It says a lot that Kathryn Hahn can’t talk about a new project without someone bringing up Agatha.
She’s out there promoting The Studio—a totally different story, a totally different character—and yet Agatha keeps coming up.
Marvel’s been annoyingly quiet. No season two. No spin-off. Not even one of those classic “Agatha will return” teases. Lots of silence.
Except… Marvel UK posting their own Agathario edit… still not over that.
And the cast? Super duper careful. They’ve been told exactly how much not to say. Kathryn used to drop little hints—smiles, vague nods—but lately she’s been much quicker to redirect. Like someone had a word with her behind the scenes because they realized she was stirring up more interest than they planned for.
And that matters—because Agatha wasn’t just another Marvel character.
She was magnetic. Complex. Funny in a way that didn’t feel forced.
There was something lonely beneath all that flair. Something queer-coded without needing to be loud about it. And when Aubrey Plaza came in? That energy deepened. Instantly. Palpably.
Kathryn played her like she knew exactly who was watching.
And queer fans didn’t just see ourselves in her—we recognized her.
Maybe Marvel didn’t expect that. Maybe they thought it was just a silly little witch show. But honey, Kathryn turned it into something sticky. Something that stayed.
So even with no roadmap, no official word, no crossovers in sight—Agatha’s still here. In press tours. In fan posts. In the quiet, recurring ache of a character who struck something real.
Not every kind of visibility is loud and clear. Some of it lingers because it mattered.
Because someone—Kathryn—showed up, cracked open the role, and filled it with something weird and wonderful and just queer enough to feel like home.
She didn’t just play her. She claimed her.
And we noticed. We’re still noticing.
Mother behavior, actually.
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