub-groups:

Indian Aryan group

Dravidian group

Northern Group

Central Group

Southern Group

Sino-Tibetan Group

Austic group

others

Indo-Aryan group of languages

It is the branch of the larger Hindi European family that came into India with the arrival of the Aryans It is the largest language group in the India and about 74% of Indians speak Languages in India belonging to this group.

Ancient Indian Aryan Group

From this, the development of groups took place around 1500 BC and from this the culture was born. Sanskrit can be called the mother of many Indian languages, it is the oldest language of our country, it is one of the 22 languages listed in the constitution.

Ancient Culture as a Carrier of Indian Culture

The development of Sanskrit grammar began from the time of Pani in 700 BC of his book Ashtadhyayi, this book is the oldest book on Sanskrit grammar. Some of the literature related to Mahayana and Hinayana sect is also in Sanskrit language.

The book Mahavastu of the Hinayana sect is a treasure trove of stories The most sacred Mahayana grant Lalita Vistara and the ghost character of Ashvaghosa were also written in Sanskrit language. The only culture is a language that transcends the barriers of region and boundaries.

There is no such part in India from north to south and east to west. For which Sanskrit language has not contributed or which has not been influenced by Sanskrit language. The cultural and Pranjal form developed between 300 BCE and 200 BCE.

It was the processed version of the Vedic culture. The first evidence of the use of culture can be found in the inscription of Rudradaman at Junagadh in present-day southern Gujarat the use of culture in poetry is known to be known from the Gupta period, it is a period of purely Sudha literary composition which is evident in the works of epics and khandakavya,

in the field of Sanskrit literature, this period is known as the unique composition period, due to which various types of literary works were composed during this reign.

Central Indian Aryan group of languages

The development period of this subgroup should be between 600 and 1000 BC This began with the development of natural language, which means nature is understood to be intuitive, indicating that there is no rigid rule for its use.

The common dialect is natural, in a broad cohesive way, all the languages of the Central Indo-Aryan group are included the origin of many languages like Ardha Magadhi, Pali, Apabhramsa etc. is found in nature, nature was related to the livelihood of the common people, while on the other hand Sanskrit was conservative.

The script was developed relatively later in Prakrit language than in culture. Prakrit and semi-Magadi launguage were used in the Jain Agams. The period of transition from one language to another was mantra and could not be divided into strict chronological periods.

Nature includes

Pali It was widely spoken in Magadha. This Isha influence was popular between the 5th to 1st centuries. It is closely related to culture and was written in Brahmari script. The Tripitaka of Buddhism was written in Pali. It served as the common language of Theravada Buddhism.

Magadhi Prakriti or Ardhamagadhi

These are the most important types of nature Sanskrit, and its literary use increased after the decline of Pali Buddha and Mahavira spoke in Ardhamagadhi. Many Jain texts and Ashoka’s edicts were also written in Artha Magadi, Eastern India languages i.e.

Bengali, Assamese, Oriya, Maithili, Bhojpuri etc. Shourseni was widely used to write plays in medieval India. It is the Satavahana dynasty was the official language It was the official language of many plays written in it. Illu is the ancient form of modern Sinhala language of Sri Lanka Paisachi it is also called ghost language The ancient eoic paisachi bhasha called bruhatkatha of Gunadhya.

Apabhramsa

Six seven centuries Apabhramsa had developed into an inclusive one that encompasses all dialects other than culture or even natural.

It refers to the transition of the languages of the modern Indo-Aryan groups of the Middle East Gradually it became a literary language and was used in the writing of many texts, Kathawadi, the seventh century Satak Apabhramsa had developed its identity, this can be highlighted from the fact that in the sixth or seventh century AD, the famous poets of Kashmir.

Bhama, the famous poet of Kashmir, divided poetry into Sanskriti, Prakriti and Apabhramsa, as well as Dandi, the ancient litterateur of culture, also said. Scholar by many Jain Munis wrote extensively in Apabhramsa and preserved its major texts, and the author is Pushpadanta’s Mahapuran of Dhanapala Bhavisayattakha ets.

Modern Indian Aryan Group

The languages belonging to this group are Hindi Assamese, Bengali, Gujarati, Marathi, Punjabi, Rajasthani, Sindhi, Oriya, Urdu, etc. The languages of this sub-varak developed after 1000 BC. These languages are mainly spoken in the northern, western and eastern parts of India.

Dravidian Group

This group includes Languages in India spoken mainly in the southern parts of India. About 25% of the Indian population is included in this group. The Dravidian Languages in India has 21 Dravidian languages. They can also be broadly grouped into three groups: the Northern Group, the Central Group and the Southern Group.

Northern Group

These include three languages i.e. Brahui, Malto and Krugh, Brahui is spoken in Balochistan, Malto, the tribal areas of Bengal and Odisha, while Krukh, Bengal, Odisha, Bihar and Madhya Pradesh are spoken

Central Group

It consists of 11 languages i.e. Gondi, Khond, Kui Manda, Gadba, Kolami, lack of pago Telugu Only Telugu became a civilized Languages in India and is spoken in the states of Andhra Pradesh and Telangana.

Southern Group

Seven Languages in India belong to this group, these are Kannada, Tamil, Malayalam, Tulu, Kodagu, Toda and Kota, Tamil is the oldest of them. Among these 21 languages, the four major languages of the Dravidian group are: Telugu, Tamil, Kannada, Malayalam.

Sino-Tibetan Group

The Languages in India of this group belong to the Mongolian family, Mongolian is found in the entire Himalayas, northern Bihar, northern Bengal and the northeastern borders of the country, these languages are considered to be older than the Indo-Aryan languages.

The Chinese Tibetan group is divided into two groups: Tibetan Burman, Saiyami Chinese.

Austrian

The Languages in India of this group belong to the Austro-Asiatic sub-family which includes the Munda and Kol groups of languages and are spoken in Middle Eastern and Northeastern India, some of them also belong to the Maun Khemer group such as Khali and Nicobarese

They were referred to as Nishad in ancient culture literary. The most important Languages in India under this group is Santhali, spoken by the Santhal tribals of Jharkhand, Bihar and Bengal. All medicinal in Indian territory except Khasi and Santhali.

Other

These groups include many Dravidian tribal languages such as Gondi, Oraon, Praji which are very different and cannot be classified into appropriate mention groups.

Concussion

With more than 1,600 dialects and 22 officially recognized Languages in India, India is home to a rich linguistic diversity. Its art and culture are intricately entwined with this diversity, as each language reflects a distinct regional heritage. Sanskrit and Tamil, two ancient languages, have historically influenced Indian philosophy, literature, and religion. They have also had an impact on dance, music, and temple architecture.

Languages in India Languages like Hindi, Bengali, Telugu, and Kannada enhance India’s cultural mosaic in the modern era by supporting thriving theater, cinema, and literary traditions. Oral traditions, folk art, and regional crafts are all greatly enhanced by the use of local languages in India. For example, the multilingual retellings of ancient epics such as the Ramayana and Mahabharata continue to inspire paintings, plays, and festivals all over the nation.

#language #major languages india

Paraguay vs Brazil 2024 visit here-https://indradigi.com/blog/

Paraguay vs Brazil

Paraguay vs Brazil Paraguay pulled off a major upset on September 10, 2024, against Brazil in the FIFA World Cup 2026 qualifiers. The game took place in Asunción, Paraguay at the Defensores del Chaco Stadium. The entire football world was shocked by Paraguay’s victory because it was an unexpected outcome against such a formidable team as Brazil.

