Infinite Marrow

Gray/Tennessee

[infinitemarrow]

Split with Pinion, by Knuckle Dragger

9 track album

Listen to my band’s new music.

[nincentral]

[artovmetal]

Demilich - Nespithe

[la-sanfi]

Katsushika Hokusai, Edo (old Tokyo) 1760-1849

Demons and Ghosts

[ask-milf-fluttershy-deactivated]

Visit Original Link

[blackpyrefly]

@kramergate

[cheaphalloweencostume]

this scared my dog

[neonelven]

The Architecture of “Ghost in the Shell (1995)”

[lonewolfdeathcrew]

[illegallydownloaded]

“While the world he inhabits is, in some respects, counterfeit, there’s nothing fake about Truman himself. No scripts, no cue cards. It isn’t always Shakespeare, but it’s genuine. It’s a life.”

 The Truman Show (1998) dir. Peter Weir

[mdarchiver]

[mi-careme]

[cinemphatic]

The Witch (2016) + Francisco Goya (1746 - 1828)

[bloomflowersbloom]

[the-real-keyser-soze]

“Daisy, Daisy, give me your answer do. I’m half crazy all for the love of you.”

2001: A Space Odyssey (1968)

[gifbro]

[glassbeat]

Stills from The Shining of it going normally overlapped with it going backwards

[gregorygalloway]

The 11th studio album by The Beach Boys was released on 16 May 1966.

Conceived, written, and produced by Brian Wilson while the rest of the band was on tour, most of the music was played by “The Wrecking Crew,” which included Hal Blaine, Glen Campbell, Carol Kaye, and Barney Kessel, the album was met with hostility by most of the other Beach Boys (especially Mike Love) when Wilson played it for them.

They weren’t alone. The album received mixed to poor reviews in the US upon its release, and their lowest charting album since their debut. The album was much better received in the UK, where it peaked at #2 and remained in the top ten for 6 months.

[zonecassette]