Episode 22: Laura Estill on Dramatic texts, Commonplace books, and Profane & debauched atheists
âProfane, & Debaucht Atheistsâ (Bodleian MS Sancroft 29, p. 1)
In Episode 22 of Inside My Favorite Manuscript, Dot and Lindsey talk with Laura Estill about Bodleian MS Sancroft 29. Archbishop of Canterbury William Sancroft (1617-1693) was an avid reader and collector of extracts from various works. MS Sancroft 29 is one of many manuscripts in his hand that survives; it is a dramatic commonplace books, that is, it contains bits and pieces of many plays that Sancroft read most of them from the century before Sancroft lived, including Shakespeare. We learned so much about the reception of drama in the seventeenth century, and we hope you enjoy listening to our conversation.
Listen here, or wherever you find your podcasts
Below the cut are more images and links relevant to the conversation.
English Treasury of Wit and Language (1655) by John Cotgrave, with marginal attributions added; image from https://www.journals.uchicago.edu/doi/epdf/10.1086/696155:
Bodleian MS Sancroft 97 with extracts from 2 Henry VI quarto (labelled Yorke & Lancaster âpt 1â in margin):
Below the cut are more images and links relevant to the conversation.
Soissons, BibliothĂšque municipale, 0007, digitized and online.
About the Premonstratensian Order.
Heather's first manuscript experience: the Chad Gospels. Here is folio 3r, the carpet page.
The Chad Gospels - this website documents the work of Bill Endres on the gospels and includes many different views of the manuscript, including 3D models and multispectral images.
Images of Soissons, BibliothĂšque municipale, 0007:
Front cover:
Folio 1r: the "new" beginning of the manuscript, which were originally at the back of the manuscript but were moved forward when it was rebound.
Episode 20: Paul Dilley on Papyrus, Manichaeism, and Multispectral Imaging
A photo of a page from one of the Medinet Madi Coptic Manichaean Codices taken under ultraviolet light.
In Episode 20 of Inside My Favorite Manuscript, Dot talks with Paul Dilley about one of the Medinet Madi Coptic Manichaean Codices. These seven papyrus manuscripts dating to the 4th and 5th centuries were discovered in Egypt in 1929, and they tell the story of a religion that was intended to draw from Christianity, Buddhism, Gnosticism, and other religions to create something new, but it was later crushed by Christian Roman emperors who considered it heresy. Our conversation ranges from the conservation of papyrus and the details of the beliefs of Manichaeism, to papyrus conservation and multispectral imaging.
Listen here, or wherever you find your podcasts
Below the cut are more images and links relevant to the conversation. Please note that there is an animated gif that switches between light and dark at one second intervals. Please be careful if you are sensitive to flashing lights.
These manuscripts have been minimally digitized, so we don't have many images to show.
The papyrus is quite damaged, and the text is so faded it can be difficult to read.
Multispectral imaging can help clarify the ink.
And here is a little animated gif that illustrates the difference between the two photos.
And finally, the photo of Paul ready to put the manuscript through the machine!
Dr Brent Seales, "Reading the Invisible Library: Virtual Unwrapping and the Scroll from En-Gedi" (Video on YouTube, February 2023)
Episode 19: Elizabeth Fredericks on the Orkney Islands, the authorâs process, and a very special bingo card
A page from the manuscript of George Mackay Brown's novel Greenvoe.
In Episode 19 of Inside My Favorite Manuscript, Dot and Lindsey chat with Elizabeth Fredericks about the manuscript for George Mackay Brownâs 1972 novel Greenvoe. The manuscript, which is now at the University of Edinburgh, was written on sometimes random bits of paper, and offers a fascinating look into the author's process for writing his first novel. Brown was born in Orkney and lived most of his life there, so we also talk about the Scottish and Orkney influences on the novel.
Listen here, or wherever you find your podcasts.
Below the cut are more images and links relevant to the conversation.
All photos taken at the University of Edinburgh Library by Elizabeth Fredericks.
Greenvoe is in print, and you can read it in paperback, hardcover, or e-book.
A typical page of notes, with multiple layers of changes - then cancelled completely!
Page showing VERA crossed out, being replaced by A (= Alice)
Notes on some of the characters.