Overview of the match Paraguay vs Brazil

Diego Gomez scored the first half goal of the match for Paraguay in 29 minutes. and provided the group with a benefit. After this, Brazil also tried its best to match the Paraguay team. But they have been stopped time and again by the Paraguay’s strong defence. Famous players like Vinicius Jr. and Rodrigo of Brazil put in a lot of effort, but they were unable to score any goals against Paraguay’s outstanding goalkeeping defense, Fernandez. Analysis of Combat:

The Brazil squad struggled to perform in this game, and they played a sloppy first half. Diego Gomez of Paraguay gave his team the lead in the 20th minute, and it held true until the very end. Goalie Alisson of Brazil was confused when the ball touched the post and entered the net during this goal.

Brazil had difficulty the entire game, but they were particularly poor in the first half, failing to put a single shot on goal. The star player for Brazil, Vinicius Junior, created a few opportunities but was unable to score. Throughout the game, Brazil’s strategy appeared inadequate, and the team was experiencing low self-esteem.

Brazil’s conflict in Paraguay vs Brazil

This match was not good at all for Brazil or rather it was very disappointing, the goal scored by Paraguay’s Diego Gomez in the first half. After that goal, the players of Brazil made many plans but could not score any goal even till the last time. Brazil made several consecutive attacks while increasing their powers, but could not score any goals, Paraguay’s team disappointed the Brazil every time through their defense, that is, they did not allow them to score goals, in the last time, Brazil took many corners and sets. But anyone could convert it into a goal Brazil.

Significant Occurrences in Paraguay vs Brazil

Vinicius Jr. received a yellow card in the 90+3 minute for arguing with the referee.

Braulio Riveros replaced Jose Anciso in the 88th minute, a major change for Paraguay that strengthened their midfield.

In the 79th minute, the Brazil squad substituted veteran Lucas Moura for Rodrigo, but he was unable to change the outcome of the game.

Paraguayan Approach in Paraguay vs Brazil

Throughout the game, Paraguay played defense and repeatedly stopped Brazil’s attacks. After his goal, Paraguay focused primarily on defense the rest of the game, denying Brazil any opportunity to respond. Together, goalie Fernandez and defender Erse made a number of crucial saves that proved to be the difference in this victory.

Deficiencies in Brazil in Paraguay vs Brazil

Brazil’s game appeared disorganized during this encounter. Vinicius Jr., the team’s star player, attempted three shots, but none of them were successful in scoring. After the game, team captain Marquinhos added, “We are feeling low in confidence and this qualification is a difficult time.” We must adapt to the group. Under Doriwal Jr., Brazil has not performed well, particularly in situations where the team needed to win back-to-back games.

The Next Challenge for Brazil

Brazil’s qualifying campaign is currently facing difficulties. Next month, the team plays Chile and Peru, where a victory is imperative to maintain their current standing. Brazil is currently in fifth place with 10 points, which is concerning for their chances of qualifying for the World Cup.

Fear for Brazil in Paraguay vs Brazil

Brazil’s chances of making it to the 2026 World Cup are under more pressure now that they have lost four straight qualifier games. Dorival Jr., the team’s coach, will now need to reconsider the team’s game plan and player performance; his offensive players in particular need to step up their game.

Brazil’s letdown in Paraguay vs Brazil

This loss will disappoint the Brazilian squad, which was viewed as a dominant force in world football a few years ago. To compound his disappointment, Vinicius Jr. was given a yellow card for arguing with the referee in the closing minutes of the game. After the game, Brazil’s coach Dorival Jr. stated that his team needed to improve in the following games and learn from their mistakes.

https://indradigi.com/wp-content/uploads/2024/09/09world-cup-brazil-croatia-final-score-photos-topart-sub-1-b3e8-jumbo.webp

Paraguay’s incredible triumph in Paraguay vs Brazil

This triumph may mark a sea change for Paraguay. With this victory, Paraguay, who has struggled in the World Cup qualifiers in recent years, will gain confidence. The victory increased Paraguay’s chances of making it to the tournament, and following the game, coach Alfaro stated that his team’s performance demonstrated that they are capable of performing well in important games.

From a statistical perspective Paraguay vs Brazil

Brazil controlled the ball for more than 60% of the game, but they were unable to score from their attacks. Paraguay, on the other hand, took advantage of little chances and revealed Brazil’s vulnerabilities. Out of 15 shots, only 3 were on target for the Brazilian players, and only 1 of Paraguay’s 5 shots resulted in a goal.

Player and coach input in Paraguay vs Brazil

After the game, Marquinhos, a defender for Brazil, stated, “This is a difficult time for us.” With so many new players on our team, we are lacking confidence. We need to manage this period of time and respond by performing better on the field.

He acknowledged that Brazil is going through a difficult moment and that the group needs to start playing better right away. Dorival Jr., the coach of Brazil, who took over the team following the 2022 World Cup, seemed unhappy with the outcome. According to him, the team’s inability to adapt effectively has resulted in this loss, which highlights their tactical shortcomings.

Conclusion

In order to qualify for the World Cup, Brazil will now need to improve both their performance and strategy in their upcoming games. In addition, the Paraguay squad ought to draw motivation from this triumph and carry it over into their next games.

This win could go down as a landmark in Paraguay football history, while Brazil’s loss is perceived as a wake-up call to address their areas of weakness. All eyes will now be on these two teams to see how they respond and proceed in the upcoming qualifying matches.

click here

#fifa world cup #fifa 2024 #fifa

Ganesh Chaturthi festival 2024 in India visit here-https://indradigi.com/blog/

Ganesh Chaturthi is a festival of India. India is a very vast country; people of many religions live here. People of religion now have a festival of their own. Like Diwali, Dussehra, Holi, Raksha Bandhan, Teej, Ganesh Chaturthi etc. Here I will tell you about Ganesh Chaturthi festival. Ganesh Chaturthi is celebrated in the month of Bhadrapada. This festival is celebrated as the birth anniversary of Ganesh. The festival of Ganesh Chaturthi falls in the eighth or ninth month.

Ganesh Chaturthi is a famous festival of Hindus which is celebrated from different parts of India. It has great importance in Maharashtra and Karnataka or say that it is celebrated with great pomp here. Lord Ganesha was born on this day Hindus worship Lord Ganesha In every auspicious and auspicious work; the first Ganesha is worshipped.

on Ganesh Chaturthi. By the grace of Ganesha huge talent of Lord Ganesha is established in many prominent places, this statue is worshipped for 10 days, the troubles and troubles on the family are removed. A large number of people living nearby come to visit the school, after 9 days, the talent of Ganesha is immersed in any river or ocean water with songs and hawks. Ganesha is also known as Lambodar.

how to bring Ganesh idol on own home

During Ganesh Chaturthi, bringing Lord Ganesha into your home is a beloved tradition that requires several crucial steps. In order to respect environmental concerns, you should first choose a suitable idol of Lord Ganesha, preferably made of eco-friendly clay. Make sure your home is clean and sanctified before bringing the idol inside, paying special attention to the area where it will be placed.

