Three Goblin Art
TVSTRANGERTHINGS
Monterey Bay Aquarium
he wasn't even looking at me and he found me
I'd rather be in outer space 🛸
RMH
occasionally subtle

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d e v o n
Xuebing Du

if i look back, i am lost
will byers stan first human second
sheepfilms
todays bird

PR's Tumblrdome

titsay
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ
Sade Olutola
seen from United States
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seen from Japan
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seen from India
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@internallyflaming
Toro y Moi, “Lilly” from What For? (Carpark, 2015)
benkling:
I’ve previously described the brain anomaly that crowds my head with auditory hallucinations based on overlapping chord progressions.
(It’s why I like to make mashups & why I’m so paranoid composing original music.)
This song is a cleaned up rendering of what happens in my head when I hear the Magnolia Progression [ I I7 IV iv {optional V} ].
You can download it for free here.
Here’s an older & intentionally messier one [link]
Frank Ocean for Boys Don’t Cry Magazine, Issue 1.
@zanymediocrity I've just discovered @one-hell-of-a-sinner and I think you should follow them they are posting some A+ slick content.
Florence and the Machine’s Odyssey
I really love the new conceptual work that music artists are doing. Beyonce’s Lemonade, a visual album, premiered with an hour-long short film showing us hell hath no fury like a woman scorned. Florence and the Machine has also churned out an artistic film to accompany the dramatic and personal album How Big, How Blue, How Beautiful, which came out last June. (Except this movie is made public and not held hostage by a profit-driven music service.)
The film, which takes its title from Homer’s classical epic the Odyssey, shows the journey Florence has taken from a “car crash of a relationship” to the point of content and healing, where she felt comfortable enough to share this exceptionally vulnerable recovery with the world. Fragments of the film were periodically released as individual music videos for “Ship to Wreck,” “Queen of Peace,” and other lyrically and emotionally raw songs. Welch says,
“This is the finale of a very personal project that came from a conversation me and Vince had in the Chateau Marmont about a year and a half ago while I was writing How Big How Blue How Beautiful. I was talking to him about the record and the car crash of a relationship break up I was going through. The highs and the lows of love and performance, how out of control I felt, the purgatory of heartbreak, and how I was trying to change and trying to be free. And we decided we would re-tell this story in full.“
Now everything comes together in a cohesive film with the denouement of a stripped down acoustic version of “Third Eye,” wherein Welch proclaims at the very end “I am the same, I’m the same, I’m trying to change.” The meaning here perhaps two-fold–that Florence is the same as whom she’s addressing and also has a hole where her heart lies, or maybe she is the same person she’s always been and is still working to make improvements on who she is for the better, the changes she’s been trying to make throughout this exhaustive odyssey.
The full movie can be watched here.
Time interviewed Nicki Minaj as part of their ‘100 Most Influential People’ list. She dropped wisdom on black culture, equal pay, and being a mogul — and praised one collaborator who always brings the power: “Whenever I do something with her, I can feel the impact online and in the venue.”
And that’s why I love her!!!
holy shit
coming soon…
Whitney Houston playing around and accidentally out sang one the greatest opera singers ever!
Still miss her.
Hahaha, omg I remember this!!!!!
when its your first time playing a game and you don’t know the controls but you still beat everyone else
😭😭😭
GODDAMN! and she fucking playing smh
Me: haha, i guess that's my burden to bear
Bear: *is crippled by toxic habits, anxiety, mental illness*
Shin Hyun Ji, Kim Sang Woo for Vogue Korea Sept 2015
Yewww thanks Falls Festival.
Photo rcstills
Merry Xmas by Fetty Wap
It’s a very trap Christmas in Fetty Wap’s world this holiday season. In Merry Xmas, Fetty tips his hat to Mariah Carey’s iconic All I Want For Christmas Is You while staying true to the production style that has made millionaires out of so many of today’s hip hop artists: a slow beat with light snare taps and rolling synthesized hi-hats. This time, though, it’s a decidedly seasonal affair – the hook is delivered with seasonal bells, and the blunt smoking takes place “by the fireplace.”
Fetty Wap has joined a long line of rap and R&B stars who have felt the spirit during the holidays. Twenty years ago this year, Snoop Dogg brought us Santa Claus Goes Straight To The Ghetto; in 2011, Justin Bieber teamed up with Busta Rhymes on Drummer Boy. And who could forget this gem from the one and only DMX? This year, it’ll be Merry Xmas I listen to while sipping my whiskey-spiked eggnog and arguing politics with my conservative cousin.
when did i become so cute and gay