Handwritten page of novel text showing many changes, made in blue and black ink.
Planning notes, what each character is doing, for every day of the week.
Notes about the Fishing Village.
Notes on what happens in Greenvoe on Wednesday.
Stella! Aka "The Muse of Rose Street," whom Brown met in Edinburgh, was engaged to for a short time, and stayed in touch with until her death in 1985.
Ripped calendar page from June, 1970.
Notes written on a page torn from a newspaper, including the final day of the story - RESURRECTION.
Episode 18: Olivia Baskerville on the Great Survey, the Greek New Testament, and the history of England
Pages from the Codex Sinaiticus (l) and The Domesday Book (r)
In Episode 18 of Inside My Favorite Manuscript, we have a two-fer! Dot and Lindsey chat with Olivia Baskerville about her two favorite manuscripts: The Domesday Book and the Codex Sinaiticus. The Domesday Book, completed in 1086, documents a tax survey taken of most of England and parts of Wales after the Norman Conquest, while Codex Sinaiticus is a complete copy of the New Testament, written in Greek in the 4th century and sold to England by the Soviet Union in 1933. While very different in form and content, both manuscripts have played important roles in English culture, and we'll spend most of our time talking about the politics surrounding their creation and use over the course of England's history.
Listen here, or wherever you find your podcasts.
Below the cut are more images and links relevant to the conversation.
The Domesday Book at the National Archives (includes digitized images taken from the 1986 photographic facsimile, free to download in PDF format if you sign in)
Open Domesday (includes digital images taken from the 1850s photozincographic reproduction of Domesday, made by Ordnance Survey in Southampton. As Andrew Prescott points out on Twitter, the plates used to make this facsimile have been cleaned up and some marginalia removed)
Page of the Domesday book showing Bedford in Bedfordshire (image from the National Archives)
Codex Sinaiticus (transcription and digital images)
Codex Sinaiticus fol. 217b, the opening of the Book of Mark
The same page within the context of the website, transcription and translation on the right.
Example of a Canon Table from British Library Burney 41, f. 19v. From left to right, Matthew, Mark, Luke, and John showing the divisions that were used before the invention of the modern system of chapter and verses. The numbers in the columns will be written alongside the text in the main part of the Bible. (Wikipedia page on Eusebian Canons)
The canon table that Olivia mentioned, from the Codex Amiatinus (digitized online at the Library of Congress)
Codex Sinaiticus fol. 217b, zoom in on the bottom right under standard light.
Codex Sinaiticus fol. 217b, zoom in on the bottom right margin under raking light. The ruling is so clear!
Wikipedia page on the Soviet sale of paintings from the Hermitage Museum (which happened around the same time that the Codex Sinaiticus was sold)
Newsreel Footage of Codex Sinaiticus from 1933, blog post by Brent Nongbri includes the movie footage embedded.
The CULTIVATE MSS project (2019-2024), funded by the European Research Council, explores how the trade in medieval manuscripts between 1900 and 1945 affected the development of ideas about the nature and value of European culture during this period. (Project website)
The Cost of Culture, the podcast of the CULTIVATE MSS project
Episode 17: Kathryn Maude on politics, the queen as evangelist, and the 11th century Encomium Emmae reginae
British Library Add MS 33241, fol. 1v
In Episode 17 of Inside My Favorite Manuscript, Dot and Lindsey chat with Kathryn Maude about the 11th century Queen Emma, who was married to and had children with both the English king Ăthelred the Unready and his successor the Danish king Cnut the Great. The resulting political situation was complicated, and the Encomium Emmae reginae can help us understand the lines that Emma was attempting to walk as her sons grew into adulthood and prepared to take the throne. The text survives in two copies, the earliest one of which is British Library Add MS 33241, believed to be the copy that was presented to Queen Emma herself. Kathryn walks us through the manuscript and we talk about both the politics and the materiality of this fascinating text.
Listen here, or wherever you find your podcasts.
Below the cut are more photos and links relevant to the conversation.
British Library Add MS 33241, aka Encomium Emmae reginae (digitized online)
Folio 1v, the presentation of the book to Queen Emma, with her sons peeking out from the margin.