Establish a beautifully adorned altar or platform for Lord Ganesha on the day of Ganesh Chaturthi. For the forthcoming puja, arrange flowers, lamps, and incense on a clean cloth or decorative piece that serves as a base. Bring the idol home while chanting mantras or singing devotional songs and do it with a pure and happy heart.

After the idol is in place, carry out a brief ceremony known as Pran Pratishtha to invoke Lord Ganesha’s divine presence. This can be accomplished by doing Aarti, arranging flowers, and lighting incense. Give Ganesha his favorite candies, such as fruits, Ladoo, and Modak.

Throughout the festival, worship Ganesha every day with fervor. Following the designated days of worship (typically 1, 5, 7, or 10 days), honor Lord Ganesha’s return to his celestial abode by joyfully and respectfully immersing the idol in water as part of the Visarjan ritual.

How to Establishment of Ganesh sculpture on Ganesh Chaturthi

It is considered auspicious to place the idol of Lord Ganesha in the north or east direction of the house. In which the statue has Ganesha in a sitting posture and the trunk tilted towards the left is considered very auspicious. It is believed that bringing home such a statue of Ganapati brings peace along with happiness and prosperity in the house.

Before installing the idol of Ganesh, a yellow or red cloth should be laid on a small post, once the statue is installed, do not remove it from there. And shake the idol only at the time of immersion, do not consume any tamasic food after the arrival of Ganpati Bappa in the house nor make such dishes in the house.

Easy way to worship Ganesha

Ganesha is worshipped methodically. In which different types of mantras are chanted and rituals are performed. Whenever worship is done in the India, Ganesha is first invoked. After which flowers, sandalwood, incense, lamp, Naivedhya etc. are offered to them.

21 Modak are offered to Ganesha during the puja, it is believed that Ganesha likes modaks more. After this, the whole family members together perform the aarti of Ganesh lord.

Devotees should first take a good bath and wear healthy clothes.

Before installing the idol of Ganesh be sure to sprinkle Ganga water.

The pooja room should be cleaned well before installing the idol of Lord Ganesha.

Tilak on Ganpati Bappa’s forehead with yellow sandalwood.

How Ganesh Chaturthi festival is celebrated-

Before the Ganesh Chaturthi festival, people clean their houses and decorate the puja places. Shopkeepers are very busy in the market as there is a lot of demand for the idol of Ganesh lord these days. Women make a variety of dishes at home, out of which Modak is the main one. Modak is a kind of laddu made from rice flour which contains coconut and jaggery.

The festival of Ganesh Chaturthi is celebrated with great enthusiasm throughout India, on the day of Ganesh Chaturthi, people bring Ganesha to their home and worship him with law. They immerse Ganesha after keeping it at their home for 10 days, earlier this festival was celebrated only in Maharashtra and some parts of these but now it is being celebrated all over India.

Ganesh Chaturthi was started during the reign of King Maratha Shivaji in 16 centuries. Ganesh Chaturthi got recognition as a major festival in the 19th century. There were many efforts of Lokmanya Tilak behind this. Those who are known as freedom fighters. In today’s time, the trend of eco-friendly Ganesha idol is increasing very fast.

Religious Significance of Ganesh Chaturthi

The birth of Lord Ganesha is a wonderful event. Mata Parvati created Lord Ganesha with the udder of her body and made him stand as a gatekeeper for his protection. When Lord Shiva returned home and wanted to enter the house, Ganesha stopped him, due to which Shiva got angry and separated his neck from the torso.

Seeing all this, Parvati was very sad, seeing her sorrow, Lord Shiva put the head of Ganesha’s head elephant. And revived Ganesha or Ganesh is called Vignaharta, and he is worshiped first.

Visarjan of Ganesha

Ganesh is immersed on Anant Chaturdashi. People take out a procession of Ganpati idol accompanied by drums, songs, bandwagons. The idol of Ganesha is immersed in a river or pond

Conclusion

Celebrated with vigor across all religions and cultures, Ganesh Chaturthi is a celebration of community spirit, unity, and devotion. As a celebration dedicated to Lord Ganesha, the one who removes obstacles, it has profound religious meaning in Hinduism. The rites represent the cyclical nature of life—birth, celebration, and dissolution—from the ceremonial placement of Ganesha idols to their immersion.

The festival, which was first made popular by Bal Gangadhar Tilak to promote harmony during India’s independence movement, has grown to become a huge cultural phenomenon. Ganesh Chaturthi today unites people from all walks of life to commemorate not only the deity’s devotion but also common ideals of harmony and solidarity.

#festival #indian festivals #ganesh chaturthi

Top Onam Festival of Kerala

Onam: A Major Festival of Kerala

Onam festival is the most prominent festival celebrated in the state of Kerala in South India. It was mentioned in the Hindu calendar that it is believed that Onam festival is celebrated in the month of Chingam. This festival is celebrated with full enthusiasm in Kerala. It is one of the most prominent festivals of the state of Kerala held to commemorate the harvesting of crops.

If you want to see a glimpse of the culture of Kerala, then see this Onam festival. Kerala’s culture is considered a symbol of traditional values and joy. People of Kerala celebrate this Onam festival for 10 days. It originates in the Atham nakshatra. The Malayalam New Year, which the whole community celebrates together, falls on the same day as the festival.

Mythological Significance of Onam festival

The operation of celebrating this festival dates back to the time of King Mahabali. King Mahabali, despite being the king of the Asuras, was famous for his love of people and justice system. Every individual in his realm was content and benefited from wealth. According to legend, the gods were envious of King Mahabali’s increased wealth and power. He called upon Lord Vishnu to help.

Vishnu took on the Vamana avatar and requested three steps of land from King Mahabali. King Mahabali was kind enough to grant him permission. In his first two steps, Vamana measured the entire sky and the earth. When Vamana Avatar asked him that I have measured the earth and the sky in two sides, then where should I keep the third step.

King Mahabali bowed his head in front of Vamana. So, Lord Vishnu sent him to Hades. Lord Vishnu blessed him and said that he could come to meet his people once a year. When King Mahabali comes to meet his subjects, Onam festival is celebrated on that day. This festival is also celebrated as a festival of happiness and prosperity.

Onam festival is celebrated for 10 days

Onam festival is celebrated for 10 days, and every day has a different name. Atham, Chothi, Optradam, Thiruvonam, Purdam, Anizm, Thrikketta, and Visakam. Every day has a unique meaning, and there are numerous religious and cultural celebrations. On these days, people prepare traditional dishes, attend social gatherings, decorate their homes, and create “pookkalam” out of colourful flower petals.

1.Onam, or Atham, is the first day. The tradition of creating floral rangoli, or “Pookkalam,” in the courtyards of the homes began on this day.

2.Chithira: This day is significant because Pook kalam is decorated with more ornate and vibrant decorations.

3.Vishwakarma: Traditional dance and music events are held on this day.

4.Anizam: On this day, customary contests and games get underway.

5.Thrikketta: People visit temples to worship on this day.

6.Moolam: People dance traditional dances like “Thiruvathira” and “Kathakali” on this day.

7.Purdam: This day is particularly observed for social service and religious ceremonies.

8.Optradam: People finish decorating their homes on this day, which also serves as the last day of festival preparations.

