Simon Bang (Danish, b. 1960, Denmark) - 1: The Blind Spot, 2022Ā 2: Between the Lampposts, 2022Ā 3: Die Blaue Strasse, 2022Ā 4: The Incident, 2022, Paintings: Acrylic on Canvas
hello vonnie
Cosimo Galluzzi
taylor price
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Interview Vampire Daily
noise dept.
Sade Olutola
The Stonewall Inn
occasionally subtle

shark vs the universe
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romaā
PUT YOUR BEARD IN MY MOUTH

⣠Chile in a Photography ā£
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blake kathryn
almost home
Cosmic Funnies
Lint Roller? I Barely Know Her
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@ingriidb
Simon Bang (Danish, b. 1960, Denmark) - 1: The Blind Spot, 2022Ā 2: Between the Lampposts, 2022Ā 3: Die Blaue Strasse, 2022Ā 4: The Incident, 2022, Paintings: Acrylic on Canvas
Art by Rea Kolarova
Edvard Munch (1863-1944)
Jonathan Tuckey, David Brownlow Theatre, Newtown, 2020
www.jonathantuckey.com/
A detail of the trompe lāoeilĀ in Count Johann Adam von Questenbergās Moravian castle. The World of Interiors, May 1997. Photo - Fritz von der Schulenberg
constantin brodzki - cbr building,1970
https://www.instagram.com/p/BsDoph2BoXM/
The Floral Art Of Studio Ghibli
Georgia O'Keeffe: Home & Studio.
āBeauty is, in some way, boring. Even if its concept changes through the ages⦠a beautiful object must always follow certain rules. A beautiful nose shouldnāt be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility. Beauty is finite, ugliness is infinite like God.ā
ā Umberto Eco, On The History Of Ugliness (via wordsnquotes)
hiroshi nakamura | optical glass house.
ahrbom and zimdahl - musuem, linkƶping, sweden, 1936ā39