A close-up of folio 1v focusing on Emma and her sons.
A close-up of folio 1v focusing on the scribe presenting the book. Note that his hands are covered with a cloth. The son's hand has been added.
A close-up of folio 1v focusing on the curtains
Boulogne-sur-Mer, BibliothĂšque municipale, MS 11, miniature of Saint John, folio 107r
Close-up of folio 107r focusing on the curtains. Note Saint John holding the book with a cloth around it.
Copenhagen, Royal Danish Library, Acc. 2011/5, aka Courtenay Compendium, which contains the late 14th century copy of the Encomium Emmae reginae (apparently not digitized)
Doors of Durin, drawn by JRR Tolkien.
The Doors of Durin (Gates of Moria) from the Fellowship of the Ring film by Peter Jackson
Middle Aged Women in the Middle Ages, edited by Sue Niebrzydowski. Gender in the Middle Ages, Volume 7. D. S. Brewer, 2011.
Folio 18r, Sven and Cnut's names are capitalized Half Uncials while the rest of the text is a regular Carolingian script.
Folio 48r, another example. Here Emma's name is capitalized at the top.
A king pointing to the text on folio 46r - "a manicule with a king attached" - with a note written beneath in the later middle ages, probably at Saint Augustine's Abbey in Canterbury.
An ugly manicule (hand pointing at the text), folio 46v.
Folio 5r, a gloss in the margin.
Folio 60r, an emoji in the margin of a couple of eyes to annotate the word oculi (Latin for eyes) in the text.
Close-up of the eyes.
Folio 58v, the parchment has been mended during the parchment preparation process, before the text was written.
Folio 54r, space was left for initials that were never added (the penciled M is probably contemporary but was never decorated)
Folio 2r, the first page of text, featuring a zoomorphic initial (i.e., an initial in the shape of an animal, in this case some sort of dragon and a fish eating each other) and colorful capitals.
Folio 8r, a zoomorphic initial R made of more critters eating each other. Good for a tattoo?
Folio 19v. "Explicit Lib[er] I" means the end of book 1, and "Incipit Secundus" means the beginning of [book] two (the second book).
Folio 50v, featuring Lindsey's ugly manicule
A close-up of the manicule
The Annunciation of Mary in Boulogne-sur-Mer, BibliothĂšque municipale, MS 11
We talked to Brandon Hawk about the Vercelli Manuscript in Episode 7.
A hedgehog in the Luttrell Psalter (folio 19v)! (See it online)
"The Social Centrality of Women in Beowulf: A New Context" Dot's very first published article!
Episode 16: Alex West on the poetry of ascetics, Sundanese, and palm leaf manuscript culture
A leaf from Bodleian Library MS Jav. b.3. (R), a manuscript from Indonesia written on palm leaves.
In Episode 16 of Inside My Favorite Manuscript, Dot sits down with Alex West to talk about Bodleian Library MS Jav. b.3. (R), the only surviving copy of the Sundanese poem Bujangga Manik (written ca. 1470-1500). We start with the story, a tale of an ascetic who travels around the island of Java searching for spiritual transcendence, and along the way we discuss the manuscript, religious, and artistic cultures that formed the poem.
Listen here, or wherever you find your podcasts.
Below the cut are more photos and links relevant to the conversation.
Bodleian Library MS Jav. b.3. (R) (digitized online)
Wikipedia page for the poem Bujangga Manik (out of date)
Where is Java?
The wooden box MS Jav. b.3. (R) is stored in:
Folio 7r, a representative view of the appearance of the palm leaf pages. Note the large hole in the center of the page and two smaller ones on the edges - string originally would have been thread through the holes, to hold the leaves together and to enable them to fan out. The text is inscribed, with no ink.
A close-up of the center of 7r, so you can better see the inscribed writing.
Folio 7v, the other side of 7r.
Dot misspoke during the podcast - the University of Pennsylvania palm leaf manuscripts are from India, not Thailand (the Thai manuscripts are written on paper). Here is one of them, Ms. Coll. 390 Item 82, Ähnikaprayoga, a digest of Hindu rituals from various sources written in 1822. In Sanskrit. Records here and here.