9.Thiruvonam: The day that matters most

Major Onam festival

There are cultural and religious events on this day which are as follows:

To celebrate Pulkam in the festival, it is decorated with colorful flowers. It takes ten days to form specifically from Atham to Thiruvonam, and every day it gets bigger and more beautiful. Traditionally, it has been used to greet guests, particularly King Mahabali’s arrival.

A unique vegetarian dish called Onsadya is served on a banana leaf. More than 26 dishes are included in it, including pickles, chips, payasam, olan, thoran, avial, and sambar. All of the family members gather together and share food on Onsadya, signifying love and harmony.

Kathakali: The traditional dance of Kerala, known as “Kathakali,” is performed during Onam. This type of dance is based on myths such as the Ramayana and the Mahabharata, which combine lavish costumes, acting, and music.

The Snake Boat Race, also known as Vallam Kali, is a significant Onam celebration in Kerala. Several sailors compete in it while seated on a massive snake-boat. It is a part of Kerala’s rich cultural legacy in addition to being a representation of physical strength.

Thiruvathira: Women perform this traditional dance, especially on the occasion of Onam. This is a group dance that features women dancing in circles. Its primary goal is to wish harmony and prosperity to the family.

Cultural and Social Aspects of Onam

The Onam festival showcases Kerala’s rich culture, traditions, and social cohesion in addition to its religious significance. People from all castes, classes, and religions come together to celebrate this festival in unity. This festival, where everyone forgets their differences and celebrates together, is a symbol of prosperity, happiness, and social harmony.

Onam is marked by customs that include house decorating, donning new clothes, and attending social gatherings. Furthermore, because it is observed during harvest season, this festival highlights the value of agriculture. On this day, farmers give thanks to God and hope for a bountiful crop.

Onam festival and modernity

The characteristics of Onam festival have also evolved in the modern era. Today, both modern and traditional customs are used to celebrate this festival. Cities organize numerous cultural events to go along with the extravagant celebrations of this Onam festival. Nowadays, Onam is widely celebrated outside of Kerala by Malayalees who have moved to other states and countries, and they do it with great fanfare.

The festival of Onam remains a special significance for tourists. During this festival, people from many states of India arrive in the state of Kerala.

https://indradigi.com/wp-content/uploads/2024/09/OIP-2.jpeg

People enjoy the cultural heritage and heritage of Kerala to the fullest and also enjoy a variety of delicacies during the festival. The state government also organises this festival on its behalf. Which not only promotes tourism but also shows the specialty of this festival. Kerala has a robust economy as well.

Social and Economic Significance of Onam festival

Onam festival is religious as well as has its social and economic significance. Local retailers, artisans, and other businesspeople schedule special sales events during this time. In Kerala, a lot of people purchase new clothing, jewellery, and other household items during Onam, which boosts market activity.

In addition, a number of other industries are supported, including tourism, handicrafts, and agriculture. Particularly traditional and handicraft artisans exhibit their work and make sales during the Onam festival. Kerala’s traditional crafts and arts are also promoted during this time, which helps the state’s economy and safeguards the state’s cultural legacy.

Conclusion

One such Keralan festival, Onam, has profound social, cultural, and economic significance in addition to its religious significance. This celebration represents cultural legacy, social harmony, and the beauty of the natural world. The numerous festivities and events held during Onam have grown to become the main draw both domestically and abroad.

#indian art and culture #onam2024 #onam festival

Major Religion in India 2024

Religion in India has a wide range of religious traditions, with strong historical ties to Buddhism, Sikhism, Christianity, Islam, Hinduism, and Jainism. These religions have a profound impact on Indian art and culture, which spans centuries and reflects a rich fusion of spirituality and creativity in everything from elaborate temple architecture and colorful festivals to classical music, dance, and crafts.

The Indian subcontinent is home to a wide range of diverse religions that determine the moral and ethical values of the people living here. In 1893, Swami Vivekananda proclaimed in the Parliament of Religions in Chicago, Blog - Best Indian art and culture | Indradigi

#best religion in india #indian art and culture #indian anceint history

Important records of ancient history 2024 visit here- https://indradigi.com/blog/

Old engravings serve important records of ancient history, giving knowledge into the political, social, and social scenes of bygone times. One of the foremost critical antiquated engravings is the Proclamations of Ashoka, carved by Head Ashoka of the Maurya Tradition within the 3rd century BCE. These proclamations, recorded on columns, boulders, and cave dividers over the Indian subcontinent, are composed in different dialects, counting Prakrit, Greek, and Aramaic.

Important records of ancient history. They reflect Ashoka’s change to Buddhism and his endeavours to spread its lessons, emphasizing ethical values, non-violence, and devout resilience. The engravings too detail regulatory orders and open welfare measures, displaying the emperor’s commitment to administration and compassion. Ashoka’s engravings stand as a confirmation to his illuminated run the show and proceed to be a vital source for understanding antiquated Indian history, the spread of Buddhism, and the early utilize of composed communication for administration and ethical engendering.

Important records of ancient history Sohagaura copper plate

the earliest known copper plate also known as the Sohagaura copper plate. Is a Mauryan inscription that chronicles famine relief efforts. One of the earliest Brahmi inscriptions from the pre-Ashoka period in India. It is situated in Gorakhpur district of utter Pradesh.

Important records of ancient history Ashoka’s inscription

The edict of Ashoka is a collection of 33 inscriptions on the pillars of Ashoka as well as boulders and cave walls that were erected by Emperor Asoka of the Maurya empire during his reign from 269 BCE to 232 BCE or. These inscriptions spread throughout the country and represent the first tangible evidence of Buddhism. These inscriptions elaborately describe Asoka’s views on religion, addressing the serious problem faced by society.

These articles are divided:

Column article

Large inscription: A total of 14 king have been found

Large royal inscription: Small royal inscription, queen’s order, bilingual inscription of varavar’s G Kandahar.

These inscriptions reflect his efforts to spread and develop Buddhism throughout his Kingdom. These writings focus primarily on social and moral teachings rather than on specific. Prali bammas or the philosophical dimensions of Buddhism.

These inscriptions revolve around the flowing themes: Ashoka’s Conversion to Buddhism, details of his efforts to spread the Baur religion, his moral and religious orders, and his social and animal welfare programs.

In these inscriptions, Ashoka describes himself as the believed servant of God.

Rummindei obelisk (Lumbini)

These inscriptions written in Brahmri script come under small pillar inscriptions. These include the inscription recording the dedication of Emperor Asoka. This inscription refers to u Ashoka’s visit to Lumbini (Nepal) the birthplace of lord buddha. Asoka exempted Lumbini from paying taxes and fixed her contribution of grain at one vata eight (⅛).

Prayag-Prashasti

The Allahabad pillar inscriptions have been named Prayag Prashasti, Prayag means the meeting place of something or someone, Prayag is the name of Allahabad because it is the meeting place of Ganga, Yamuna and the mythical Saraswati River. Prashasti means praise of someonePrashasti means praise of someone, and it is eulogy the Prayag Prashasti was originally engraved on the Ashoka pillar at Kushambi near Allahabad and later moved to the Allahabad Fort.

This is the pillar of Ashoka, but it has four different inscriptions-

As in all pillar inscriptions, the gentle inscription Ashoka in Brahmi script.

