
bliss lane

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cherry valley forever

shark vs the universe
Lint Roller? I Barely Know Her
Show & Tell

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Misplaced Lens Cap
tumblr dot com

Origami Around
Claire Keane
trying on a metaphor

titsay
🩵 avery cochrane 🩵
RMH

pixel skylines
Sade Olutola
noise dept.

Product Placement

izzy's playlists!
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@inwilis
at some point in your life you will be boiling fruit, water, sugar, and lemon juice in a pot to make a syrup or jam. the instructions will tell you to simmer for a certain amt of time. your timer will go off and you will look at the pot and go, "hm, this doesn't look thick enough. maybe i'll let it go for another 10 minutes." this is the devil speaking. it's only so liquid right now because it is at boiling point. it will thicken when it cools down. learn from the follies of my youth and do not let this happen to you
at some point in your life you will be making a sauce or a stew in which you need to add cornstarch to thicken it. and you will prepare a slurry of starch in cold water and think "this looks like way too little starch to thicken this amount of liquid." this is the devil speaking. cornstarch instantly polymerizes at 95°C and if you add too much it will turn into an impossibly thick goop.
at some point in your life you will be making some sort of cream based dessert that requires gelatin to thicken it. and you will soak some gelatin sheets in water and think "this is too few gelatin sheets for this amount of cream." this is the devil speaking. it will thicken in the fridge and if you add too much you will end up with milk jelly
at some point in your life you will be baking cookies. you will take the sheet out after twelve minutes as the recipe instructs and the cookies will still be glistening and soft. "these don't seem cooked enough," you will think to yourself, "i should place them back into the oven until their edges are nice and golden." this is the devil talking. this is how you get dry, overdone cookies. the cookies will continue to bake on the warm sheet for several more minutes and then harden up after sitting on a rack for a while. trust the process. trust the process.
at some point in your life you will be adding a small pasta to a soup and you will think "that is not enough small pasta." this is the devil talking. the pasta will absorb the stock and expand. this is how you end up with a soup that is a solid mass of soggy ditalini.
At some point in your life you will be adding garlic to a dish and you will think "that is not enough garlic." These are angels speaking. They are correct. Add more garlic.
"Good Morning, Rose"
My short story for the wlw anthology GLIMM*R!
Turns out it's Yuri Day, so please enjoy my yuri comic about dreams and first dates!
Art Nouveau floor tiles
we owe literally no one more on this planet than the woman behind fantasy name generator
her name is emily and and she runs it all by herself
everyone say thanks emily!!!
THANK YOU EMILY!
Thank you to Emily at Fantasy Names Generator, for providing all the fantastical names I could ever need for anything!! :D
loving the lord of the rings so far
armenians 🤝 irish
tóg an teanga tóg an talamh scrois an cultúr scrois na daoine coilíneachas turns all things to dust and those who oppose are called sceimhlitheoirí✊
my bonnies
I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."
Behold my dragon comics!!!
From Ethnographic Materials ML:
Ainu culture, an indigenous group originating from Hokkaido, Sakhalin, and the Kuril Islands.
The intricate, geometric patterns on their robes are emblematic of Ainu heritage, often created through embroidery or appliqué.
Traditional Ritual: The individuals are captured performing a traditional gesture, possibly part of a ceremony like the iyomante, a ritual aimed at sending spirits back to the kamuy realm.
Historical Context: The Ainu are the indigenous people of northern Japan, traditionally living in harmony with nature as hunter-gatherers, though they faced significant assimilation policies in the 19th and 20th centuries.
( maybe you’re not seeing what you think you’re seeing )
PURSUIT OF JADE 逐玉 (2026)
Lestat's mother (As Anne Rice intended)
Lestat's Mother:
A lot of people are just now discovering the character Gabrielle (renamed Gabriella for the show) in The Vampire Lestat.
For starters, Gabrielle as her name was NOT a mistake by Anne Rice. The character has a French mother and was raised in a French occupied part of Italy. She could speak Italian but she wasn't obsessed with Italian heritage like Jimmy Pesto from Bob's Burgers.
Also she and Lestat were never sexual. The vampires in Anne Rice's novels don't / can't have sex in the traditional sense. Just like how they don't urinate (Weird that the show felt the need to add that detail). They would just burn all the components of the blood. We wouldn't get a sex scene with Lestat until he was temporarily made mortal in Tale of the Body Thief and it was weird and awkward to say the least.
The novel The Vampire Lestat was previously adapted into a musical by Sir Elton John and Bernie Taupin. The San Francisco version of the play was VERY faithful to the book. If you can find a recording of the San Francisco version (The New York version is very different!) then yo can give yourself a crash course on Lestat's backstory though I do recommend just reading the novel if you are so incline.
In the play Carolee Carmello played Gabrielle. A much more book accurate version. This version would not want vampires to take over the world. She'd have no interest in The Great Conversion except to perhaps help try to stop it. She wouldn't sleep with someone just for resembling her son. And she wouldn't kill innocents if she could help it.
Gabrielle of the novel would never text or go "Glamping."
When she parted ways with Lestat in the novel she wanted to go off and explore the wilderness, feed on large mammalian predators, and roam the jungles away from society and technology. And she was NOT glamorous at all. She stopped wearing woman's clothing the night she became a vampire!
The next time we see her after she and Lestat part ways, it's when she rescues Lestat and Louis from Lestat's rock concert. Similar to the way it goes down in The Queen of the damned movie except Louis was there and Gabrielle arrives (having somehow learned to drive) and rescues Louis and Lestat from the chaos. "What are you waiting for? The Pope to declare it a miracle? Get in!"
Though they get away, that morning Akasha abducts Lestat and we are left waiting for the cliffhanger until you read The Queen of The Damned novel.
Gabrielle is one of the survivors of Aksasha's rampage, not because she sides of Akasha, as it appears she may do in the AMC show, but because she is Lestat's mother (now fledgling). Gabrielle joins The Coven of the Articulate (A few ancient vampires and Lestat's loved ones) as they plan on how to stop Akasha.
Gabrielle is not sex obsessed in the book. In fact Lestat notes that she bristles at being hugged. I figured she was either undiagnosed autistic or it was from years of domestic abuse making her timid about human contact.
This song that I have attached "Crimson Kiss" is Gabrielle parting ways with Lestat toward the end of act 1 of the Lestat musical. Lestat has begun a quest to find Marius (Armand's maker) to learn the truth about where the vampires come from. Gabrielle just wants to explore. Nicolas has just died so Lestat's in a bit of a funk already.
Music by Sir Elton John, Lyrics by Bernie Taupin. And it's probably the most intimate / sensual she gets but the kiss she's singing about is really just the transformation into a vampire.
By the way, if you can find it, her song "Make me As you are" where Lestat makes her a vampire, is really, really good.
I just wanted to get this out there so people could have a taste of what literary Gabirelle was like.
I couldn't decipher his outfit. BUT HEY LOOK, HE HAS SOME SICK ASS RITUAL TATOOS
just in case anyone forgot how wildly colorful Georgian interiors could be, even among the working class to the wealthy:
and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
On the subject of Colonial America: don't forget, even if you couldn't afford wallpaper, wall stenciling might still be in reach!
(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)
And that's before you get into American painted murals:
Embrace the decorative arts, folks!
Hi! The Polka Dots at the Peter Wentz Farmstead, built in 1758, in Landsdale, PA would like to be included!!