Front cover:
Folios 1v (top) and 2r (bottom)
An example of an inscription: The stone inscription of Kalasan, 778/779 ce, Central Java. National Museum of Indonesia, Jakarta, inv. no. D.147. Photo OD 7466, Kern Institute Collection, courtesy of Leiden University Library:
A. J. West, Bujangga Manik: or, Java in the fifteenth century: an edition and study of Oxford, Bodleian Library, MS. Jav. b. 3 (R). PhD Dissertation
Episode 14: Aaron Macks on medieval calendars, the beauty of simplicity, and manuscripts as data
In Episode 14 of Inside My Favorite Manuscript, Dot chats with Aaron Macks about Harvard University, Houghton MS Typ 213, a gorgeous book of hours written and illustrated in Italy towards the end of the 15th century. We talk about the scribe and artist, the illuminations, the calendar, and discuss the practicalities of working with manuscripts as data.
Listen here, or wherever you find your podcasts.
Below the cut are more photos and links to the shows and books we mention during our conversation. Unless otherwise noted, the photos were taken by Aaron.
Record for MS Typ 213 in Harvard's Hollis catalogue
MS Typ 213 in the Harvard Library Image Viewer (incomplete, only eight pages are digitized)
MS Typ 213 in hand, so you can get a sense of its size (pretty small, but check out the gilt on that binding):
Comparing the section written earlier with the section written later (f. 13r and f. 87r):
Stub of dyed parchment (note the slice in the neighboring page from when the dyed page was cut out):
Example of dyed parchment page: Folio 7v from the Rossano Gospels, the Good Samaritan.
Gothic medieval book of hours, Annunciation to the Shepherds (Philadelphia Museum of Art 1945-65-5, p. 147):
Start of Terce (f. 33r; photo from online):
Start of the Office of the Dead (f. 92r):
Start of the Office of the Holy Cross (f. 133r):
The Annunciation (f. 143r)
Prayers added at the end in a gothic script (f. 171v):
More of the prayers in the gothic script (ff. 178v-179r):
Episode 13: Maja BĂ€ckvall on the Prose Edda, funky Norse illustrations, and the MCU Thor movies
Uppsala-Eddan, p. 47, Skaldic lists with figures dancing (?) in the margins.
In Episode 13 of Inside My Favorite Manuscript, Lindsey and Dot chat with Maja BĂ€ckvall about Uppsala University DG 11, one of four surviving copies of the so-called Prose Edda written by Snorri Sturluson in the 1220s. The Uppsala copy was made in Iceland in the first quarter of the 14th century. We talk about what exactly the Prose Edda is, how this copy differs from the others, we look at the illustrations, and we also make Maja talk about THOR (the movies from the Marvel Cinematic Universe).
Listen here, or wherever you find your podcasts.
Below the cut are more page images and links to the shows and books we mention during our conversation.
Uppsala-Eddan, Uppsala University Library DG 11 (digitized on the Alvin portal)
Uppsala-Eddan, p. 50
Close-up on p. 50 - see the man's name written over his head (also there's a little hole in the parchment on the right, with the text from the page before visible through it)
Another close-up on p. 50, where a later artist (or wishes-to-be-an-artist) is trying their hand at drawing their own king.
Uppsala-Eddan, p. 49 (the other side of p. 50), with illustration of a woman added to the manuscript in the 15th century:
Uppsala-Eddan, p. 47, Skaldic lists with figures dancing (?) in the margins.
Uppsala-Eddan, p. 42. The bottom portion of the page was left blank and filled in later, with text written upside-down. The staining may be from a chemical reagent used to bring out faded ink.
Uppsala-Eddan, p. 42, a close-up of the bottom of the page, reversed so the text is right-side-up
Uppsala-Eddan, p. 43, where the upside-down text continues in the bottom margin.
Uppsala-Eddan, p. 43, bottom margin reversed and cropped
Uppsala-Eddan, front flyleaf recto (original parchment with text and illustration added later)
Uppsala-Eddan, p. 1, close-up of "sphinx-like creature" (I'm not really sure what that is!)