Inscription on the Jahangir in Persian

Queen’s inscription describing the royal charitable works of Ashoka’s wife Karuvaki

The acting of Chandragupta written by Hari Sen in Sanskrit language and Brahmi script describes the conquests of Samudragupta and the limitations of the Gupta empires

Important records of ancient history Mehrauli inscription

The Pillar of Mehrauli is located in Qutub Minar complex in Delhi the pillar is notable for the corrosion-resistant composition of the metals used in its construction. This iron pillar was installed in the form of Vishnupad in honour of Lord Vishnu by the Gupta destiny ruler Chandragupta 2nd.The pillar credits Chandragupta with the victory of the vanga country by fighting against the confederacy of his united enemies. It also attributes his victory over the vahlika kingdom in the battle. It was fought at the seven Mouth of the Indus River.

Important records of ancient history Kalsi inscription

Kalsi inscription known for its heritage importance it is small town situated between. chakrata and Dehradun on the bank of the river Yamuna the Ashoka inscription of Kalsi is unique because Kalsi is the only site in North India where the great Maurya Emperor had inscribed a set of 14 edict. The language of these inscription is Prakrit and the script is Brahmri. this is an Important record of ancient history. This inscription was carved around 250 AD and is made of Carthage stone it is eight feet wide and 10 feet long

The inscription and reflect the humanistic approach of Ashoka in his internal administration upon his adoption of Buddhism. At the same time, they also reflect the policies of commitment toward non- violence and prohibition of war. This inscription also throws light on his life. After he took the path of spirituality.

Important records of ancient history Muskie records

Muskie is a Village and archaeological site located in Raichur district of Karnataka. This site is situated on the banks of the Muskie River are tributary on the Tungabhadra a miniature kingdom of Emperor Asoka has been found from this side. its’s also Important records of ancient history. Kingdom is the first kingdom of emperor asoka in which Asoka’s name is mentioned instead of ‘devanampiya’ piyadassi ‘inscription reveals the extent of Maurya rule up to Krishna valley of north – eastern Karnataka

Kalinga Kingdom

Present day Kalinga in Odisha still stands as a witness to its thousands of years old heritage. The War of Kalinga was a turning point in Ahsoka’s life, and he not only gave up his ambition of ‘Digvijaya’ but also decided to follow the path of non -violence and Buddhism. This set of inscriptions includes 11 of the famous 14 kingdoms of Ashoka. The language of this kingdom is Magadhi Prakrit, and the script is early Brahmanic, in place of the 11th, 12th and 13th kings, two special Raja countries have been awarded duly named after the Kalingaraja order

Important records of ancient history Shahbaz garhi mansehra inscription

It is currently located in Pakistan. There are 14 volumes of records of King Asoka, and these were written in the Kharosthi script.

Important records of ancient history Kanganahalli inscription

Located in Gulbarga district of Karnataka, the site also has a 75 feet diameter Maha stupa with various sculpture slabs. Among these important picture slabs are two chauri holders with King Asoka and his queen. it’s important records of ancient history. The sculpture to confirm that its Ashoka the slab has an inscription in Brahmi script of the satavahana ‘Ranya Ashoka’ is mentioned in a single line.

Important records of ancient history Aihole inscription

The aihole In Karnataka was the First Capital of the Chalukya inscriptions have been found from an aihole, but the inscription from megti Temple, popularly known as the aihole inscription bears witness to many historical events of the Chalukya this inscription is written in Sanskrit and Kannada script.it is important records of ancient history. This inscription mentions the defeat Harshavardhana by pulakeshin 2nd and the victory of Chalukya over pallvas. This inscription also mentioned the transfer of the capital from aihole to Badami. It was written by Ravi Kirt, the court poet of pulakeshian 2nd, who ruled from 610 AD to 642.

Important records of ancient history Hathigumpha Inscription

The hathigumpha inscription, also known as the hathigumpha inscription of the udayagiri-khandagiri caves of Odisha, was carved by king kharavela in the 2nd century BCE. The Hathigumpha inscription consist of 17 lines in Prakrit language and Brahmi script. The Hathigumpha inscription found from Udayagiri caves is the main source of information regarding the Kalinga ruler kharavela. The Hathigumpha inscription chronicles kharavela as a king, a conqueror, a patron of culture, and Jainism.

conclusion

Welcome to Indra Digi is a platform where you can get information about the vast heritage of Important records of ancient history. Here you see the endless art and cultural wonders of India and celebrate the past, present and future of this magnificent heritage. thank you.

#indian art and culture #indian anceint history #Important records of ancient history 2024

Indian classical dance 2024 visit here-https://indradigi.com/blog/

Indian classical dance

In Indian art and culture Indian classical dance is a dynamic art form that combines intricate rhythms, spirituality, and storytelling. It has its roots in India’s cultural legacy.

Every dance form, including Kathak, Odissi, Kuchipudi, Manipuri, Mohiniyattam, and Kathakali, has its own unique expressions, costumes, and movements. Dancers’ express emotions and stories through rhythmic footwork, facial expressions (abhinaya), and hand gestures (mudras), which are frequently drawn from religious texts and mythology.

These dances create a captivating fusion of visual and aural art that has been passed down through the generations. They are distinguished by their exact technique, intricate costumes, and strong connection to music.

Kathakali Indian classical dance In Indian art and culture

In the temples of Kerala, under the patronage of feudal lords, two forms of dance-drama, Ramanatam and Krishnatam, were developed, in which the story of Ramayana and Mahabharata was told, these folk drama traditions became the source of the emergence of Kathakali Indian classical dance,

the name is derived from Katha meaning story and Kali means drama. Koodiyattam (Sanskrit theatrical tradition) as well as other ancient martial arts exhibitions.

It is a wonderful combination of music, dance and drama. With the dissolution of the feudal system, Kathakali as a form of art began to emerge. It was revived in 1930 by the famous Malayalam poet V. N. Menon under the supervision of Mukunda Raja. Some of the characteristics of Kathakali Indian classical dance are written below:

Kathakali is usually performed by male troupes:

Kathakali is performed with the least use of support in the presentation. Head caps are used with superimposed make-up of faces for different letters. Different colors have their own significance:

Green indicates nobility, gods and virtue red spots next to the nose indicate majestic pride

Black is used to indicate versatility and vision. Yellow is for saints and women. A face painted entirely red indicates evil. White beard indicates beings with higher consciousness and divinity. It involves both dance and drama and the two are so combined that they cannot be clearly distinguished. Most of the Kathakali singing is a grand simulation of the eternal struggle between good and evil.

Its theme is stories narrated in epics and puranas. It is also called Purva ballads. The language used for Kathakali songs is a mixture of Manipravalam, i.e., Malayalam and culture. Music is important to convey the whole play correctly to the audience.

Various musical compositions are used while performing the play for depth. Gestures are the precious ornament of the whole dance-drama. Kathakali is written in the representation of rasa through the eyes and eye through which the story is communicated. The nine important facial expressions called Narvas are taught to express different emotions.

Extensive gestures are also used in the hand. Performing this dance form requires rigorous training. Kathakali is performed in an open theatre or temple complex covered with thick mats with lush green trees of Kerala providing a backdrop. Brass lamps are used for illumination. The arrival of dawn with the continuous sound of drums, holes and mandalas and the beginning and ending for the Kathakali rendition signifies the Kathakali element

Famous exponents: Guru Kunju Kurup, Gopinath, Kotakkal Sivaraman Rita Ganguly.

