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FABRIZIO FERRI “Modern version of a Renaissance man”- Grazia d’Annunzio(US Special Projects Editor, Vogue Italia)

"YOU DON'T TAKE A PICTURE UNTIL YOU FEEL SOMETHING."

"IT'S INCREDIBLE HOW YO CAN PINPOINT THE MOMENT WHEN EVERYTHING HAPPENED."

"WHAT HE DID WAS REVOLUTIONARY, IN TERMS OF IMAGE."

GRAZIA d'ANNUNZIO

SPECIAL PROJECTS EDITOR

- VOGUE ITALIA

"THIS PRESENT, WAS TO SING THE WHOLE WHOLE ALBUM AFTER DINNER… HECK OF A PRESENT!"

"I NEVER HAD A PASSION FOR PHOTOGRAPHY, I DEVELOPED A PASSION FOR SHARING A VISION."

@JonStewart photographed by @MartinSchoeller for @newyorkmag

Read some of the article here!

#jon stewart

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Martin Creed at Gavin Brown

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TAW: Art Basel, Miami Beach

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FKA Twigs was seriously babein’ at last night’s Surface Magazine event at Art Basel: Style queen @FKAtwigs looked killah in @vibskovboutique at #Art Basel last night! http://asos.do/BqMLEx

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Swizz Beatz Curates “The Dean Collection” For SCOPE at Art Basel Miami Beach

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Check out what we’re wearing to Art Basel on our Beyond Best Dressed blog»

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That’s a wrap at Art Basel in Miami. Thx Mr. Brainwash for everything.

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Art Basel Chic: Solange

Photo: Getty Images

I AM A CAMERA: A Conversation with Fabrizio Ferri at NYU

Our very own founder Fabrizio Ferri talks with Special Projects Editor at Vogue Italia Grazia d’Annunzio about his beginnings and experiences as a photographer, director and music composer.

#fabrizio ferri

INTERVIEW: Insight on design with Charles Harbison

1. You tend to pull inspirations from stylish influential women throughout history. How do you combine the many styles of the women that inspire you? My goal is to simply channel what these women embodied, whether it be grace or strength or sportiness or intellect, and allow that to inform the designs.

2. When growing up, how did you find the imagination and inspiration to create and how did you discover that it was women's clothing that you wanted to design? I was a sporty, nerdy kid, but I found art to be a means of escape for me as a child. My mom and I would take trips to the mall on the weekends as our special time together. I'd see how clothing would transform her into a more confidence, elegant version of herself, and I know I continue to subconsciously reference that very transformation in how I approach womenswear and simply the fact that I do. Plus, women naturally have more fun in dressing.

3. What type of designs did you create in the early stages of exploring your creativity? I remember designing and hand weaving close to 20 yards of an open-weave fabric my sophomore year of undergrad in NC. I sewed the fabric into 3 garments for my textile critique – tunic, skirt and top – but I forgot the zippers, which made dressing the models pretty difficult. One of them is my best friend to this day; I went on to make her wedding gown 8 years later.

4. How hard is it to manage and create for your own brand? What is the most rewarding part? Money is the challenge of young designers! The marketplace is full of talent, so it's important to distinguish yourself, concentrate on making great product, and hope that it will elevate you beyond the boundaries of your cashflow. The rewarding thing is to see that actually happen.

5. If you were ever to design for men, how would you describe the Harbison man? I’d describe him the same way I describe her. My woman enjoys aesthetically representing both sides of herself: the hard and soft, the fortified and vulnerable, the “masculine” and “feminine”. So does the HARBISON man.

6. Suggestions for young designers dreaming of having their own collection one day? First, do what you do well. Then learn as much as possible so you can do it better.

INTERVIEW AND WORDS BY ASHLEY WALKER

#charles haribson

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EXHIBITION: JOSEF KOUDELKA - NATIONALITY DOUBTFUL at Getty Center, Los Angeles / USA

An aeronautical engineer by training, Josef Koudelka became intensely committed to photography by the mid-1960s and quickly emerged as one of the most influential, iconoclastic photographers of his generation. This exhibition—the first U.S. retrospective devoted to Koudelka since 1988—traces his legendary career with more than 140 works produced over five decades.

In 1968, Koudelka risked his life to document the Warsaw Pact invasion of Czechoslovakia, clambering onto tanks and mixing with protesters and soldiers. His negatives of the event were smuggled into the West, and the images were reproduced worldwide, ultimately forcing his exile in 1970. Unable to produce documentation that verified his birthplace as Czechoslovakia, Koudelka acquired the legal status of "Nationality Doubtful" while stateless in Western Europe. (read more)

Exhibition dates: Nov 11, 2014 - Mar 22, 2015

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