Uppsala-Eddan, front flyleaf verso with Bishop drawn in after the original text was written, probably at the same time as the text written on the recto side of the leaf
Uppsala-Eddan, p. 1, the first page of the Edda text.
Uppsala-Eddan, p. 1, a close-up at the text in red at the top of the page, which names the text as Edda and the author as Snorri Sturluson (both underlined)
Uppsala-Eddan, p. 1, close-up of the initial, which is quite fancy for an Icelandic manuscript
Thor movies in the MCU (IMDB)
Vikings TV show (IMDB)
The Northman (Dir. Robert Eggers, 2022) (IMDB)
ÏÎżÏÏÏ ÏογÎΜΜηÏη, a fan fiction by neonheartbeat (posted with permission from the author)
Travel Light by Naomi Mitchison (book on Goodreads)
In Episode 11 of Inside My Favorite Manuscript, Lindsey and Dot chat with Stephen Hopkins about Junius 11, one of the four surviving Old English poetic codices. We talked about a lot of things, including Genesis A & B, the strangeness of an Old English Exodus, horror, and nipples (yes, nipples!), and we laughed more than we have in a while.
Listen here, or wherever you find your podcasts.
Below the cut are more page images and further reading.
Bodleian Junius 11 online
"The Story of Caedmon's Hymn" on the British Library website
The Old English Illustrated Hexateuch (British Library Cotton Claudius B iv)
Brandon Hawk on Inside My Favorite Manuscript talking about the Vercelli Book (one of the other Old English poetic codices that survives)
Junius 11 outside front cover:
Junius 11 inside front cover (note the break down the center of the wooden board):
Junius 11, page ii: the very first image on the very first page.
Junius 11, p. 197 with space left for an illustration that was never added
Dream of the Rood (page on Wikipedia)
Junius 11, page 2: Creation of the angels
Junius 11, page 3: The fall of the angels
Winchester Psalter (on the British Library website)
Pauline Baynes (tribute website)
Hunterian Psalter (on the University of Glasgow website)
Genesis B (page on Wikipedia)
Junius 11, page 13: the first page of Genesis B, the creation of Adam and Eve
Junius 11, page 6: The start of creation
Junius 11, page 7: More creation
Junius 11, page 24: Temptation of Eve
Junius 11, page 31: Eve offers the fruit to Adam and he eats it.
Junius 11, page 31, close up of lion in bottom margin
Ohlgren, Thomas H. "Five New Drawings in the MS Junius 11: Their Iconography and Thematic Significance." Speculum 47.2 (1972): 227-233. (PDF)
Junius 11, page 36: Eve sees Hell
Zooming in for a closer look on the nipples
Junius 11, page 34: More nipples
Junius 11, page 39: Even more nipples
Junius 11, page 41: The Serpent
Junius 11, page 44: God scolding Adam and Eve
Junius 11, page 45: Adam and Eve leave the garden
Junius 11, page 46
Junius 11, p. 231: The opening of Christ and Satan, with a horizontal crease through the middle of the page
Junius 11, page 161: Repaired with sewing
Junius 11, page 61: Enoch melting into heaven "like a butter sculpture"
Junius 11, page 66: Noah's Ark
Junius 11, page 65: Building the ark
Junius 11, page 2: Zoomed in on Aelfwine
Junius 11, page 230: Metallurgical sketches
Junius 11, page 225: Unfinished decorative square
Cotton MS Tiberius B V, folio 87v: Jannes and Jambres (Wikipedia page)
Episode 10: Sarah Burke Cahalan on upside-down text, a topless terra, and BEES
Beekeepers in an Exultet Roll.
In Episode 10 of Inside My Favorite Manuscript, Lindsey and Dot chat with Sarah Burke Cahalan about EXULTET ROLLS. These objects, created during a 300 year period in the south of Italy, are used one day a year: during Easter Sunday. Our conversation ranges from the format of the rolls, to candles, to Mother Earth, to BEES.
Listen here, or wherever you find your podcasts.
Below the cut are more page images from the rolls, and further reading.
Unless otherwise indicated, the illustrations are reproduced in Exultet: rotoli liturgici del medioevo meridionale. Istituto poligrafico e zecca dello stato, Libreria dello stato, Roma, 1994.