Mohiniyattam Indian classical dance In Indian art and culture

Mohiniyattam Indian classical dance or Mohini means beauty feminine and Attam means dance.The Indian classical dance is originally a dancer-solo, developed further by Vadivelu in the 19th century. It gained importance under the rulers of Travancore in the state of Kerala. Swathi Thirunal’s patronage is noteworthy. Having become obsolete, the famous Malayalam poet V.N. reviewed it with mana Kalyani Amma. Read More- https://indradigi.com/blog/

#indian art and culture #indian classical dance #classical dance #india heritage #succession

UNESCO World Heritage Sites in India 2024 visit here-https://indradigi.com/blog/

List of UNESCO World Heritage Sites in India

UNESCO World Heritage Sites in India represent the country’s rich cultural and natural heritage, showcasing a diverse array of historical monuments, architectural marvels, and breathtaking landscapes in Indian art and culture. India boasts 40 designated sites, including the iconic Taj Mahal, a symbol of love and architectural brilliance, and the ancient Ajanta and Ellora Caves, renowned for their exquisite rock-cut sculptures and frescoes.

Other notable sites include the intricate temples of Khajuraho, the historic forts and palaces of Rajasthan, and the serene beauty of the Sundarbans, home to the Royal Bengal tiger. Each site tells a unique story of India’s history, spirituality, and artistic achievements, reflecting its diverse traditions and cultures.

in Indian art and culture UNESCO World Heritage Sites in India not only preserve the legacy of past civilizations but also contribute to global cultural understanding, making India a vital part of the World Heritage framework. Protecting these sites is crucial for future generations to appreciate and learn from this extraordinary heritage.

Criteria for Cultural Sites of UNESCO World Heritage Sites in India

It is a representative of the finest creation of man’s creative genius. It demonstrates the significance and significance of human value in relation to architecture or monumental arts, town planning or landscape design in a given time period or within a cultural region of the world.

A unique and extraordinary evidence of a cultural tradition or a living or missing civilization. A classic example of a building, architecture or cluster of technology, or landscape depicting an important juncture in human history.

A classic example of a traditional human settlement or ocean experiment representing human interaction with a culture or environment is an expert when under the influence of irreparable damage. Be directly or tangibly associated with events or life, traditions, ideas, beliefs, outstanding artistic or literary works of universal importance.

Excellent landscape It encompasses extraordinary natural beauty, locations and artistic values A description of the history of human life Inferior geology, important geological importance in the development of bhog patterns, showing the major stages of the history of the earth with important geomorphic features.

Surface fresh water should be an excellent example representing important continuous ecological and biological processes related to the development and development of coastal and marine ecosystems and wetlands and animal communities.

Covers the most important and meaningful habitats for carcass conservation of biodiversity, including threatened species of outstanding universal importance from the point of view of science or conservation.

Legal status of declared sites of UNESCO World Heritage Sites in India

If a site is declared a World Heritage Site by UNESCO World Heritage Sites in India, it is prima facie evidence that such sites are culturally sensitive. It will be guaranteed legal protection on the basis of the law of war under treaties including the Geneva Convention, the Hague Convention and international laws.

Article 53 of the Geneva Convention declares:

To take any hostile action against historical monuments, artefacts or adorations, which are considered to be the cultural and spiritual heritage of the people, to use such objects in support of military efforts is to make a means of retaliation for such objects.

Cultural Sites 30 of UNESCO World Heritage Sites in India

Announced in 1983 of UNESCO World Heritage Sites in India

Ajanta Caves are in Maharashtra, Taj Mahal, Uttar Pradesh, Ellora Caves, Maharashtra, Agra Fort, Uttar Pradesh.

Announced in 1984 of UNESCO World Heritage Sites in India

Sun Temple Konark Mahabalipuram in Odisha Group of Monuments Cave Temples etc Tamil Nadu .

Announced in 1986 of UNESCO World Heritage Sites in India

Churches and Convents of Goa. Khajuraho group of monuments are Jain group of temples which include Vishwanath temple, Laxman temple, 64 Yogini temple, Adi Na of Adi Hind Samh and Shanti Nath etc. of Jain group of temples in Fatehpur Sikri. Group of Monuments at Hampi, Virupaksha Temple, Lakshmi Narasimha Temple, Hem Cut Time Temple, Vidur Temple, Hazara Rama, Lotus Palace etc.

Announced in 1987 of UNESCO World Heritage Sites in India

The Elephanta Caves are a group of Pattakakal monuments, nine Hindu and one Jain temple including Virupaksha temple and Papana etc. Group of Brihad Chola temples, Barah Deeswara temple, Thanjavur Erawateswara temple, Dara Saram, Tamil Nadu, Buddhist monuments.

announced in 1989 of UNESCO World Heritage Sites in India

Sachi Madhya Pradesh, Ashoka Pillar on Great Saints, Sung Satam Seven Vahanas, Sreesanth Karani inscriptions, many other pillars etc.

Announced in 1993 of UNESCO World Heritage Sites in India

Humayun’s Tomb, Qutub Minar and other monuments of this complex.

announced in 1999 of UNESCO World Heritage Sites in India

Darjeeling Himalayan Railway under Mountain Railways India.

announced in 2002 of UNESCO World Heritage Sites in India

Mahabodhi Temple Complex Bodh Gaya

announced in 2003 of UNESCO World Heritage Sites in India

Rock shelters of Bhimbetka.

announced in 2004 of UNESCO World Heritage Sites in India

Chhatrapati Shivaji Terminus or Victoria Terminus Champaner Pavagadh Archaeological Park

announced in 2005 of UNESCO World Heritage Sites in India

Nilgiri Mountain Railway.

announced in 2007of UNESCO World Heritage Sites in India

Red Fort Complex.

announced in 2008 of UNESCO World Heritage Sites in India

Kalka-Shimla Railway Line.

announced in 2010

Jantar Mantar Jaipur.

announced in 2013

Six hill forts of Rajasthan. Chittorgarh, Kumbhalgarh, Ranthambore, Amber, Jaisalmer, Gagraun.

announced in 2014

Queen’s stepwell.

announced in 2016

Architecture of Lee Cobuurjian Archaeological Site of Nalanda Mahavira.

Historic City Ahmedabad Declared in 2017 Victoria Gothith of Mumbai announced in 2018 and Identity Day announced in 2019 Jaipur Rajasthan.

Natural sites eight

Manas Wildlife Sanctuary in 1985 Kaziranga National Park in 1985 Keoladeo National Park in 1985 Sundarbans National Park in 1987.Nanda Devi National Park in 1988 and Valley of Flowers in 2005 Western Ghats in 2012. Greater Himalayan National Parks in 2014. In 2016, Kanchenjunga National Park is the only Indian site under the mixed category.

Benefits of World Heritage Site Status

Drawing international attention to the need for conservation and preservation of the site, UNESCO may provide funds for rehabilitation, conservation and training if necessary to ensure economic benefits by attracting tourism to the site. Encourages close human engagement with the United Nations system and the prestige and support it provides, enables access to global project management resources.

The Government facilitates the creation of partnerships between the private sector and NGOs to achieve conservation goals. The site is protected from destruction or misuse in time of war under the Geneva Convention.

conclusion

Forty UNESCO World Heritage Sites can be found in India, demonstrating the country’s rich natural and cultural diversity in Indian art and culture. The historical significance and ecological wealth of the country are reflected in these sites, which range from architectural wonders like the Taj Mahal and Hampi to breathtaking natural landscapes like the Sundarbans and the Western Ghats.

in Indian art and culture. Every location has a distinct narrative to tell, showcasing different aspects of India’s history such as art, customs, and religion.

