If it doesn't sell, it isn't creative.
The Benton & Bowles agency, in Ogilvy on Advertising
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If it doesn't sell, it isn't creative.
The Benton & Bowles agency, in Ogilvy on Advertising
What is a good advertisement?
What is a good advertisement? An advertisement which pleases you because of its style, or an advertisement which sells the most? They are seldom the same. Go through a magazine and pick out the advertisements you like best. You will probably pick those with beautiful illustrations, or clever copy. You forget to ask yourself whether your favorite advertisements would make you want to buy the product. Says Rosser Reeves, of the Ted Bates agency:
‘I’m not saying that charming, witty and warm copy won’t sell. I’m just saying that I’ve seen thousands of charming, witty campaigns that didn’t. Let’s say you are a manufacturer. Your advertising isn’t working and your sales are going down. And everything depends on it. Your future depends on it, your family’s future depends on it, other people’s families depend on it. And you walk in this office and talk to me, and you sit in that chair. Now, what do you want out of me? Fine writing? Do you want masterpieces? Do you want glowing things that can be framed by copywriters? Or do you want to see the goddamned sales curve stop moving down and start moving up?’
(Ogilvy on Advertising)
"Big Idea”
Did it make me gasp when I first saw it?
Do I wish I had thought of it myself?
Is it unique?
Does it fit the strategy to perfection?
Could it be used for 30 years?
Useful blogpost on Korean app market by InMobi
10 Criteria for Account Selection
The product must be one which we would be able to advertise
I never accept an account unless I believe that we can do a conspicuously better job than the previous agency
I steer clear of products whose sales have been falling over a long period, because this almost always means that there is an intrinsic weakness in the product, or that the management of the company is incompetent
It is important to find out whether the prospective client wants his agency to make a profit
If the account is unlikely to be profitable, would it give you a chance to create remarkable advertising?
The relationship between a manufacturer and his advertising agency is almost as intimate as the relationship between a patient and his doctor.
I avoid clients for whom advertising is only a marginal factor in their marketing mix
I never take new products, before they have emerged from laboratory, unless they are included in a hamper with another product which has already reached a national distribution
Never take associations as clients
Sometimes a prospective client offers you business on condition that you hire an individual whom he believes to be indispensable to the management of his advertising. The agencies which play this game wind up with a crew of politicians who cock snooks at their plans boards,ignore their copy chief, and blackmail their management.
Confessions of an adveretising man
Confessions of self advertisement
Our first job was to escape from obscurity.
First, I invited ten reporters from the advertising tradition to a luncheon. I told them of my insane ambition to build a major agency from scratch.
Second, I followed Edward L. Bernays' advice to make no more than two speeches a year. Every speech I made was calculated to provoke the greatest possible stir on Madison Avenue. The first was a lecture to the Art Directors Club in which I unloaded everything I knew about the graphics of advertising. Before going home, I gave each art director in my audience a mimeographed list of thirty-nine rules for making good layouts. These ancient rules are still being passed around on Madison Avenue.
Third, I made friends with men whose jobs brought them into contact with major advertisers - the researchers, the public relations consultants, the management engineers, and the space salesmen. They saw in me a possible source of future business for themselves, but what they got was a pitch on the merits of our agency.
Fourth, I sent frequent progress reports to 600 people in every walk of life. This barrage of direct mail was read by the most august advertisers
My Last Will and Testament (Ogilvy)
Creating successful advertising is a craft, part inspiration but mostly know-how and hard work. If you have a modicum of talent, and know which techniques work at the cash-register, you will go a long way.
The temptation to entertain instead of selling is contagious.
The difference between one advertisement and another, when measured in terms of sales, can be as much as nineteen to one.
It pays to study the products before writing your advertisements
The key to success is to promise the consumer a benefit - like a better flavour, whiter wash, more miles per gallon, a better complexion.
The function of most advertising is not to persuade people to try your product, but to persuade them to use it more often than other brands in their repertoire.
What works in one country almost always works in other countries.
Editor of magazines are better communicators than advertising people. Copy their technique.
Most campaigns are too complicated. They reflect a long list of objectives, and try to reconcile the divergent views of too many executives. By attempting to cover too many things, they achieve nothing. Their advertisements look like the minutes of a committee.
Don't let men write advertising for products which are bought by women.
Good campaigns can run for many years without losing their selling power. My eyepatch campaign for Hathaway shirt ran for twenty-nine years. My campaign for Unilever's Dove soap has been running in the United States for thirty-one years, and Dove is now the best seller.
David Ogilvy, 1987 - In Confessions of an Advertising Man
Creative Director
must be:
A good psychologist.
Willing and able to set high standards.
An efficient administrator.
Capable of strategic thinking - 'positioning' and all that.
Research-minded.
Equally good at television and print.
Equally good at package goods and other kinds of accounts.
Well versed in graphics and typogrpahy.
A hard worker - and fast.
Slow to quarrel.
Prepared to share credit for good work, and accept blame for bad work.
A good presenter.
A good teacher and a good recruiter.
Full of infectious joie de vivre.
(Ogilvy in Advertising)
Hallmarks of Potentially Successful Copywriter Include:
Obsessive curiosity about products, people and advertising.
A sense of humor.
The ability to write interesting prose for printed media, and natural dialogue for television.
The ability to think visually. Television commercials depend more onpictures than words.
The ambition to write better campaigns than anyone has ever write before.
(Ogilvy on Advertising)
How about in today's time with open social media? How to engage and elicit participation? Ability to write in less than 140 letters? :)
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