See the end of the post for more references.
Image of a deacon reading the Exultet roll in church, with the top of the roll draped over the ambo, beside the Paschal candle: Monte Cassino Exultet Roll, British Library Add MS 30337, membrane 11:
Bees in exultet rolls:
Virgilâs Georgics on Wikipedia (includes links to editions)
The roll as a speech bubble! This example is from the Annunciation in Bryn Mawr College MS 21 Castle hours #3, f. 18v.
Giant candles!
Look at that long stick he needs to light the candle.
Terra aka Mother Earth.
Romulus and Remus suckling their wolf foster mother, bronze sculpture, c. 500â480 BCE; in the Capitoline Museums, Rome. Height 85.1 cm.
Hildegard of Bingenâs Viriditas.
Entry on bees in Bestiary.ca.
Eleanor Jackson. âExultet rolls: celebrating the return of the lightâ post on the British Library Medieval Manuscript Blog, 11 April 2020
John Rylands Library Latin MS 2, fully digitized
Sarah K. Burke, âExultet rolls: a medieval Easter traditionâ post on DO / Conversations, 14 April 2014
Episode 9: Zoe and Mac from The Maniculum Podcast!
In Episode 9 of Inside My Favorite Manuscript, Lindsey and Dot chat with Zoe and Mac from the Maniculum podcast, where they suggest ways to adapt medieval texts for TTRPGâs (tabletop roleplaying games). We talk about marginalia, games, and Mac takes us for a dive into the Rutland Psalter. We also talk to Zoe about her storytelling for Pentiment, a medieval adventure video game by Obsidian Entertainment.
Listen here, or wherever you find your podcasts.
If you enjoyed this episode, you can listen to Dot and Lindsey over on The Maniculum Podcast! We talked about digital humanities, book history, and the secrets of women. Find links to listen here: https://www.themaniculumpodcast.com/episodes
Below the cut are page images and further reading from our conversation.
The Maniculum Podcast
The Maniculum Podcast on Tumblr
Pentiment
Book Historian Plays Pentiment! (Allie Alvis Pentiment play through)
Ludohistory Pentiment Playthrough Playlist on YouTube
Perna (oyster) - Der naturen bloeme - Jacob van Maerlant - KB KA 16 - 108v (via Wikimedia Commons)
Sebhat the Ethiopian scribe relates the story of Lazarus in Pentiment (via Obsidian on Twitter)
Saint George and the Dragon, UPenn LJS 102 f. 71r, early 20th century Ethiopian manuscript
British Library Add MS 62925, The Rutland Psalter
f. 14r
Close-up of bottom of 14r
Close-up of top of 14r
f. 57r
Close-up of bottom of f. 57r
f. 88v
Close-up of bottom of 88v
Betsy Chunko-Dominguez (2016) âPlaying on Timbrelsâ: the margins of the Rutland Psalter, Word & Image, 32:1, 131-141, DOI: 10.1080/02666286.2016.1146540 (PDF here)
f. 67r
Close-up of bottom (heh) of f. 67r
f. 66v
Close-up of bottom of f. 66v
How the opening of ff. 66v-67r would approximately appear
The Luttrell Psalter on the BL Website
The Luttrell Psalter film, mentioned at this point in the podcast, is embedded at the end of this post.
Susan Kim and Asa Mittman, Inconceivable Beasts: The âWonders of the Eastâ in the Beowulf Manuscript. ACMRS, 2013. (Download PDF here)
British Library blog post on Cotton Tiberius B v
Maniculum D23 posts
f. 87v
Close-up of bottom (heh) of f. 87v
f. 64r
Close-up of bottom of f. 64r
Close-up of top of f. 64r
The Book of Kells
f. 88r
Close-up of bottom of f. 88r
f. 16r
Close-up of bottom (heh) of 16r
(I promise Iâm not doing this on purpose)
[Images in the 170s]
f. 5v, Calendar page for October
Close up of Scorpio zodiac sign
f. 3v, Calendar page for June
Close-up of Cancer Zodiac sign
f. 78v
Close-up of f. 78v.