In addition to preserving India’s cultural identity, the preservation of these locations is essential for advancing tourism and education. India supports international efforts to preserve cultural heritage by identifying and safeguarding these treasures. The government and local communities must collaborate as stewards of this rich legacy in order to guarantee that future generations can understand and

#indian art and culture #worlds unesco sites #indian heritage sites

Best Martial Arts in India 2024 visit here-https://indradigi.com/blog/

Martial Arts in India

Formerly used for warfare, these forms of art are today commonly known for physical health benefits and as a means of self-defense as a religious rite. Martial arts literally mean the Martial Arts in India associated with waging war.

Countless marshals in the country today are closely related to dance, yoga and performing arts, some of these Martial Arts in India forms were banned during the British rule, including Kalaripayattu and Silambam but proliferated after independence.

Kalaripayattu Martial Arts in India

It is one of the oldest martial arts in India. It was practiced in most parts of South India. It will have its origin in the state of Kerala around the 3rd century BC. Kalari is a Malayalam word which means a specific type of school, gymnasium, training room where martial arts were practised and taught.

In this art form, simulated duel, armed and unarmed struggle and physical practice are respected. The most important feature of Kalaripayattu is footwork. It involves kicking, stabbing and weapon-based exercises. Even women practice this art. The roots of Kalaripayattu are still visible in traditional religious rites and festivals.

Kalaripayattu has many techniques and aspects.

Some of them are: Uzhichill or gingelly oil, (Sticks shaped like an ‘S’), Mappayattu or physical exercise, Puliyankulam or sword fighting, Verumkai or bare hand fighting, Angathari or fighting with metal weapons and kolthari, use of sticks.

Silambam Martial Arts in India

Silambam is a type of lathi wielding art, which is a modern and scientific martial art of Tamil Nadu.It was promoted by the kings of Pandya, Chola and Chera dynasties during their reign. The sale of Silambam sticks, pearls, swords and kavach to foreign trade is referred to in the 2nd century A.D. Tamil literature Shilpapadit.

Silambam bamboo sticks were one of the most popular trade items among traders and travellers from Rome, Greece and Egypt. The art evolved into a famous sport in addition to the method of self-defense that reached Malaysia of its origins. Long sticks were used for both simulated fighting and self-defense.

A variety of techniques are used which include sharp movements of the feet, use of both hands for sticks, use of sarcasm, cuts, blows and twists at different levels of the body (head, shoulder, rinse and foot level).The player must also Be trained to disintegrate an unruly herd by using strikes like snake strike, monkey strike, eager strike and deflect the stones thrown by them.Thang-Ta and Sarita Sarak

Sarjit Thang-Ta is an armed martial art by the Meitei people of Manipur which is mentioned as the deadliest battles. Sarit Sarak on the other hand is an indifferent martial art which is helped in the form of hand battel.

Their history dates back to the 17th century when it was successfully used by Manipuri kings to fight the British.

These artists were banned after the British took over the area, although they reappeared after independence. Thang means ‘sword’, while ta means ‘spear’, thus sword and spear are the two main elements of this thang-ta. Thang-Ta and Sarit Sarak together are called Huyen langlon.

Cheibi Gad GA Martial Arts in India

One of the oldest martial arts of Manipur, Cheibi Gad-ga is used to fight using a sword and a shield. It has now been amended to replace the sword with a soft leather covering stick and a shield made of extreme.

The competition takes place on a flat surface on an area of diameter seven metres.Within this circle area, there are two lines on two meters each, the length of the ‘cheib’ stick is between two and two and a half feet while the diameter of the shield is one metre.

Pari-khanda, created by Rajputs, is a form of martial art from Bihar, in which fighting is done using swords and shields. The various stages and techniques of this art still prevalent in many parts of Bihar are widely used in Chhau appointments.

The name of this martial art consists of two words, ‘fairy’ is shield while ‘khanda’ means sword, thus sword and shield are used in this art.

Thoda Martial Arts in India

Originated in the state of Himachal Pradesh, Thoda martial arts is an amalgam of sport and culture played annually during Baisakhi Countless community prayers are performed to seek the blessings of the principal deity, Goddess Maasu and Durga.

Martial arts depend on a player’s archery skills. The symbols of Thoda are also obtained from Mahabharata, at which time bows and arrows were used in the big wars fought in the valleys of Kullu and Manali. There are two groups in this game, each group of 500 people.

Most of these people are not archers but dancers who join in to boost the morale of their respective teams This game is played in a pointed courtyard so as to maintain discipline to a certain extent Both parties are called Pasi and companions who are believed to be descendants of PandavasArchers aim below the knee on the legs because striking any other part of the body gives negative points Kauravas of Mahabharata.

#indian art and culture #martial arts

Indian art and culture

Indian art and culture represent a rich tapestry of history, differences, and imagination that has advanced over thousands of a long time. From the antiquated sanctuaries of Khajuraho to the perplexing Mughal miniatures, Indian craftsmanship reflects a profound association with otherworldly existence, convention, and nature. Each locale of India brings its special flavor to the creative scene, whether through the dynamic move shapes of Bharatanatyam and Kathak or the differing melodic conventions extending from classical ragas to people melodies.

Indradigi.com is your portal to investigating the tremendous and intriguing world of Indian craftsmanship and culture. At Indradigi.com we are devoted to bringing the magnificence and profundity of India's aesthetic legacy to a worldwide gathering of people. Our stage digs into the different viewpoints of Indian craftsmanship, from classical to modern, and investigates how these conventions have formed cutting edge culture.

Indian craftsmanship isn't fair constrained to visual expressions; it includes performing expressions, creates, and indeed culinary conventions that tell stories of India's past and present. Whether you're curious about the imagery behind antiquated figures, the dynamic colors of Rajasthani depictions, or the complicated designs of Indian materials, IndraDigi.com gives smart substance that celebrates these assorted shapes of expression.

The social scene of India is as changed as its topography, with each state advertising one of a kind commitments to the nation's legacy. For illustration, the Pattachitra depictions of Odisha describe stories from Hindu legends, whereas the Warli craftsmanship of Maharashtra, with its straightforward however significant portrayals of standard of, living remains an persevering symbol of tribal culture. At IndraDigi.com, we highlight these territorial treasures, making a difference you get it the social noteworthiness behind each craftsmanship form.

Our mission at Indradigi.com is to create Indian craftsmanship and culture available to everybody, whether you're an art devotee, a understudy, or fair inquisitive around India's wealthy social bequest. We offer nitty gritty articles, visual guides, and master experiences that unwind the complexities of India's aesthetic conventions. Through IndraDigi.com, we point to motivate a more profound appreciation of the magnificence, differing qualities, and history inserted in Indian craftsmanship and culture.

Connect us at Indradigi.com and embark on a travel through time, investigating the notorious craftsmanship shapes that have characterized India's social personality. Let Indradigi.com be your direct to finding the immortal and ever-evolving world of Indian craftsmanship and culture.

#indian art and culture #indian culture #indian anceint history #indian art #artists on tumblr

Musical Instruments 2024

Musical Instruments

Musical instrument to produce melodies are known as musical instruments.

