Soc(k)iology: making strange of socks
"A commodity appears at first sight an extremely obvious, trivial thing.  But its analysis brings out that it is a very strange thing, abounding with metaphysical subtleties and theological niceties" Marx’s Capital Vol 1
Socks are obvious and trivial.  The purpose of soc(k)iology is to make socks very strange things.  Through making socks strange we want to identify ways to make odd socking normal - perhaps...
Our starting point is to develop a set of initial research questions, for socks in general:
- how do we choose the socks that we wear?  Do we indeed, choose our socks - or do we just throw them on?  Do we ‘try on’ socks, stand in front of the mirror and ask ‘what (or who?) do I look like in these’?
- how do socks have to ‘fit’ with the other clothes that we wear? or are they a small and safe opportunity to disrupt ideas of ‘fit’ and co-ordination? what does it mean for socks to ‘go’?
- to what extent are the socks that we wear determined by social expectations and/or personal preference? Â Are socks sites of individuality or conformity?
- when, how, why, where do we show or conceal our socks? Â
- how are our socks organised and stored? Â How are socks sorted and arranged within the home? Â how can sock drawers be stratified (by frequency of wear, colour, occasion etc)
- how are socks, and the care of socks, shared within households?
- why are socks such popular gifts for men? Â what is the relation between masculinity and socks?
- why are socks so readily fetishistic objects?
And then, for odd socking:
- what is the relation to ‘odd socking’ and the frequently time squeezed morning?  Does odd socking lend itself better to the weekend - than the hurried weekday morning?
- how is odd socking read by others? whilst we might want to say carefully selected and stylish socks, might it be read as careless, disorganised and scruffy?
- how visible must the oddness be? are you a ‘shower’ or a ‘knower’?
- how is ‘oddness’ configured?  what socks ‘go’ together? and which don’t?  put another way how odd is odd? materials, colour, length, style.
- is oddness driven by ease (grab the first two in my drawer) - or is it driven by an opportunity to reflect-on and express myself?
- what are the ‘sock careers’ of odd-sock practitioners?  how were they recruited? how has it become stabilised and normal?  what would returning to paired socks mean?
These are some of the questions that we think worth exploring in this project. Â Do you have others?