f. 70v
Close-up of f. 70v
Further reading on The Rutland Psalter:
Chunko-Dominguez, Betsy. ââPlaying on Timbrelsâ: The Margins of the Rutland Psalter.â Word & Image (London. 1985), vol. 32, no. 1, 2016, pp. 131â41 (PDF)
Morgan, Nigel. âThe Artists of the Rutland Psalter.â The British Library Journal, vol. 13, no. 2, 1987, pp. 159-185 (PDF)
Episode 8: Eric Johnson on manuscript fragments, Ohio, and the ethics of collecting
Folio 1r of a bifolium from a Missal, from the collection of Eric Johnson
In Episode 8 of Inside My Favorite Manuscript, Lindsey and Dot chat with Eric Johnson about two manuscript fragments from his own collection. We talk about the ethics of collecting fragments, Ohioâs place in the history of book breaking, and how manuscripts were used - both in their own time and through their afterlives.
Listen here, or wherever you find your podcasts.
Below the cut are more page images from the manuscript, and further reading.
The first fragment, from a Missal (book used for the Mass)
The Missal bifolium is two attached leaves, formed by taking a sheet of parchment and folding it in half down the middle. The front (recto) of the first leaf is on the right, and the back (verso) of the second leaf is on the left.
Here the bifolium is flipped over, so the verso of the first leaf is on the left and the recto of the second leaf is on the right.
Leaf 1 recto
Leaf 1 verso (little face drawn in the red Q at the top left column!)
Leaf 2 recto (with water stain)
Leaf 2 verso (with water stain and floppy-eared pig-dog on the top right)
A close up of the floppy-eared pig-dog on Leaf 2 verso.
A close up of the little face in the red Q
And here is Eric holding up the second bifolium. Itâs much smaller than the Missal fragment, from a manuscript that was designed to be carried around.
Leaf 1 recto on the right, Leaf 2 verso on the left
A slide that Eric put together pointing out all the various texts written on this bifolium. Even if you donât know Latin or Paleography, you may be able to tell that a few different people wrote different sections of text.
Leaf 1 verso on the left, Leaf 2 recto on the right. On these two pages the different scribal hands may be more obvious (note the lighter areas on the top left of both pages)
And here are the texts identified.
Leaf 1 recto
Leaf 1 verso
Leaf 2 recto
Leaf 2 verso
Some projects mentioned during our conversation:
Fragmentarium: Laboratory for Medieval Manuscript Fragments
Lisa Fagin Davis, Reconstructing the Beauvais Missal
Episode 7: Brandon Hawk on Old English, an audience of women, and why itâs called The Vercelli Book
Vercelli Book, folio 106v
In Episode 7 of Inside My Favorite Manuscript, Lindsey and Dot chat with Brandon Hawk about The Vercelli Book, one of the four major surviving manuscripts containing Old English literature. We talk about the sermons, the poetry, Celtic inspiration in what decoration there is, and why itâs called the Vercelli Book.
Listen here, or wherever you find your podcasts.
Below the cut are more page images from the manuscript, links to the books discussed in the episode, and further reading.
Folio 1r
Folio 9v
Folio 106v, with zoomorphic initial and a Celtic knot.
Folio 112 r, another zoomorphic initial with Celtic knot.
Folio 132 r
Further Reading
On the manuscript itself:
Digital facsimile at the Digital Vercelli Book.
Tony Burke and Brandon W. Hawk, "Vercelli, Biblioteca Capitolare di Vercelli, MS CXVII," Manuscripta Apocryphorum, North American Society for the Study of Christian Apocryphal Literature, March 25, 2022.
For editions/translations of the Vercelli Book texts:
George Phillip Krapp, ed., The Vercelli Book, Anglo-Saxon Poetic Records 2. (New York: Columbia University Press, 1936).
Donald G. Scragg, ed., The Vercelli Homilies and Related Texts, Early English Text Society Original Series 300 (Oxford: Oxford University Press, 1992).
Lewis E. Nicholson, ed., The Vercelli Book Homilies: Translations From the Anglo-Saxon (Lanham, MD: University Press of America, 1990).
Accessible translations of the poems can be found at Aaron K. Hostetter's Old English Poetry Project, hosted by Rutgers University.