The way they make sound divides them into four families: wind (such as the flute and trumpet) instruments, which use air flow to produce sound; percussion (such as drums and xylophones) instruments, which use striking or shaking; and keyboard (such as the piano and organ) instruments, which combine elements of both wind and string instruments.

The distinctive design and playing style of each instrument add to the vast range of tones and genres present in music throughout the world.

There are four major traditional categories of musical instruments according to the type of instrument and natya shastra involved.

Bound instrument

These are membranophonic Musical Instruments because they have an outer membrane through which they are struck to produce a particular musical sound.

They are also known as blow instruments because they are struck to produce musical sounds. They have one or two sides covered with skins or leather. Dundubhi is also the oldest land in this range. Included in this category are the musical instruments like tabla, drum, dhol, Congo, mridang, etc. While tabla is the accompaniment of most Hindustani classical vocal music, mridang, mridang, mridang, etc.

https://indradigi.com/wp-content/uploads/2024/08/Wind-instrument.webp

These are of the airphone category i.e. they include all air instruments, the most common Musical Instruments include flute to barber, pungi etc. The most common but difficult to play instrument in this category is the clarinet. It is an air instrument difference with a double tube with a wide tube on the head. It is one of the oldest instruments in India.

The high title of Shehnai Raja was given to the great Ustad Bismillah Khan. Through his soulful playing he took the Shehnai to its climax One of the most common instruments that can be found in every household is the flute which has been in use since the Vedic period. Initially called a Nadi or tunao, it became a revered object when the image of Lord Krishna playing the flute became a symbol of the Hindu imagination. One of the most famous flute players of India is Pandit Hariprasad Chaurasia.

Cube instrument

This is the style of no drum stroke instrument which does not require any tuning, they are also called Indio phones, popular examples from the body of Dhanwad, Manjira, Jal Taran, Glass, Tarang, Ghungroo Ghatam Kartal etc. Manjira or Chhang is a small brass chanj, it is used in temples, archaeological excavations have found Manjira to be as old as the Harappan civilization.

CardoPhon

These cards are the phone or string middle Musical Instruments. They produce the most effective music when modified by hand in the sound. There are three types of musical instruments. Arched instruments in which the sound is produced by blowing a bow across the strings.

For example, the violin, the Asar, the heart, the Ruba, and the violin. Placattrorl: Instruments in which strings are drawn with the fingers or strings or horns, for example, sitar, veena, tanpura, guitar, etc., India gave birth to many of the best artists in the field of musical instruments. The Bangus family is considered to be among the 20th century Agardoots, there are many gharanas playing the sitar, for example Jaipur, Varanasi, Etawah gharana.

https://indradigi.com/wp-content/uploads/2024/08/Cardophon.webp

Dulcimer

There are 100 stringed Musical Instruments and the traditional instrument of Jammu and Kashmir since ancient times, Sufiana Kalam is the accompaniment of santur with music.

Folk musical instruments

The stringed Musical Instruments tum is also played during pangana in this Punjab. A Tara It is a stringed Musical Instruments played by wandering sadhus Two Tara A two-stringed instrument played by Bahul. Chikara bent yantra is used in Rajasthan,

Uttar Pradesh and Madhya Pradesh, Dilruba or israj in Punjab and in eastern India is used for accompaniment by Rabindra Sangeet Onavallu is made of bamboo in Kerala. Sarida, an important tribal instrument, is played by the Santhals in the inter-eastern India. It is also used in Rajasthan and Assam. It is like the sarangi.

https://indradigi.com/wp-content/uploads/2024/08/Folk-musical-instruments.jpeg

Musical instrument played with blow Pungi or Bin It is used by snake charmers made by dried taurai and two bamboo sticks or. Algoja consists of two flutes and is popular as a folk music instrument in the northwestern India, especially in Punjab.

Tangmuri is a folk music instrument of the people of the Khasi hill region of Meghalaya. Titti It is similar to a bagpiper and is made from goat skin. The head is an important folk music instrument of Rajasthan and Uttar Pradesh, targeted at Garhwal in Uttarakhand, and is made of bamboo and used in the Vihu festival of Assam. And it is played in the Ganesh festival in Goa.

Idakka It is like a Damrau and is used in Kerala Urdu kai It is a sand-shaped Damrau-like difference in Tamil Nadu Sambhal It is like a drum It is protected by sticks in the Konkan region of Maharashtra. This is an important two-headed musical instrument of the Dhamak Sansthan tribe played with drums trucks. The percussive musical instruments that produce the sound of the tongs evolved from the tongs used in fire and are used in Punjab Diggi is a folk dholak from. Ghadiya village in Uttar Pradesh.

The pot is made of pottery. It is used in the folk music of Punjab. Andel is used in Katha Kirtan. It is made of two circular hollow rings of metal.

Modern developments in music

The process of development of music has been endless since its inception In the twentieth twenty-first century, many attempts have been made for the rapid development of the music industry. There are institutions that teach music to students and provide them with an educational background in the subject.

Gandharva Mahavidyalaya

V.D Paluskar established this school in 1901 with the express objective of teaching and transmitting knowledge of Indian cultural music and dance to future generations. Initially opened in Lahore, it shifted to Mumbai in 1915. The college focuses on Hindustani and Carnatic classical forms of music.

Prayag Sangeet Samiti

It was established in 1926 in Allahabad to impart education in Hindustani classical music.

Sangeet Natak Academy

The Sangeet Natak Academy was the first national academy for the arts established by the Government of India in 1952. The Academy focuses on creating systems for the sustainability of musical drama in India, in that it is expected to be the primary marriage for the performing arts in the country. It is also expected to promote the vast intangible heritage of India performed through forms of music, dance and drama.

Marish Music College

It is one of the premier institutions for studying classical music in India. Aries was founded in 1920 by the great musician Vishnu Narayan Bhatkhande. He moved back to his native place Lucknow to establish this school. It focuses on the theory of music as well as the practice of singing and playing instruments. Later it was named as Bhatkhande Music Institute

Spic Macay

Kiran Seth founded the Spic Macay Community in 1977. The full name of the organization is Society for the Promotion of Indian Classical Music and Culture among the Youth. It started as a Samavaikal Youth Movement. The core of this organization is to promote Indian classical music, dance, yoga, meditation and other aspects of Indian culture as a platform for the younger generation to showcase the culture of India.It targets the common people and youth by organizing many free entry programs and gradually it has become a gigantic organization with a large number of branches all over the world.

Chatur Prahar

Yeh Hai is an annual classical music festival held at the National Centre for the Arts in Mumbai, based on the concept of Rago and time affiliation.

Conclusion

Musical instruments are indispensable instruments of human expression that cut across all cultural and temporal barriers. They stimulate creativity and emotional connection by bringing melodies, rhythms, and harmonies to life. Every Musical Instruments, whether it be a modern electric guitar or a traditional Saraswati Veena, has a distinct sound and cultural significance. The fundamental function of musical instruments has not changed over time—that is, to convey and arouse feelings—despite technological advancements and shifts in artistic expression. Around the world, people are still inspired, amused, and brought together by musical instruments, whether they are played by a single performer or an orchestra.

#indian music #classical music #music

Trending Blogs

Recently Viewed Blogs

Untitled