For studies mentioned in the show:
Mary Dockray-Miller, "Female Devotion in the Vercelli Book," Philological Quarterly 83 (2006): 337-54.
Ăamonn Ă CarragĂĄin, Ritual and the Rood: Liturgical Images and the Old English Poems of the Dream of the Rood Tradition (London and Toronto: British Library and University of Toronto Press, 2005).
Amity Reading, Reading the Anglo-Saxon Self through the Vercelli Book, Medieval Interventions 7 (New York: Peter Lang, 2018)
Donald G. Scragg, âThe Compilation of the Vercelli Book,â Anglo-Saxon England 2 (1973): 189-207.
Elaine Treharne, âThe Form and Function of the Vercelli Book,â in Text, Image, Interpretation: Studies in Anglo-Saxon Literature and Its Insular Context in Honour of Ăamonn Ă CarragĂĄin, ed. Alastair Minnis, and Jane Roberts (Turnhout: Brepols, 2007), 253-66.
Charles D. Wright, The Irish Tradition in Old English Literature, Cambridge Studies in Old English Literature 6 (Cambridge: Cambridge University Press, 1993).
Samantha Zacher, Preaching the Converted: The Style and Rhetoric of the Vercelli Book Homilies, Toronto Anglo-Saxon Series 1 (Toronto: University of Toronto Press, 2009).
Episode 6: Emily Friedman on Fiction, Fan Fiction, and Writing for a Community
Title page for Reuben Rattle, from NYPL
In Episode 6 of Inside My Favorite Manuscript, Dot sits down with 18th century literary scholar Emily Friedman to talk about manuscript novels in the long 18th century. We talk about several different books, many written as gifts, and most written by women. You shouldnât be shocked to hear that our conversation veers into discussions of fan fiction more than once. Our podcastâs first non-medieval manuscript, we hope you enjoy!
Listen here, or wherever you find your podcasts.
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Below the cut are links to the books discussed in the episode, and further reading.
Books mentioned in the episode:
The Life of Frederick Harley (a few photos on the site, which contains a lot of other interesting things) http://manuscriptfiction.org/
Navy Officer (fully digitized) - https://auburn.box.com/s/5qsmcvghq7k2a7xpgwllmqp4d9o9fsxx
Corinne - https://franklin.library.upenn.edu/catalog/FRANKLIN_9949825343503681 - the volumes arenât fully digitized, but I took some photos to include here.
Link to Twitter thread about George McDonaldâs roll of The Light Princess (1864), including a video of the roll unfurled.
George Arents Collection, The New York Public Library. "Reuben Rattle the younger son" New York Public Library Digital Collections. Accessed December 4, 2022. (fully digitized) https://digitalcollections.nypl.org/items/26e71df0-c6d7-0134-bcfe-00505686a51c
Megan Rosenbloom. Dark Archives: A Librarian's Investigation Into the Science and History of Books Bound in Human Skin (Farrar, Straus and Giroux: 2020)
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Emily Friedmanâs Main website: https://www.ecfriedman.com/
Selected relevant publications:
âAusten Among the Amateursâ Austen After 200. Eds. Kerry Sinanan, Daniel Cook, and Annika Bautz. (Palgrave 2022)
âMust Anonymous Be a Woman? Gender and Anonymity in the Archivesâ Special Issue on âWomen in Archivesâ (Tulsa Studies in Womenâs Literature Winter/Spring 2021).
âEluding Print: Manuscript Fiction and the Survival of Scribal Practices in the Age of Printâ Special issue of Huntington Library Quarterly by the Women in Book History Research Group (Summer 2021)
âNovel Knowledge, or Cleaning Dirty Data: Towards Open-Source Histories of the Novel,â Data Visualization in Enlightenment Literature and Culture. (Palgrave 2021)
"Ownership, Copyright, Ethics of the Unpublished" in Access, Control, and Dissemination in Digital Humanities (Routledge 2021)
"Amateur Manuscript Fiction in the Archive: An Introduction." For After Print, (Ed. Rachael King). University of Virginia Press 2020.
"Becoming Catherine Morland: A Cautionary Tale of Manuscripts in the Archive" Persuasions 39 (2018). [preprint available here]
