ivo3d

ivo3d's tumblr kinda visual diary, I post my own work and about art, I was involved in.

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Fake-wizzard

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Megnyílt a vetítés a fixir galériában

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tessela-searchlight version (screencapture)

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tessela - difraction version (hommage á Vasarely: Vega series, recorded .gif version of the interactivity)

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Next exhibition @ fixir gallery, Veszprém, Hungary 08.05.2026 'LIQUID-HORIZONS' (3D-teaser:

Liquid Horizons — Immersive virtual gallery experience by ivo3d.com

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A little research on the topic of “rounding the box,” also known as “hommage à Vasarely” (Vega series), tessellation

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Die Pest in London von Daniel Dafoe Theater performance by faceensemble.com Next performance: 13., 14., 03. 2026., Essen, Germany, Rabbit Hole Theater

A Plague in London (Die Pest in London)

Interdisciplinary Mixed-Media Performance | Orangerie Theater Cologne (2026)

Project Description: "A Plague in London" is a mixed-media production situated at the intersection of performative arts and digital scenography. Based on Daniel Defoe’s 1722 archival-style account, the work explores the structural and psychological dynamics of systemic crisis and social isolation. Directed by Kristóf Szabó, the production utilizes Defoe’s text as a conceptual framework to analyze the sociopolitical mechanisms of a pandemic—ranging from institutional denial and the enforcement of urban confinement to the eventual erosion of communal structures.

Visual and Medial Strategy: The production is characterized by a multi-layered visual dramaturgy, where Ivó Kovács’s video art functions as a spatial and temporal mediator. Rather than serving as a purely illustrative background, the digital layer operates as a generative environment that reflects the interiority of the protagonists and the oppressive atmospheric silence of a city under lockdown. The visual components analyze the tension between the historical archival source and contemporary digital aesthetics, translating the 17th-century experience of quarantine into a modern medial discourse. Kovács’s work focuses on the abstraction of architectural boundaries and the visualization of the "Planet of Viruses" concept, examining the human condition through a lens of digital depth and spatial deconstruction.

Credits:

Video Art: Ivó Kovács

Artistic Direction, Set Design & Sound Dramaturgy: Kristóf Szabó

Performance: Maximilian von Mühlen, Boshi Nawa, Lili Oksanen

Source Material: Daniel Defoe: A Journal of the Plague Year (1722)

Venue: Orangerie Theater, Cologne, Germany

Production Year: 2026

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Die Pest in London quick trailer 13-14.03.2026. Essen, Rabbit Hole Theater, Germany

A Plague in London (Die Pest in London)

Interdisciplinary Mixed-Media Performance | Orangerie Theater Cologne (2026)

Project Description: "A Plague in London" is a mixed-media production situated at the intersection of performative arts and digital scenography. Based on Daniel Defoe’s 1722 archival-style account, the work explores the structural and psychological dynamics of systemic crisis and social isolation. Directed by Kristóf Szabó, the production utilizes Defoe’s text as a conceptual framework to analyze the sociopolitical mechanisms of a pandemic—ranging from institutional denial and the enforcement of urban confinement to the eventual erosion of communal structures.

Visual and Medial Strategy: The production is characterized by a multi-layered visual dramaturgy, where Ivó Kovács’s video art functions as a spatial and temporal mediator. Rather than serving as a purely illustrative background, the digital layer operates as a generative environment that reflects the interiority of the protagonists and the oppressive atmospheric silence of a city under lockdown. The visual components analyze the tension between the historical archival source and contemporary digital aesthetics, translating the 17th-century experience of quarantine into a modern medial discourse. Kovács’s work focuses on the abstraction of architectural boundaries and the visualization of the "Planet of Viruses" concept, examining the human condition through a lens of digital depth and spatial deconstruction.

Credits:

Video Art: Ivó Kovács

Artistic Direction, Set Design & Sound Dramaturgy: Kristóf Szabó

Performance: Maximilian von Mühlen, Boshi Nawa, Lili Oksanen

Source Material: Daniel Defoe: A Journal of the Plague Year (1722)

Venue: Orangerie Theater, Cologne, Germany

Production Year: 2026

[ivo3d]

Ivan Zilli & Natalia Voskoboynikova in 'Reviernacht - Leaving Love Behind' performance @ Alte Feuerwache, Köln (https://3dvideomapping.net/2026/02/21/reviernacht-leaving-love-behind/) photo by @comicrocosmos

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Csontváry a "Fotonok nyelvén" immerziv vetítés (reklám:) // Csontváry - in the language of photons - immersive exhibition at CODE Veszprem.

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From 20th February at CODE Veszprem, Hungary

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neobaroque (dithered version)

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a bit of retrospective: visualz for Midas-project, 2022 (folding with sd1.4 - aka "Baroque-image") (faceensemble.com)

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'sunken cities' (audio extract: Cignol -- Sunken Cities) . "The screen is no longer a window, but a membrane through which we enter the intimacy of calculated spaces, or rather, to be more accurate, their horror." .

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immersion CUBE - .gif version

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Background projection for the play Lost Paradise, of course this is also a deleted scene, it never made it into the play. It was made for the scene with Archangel St.Michael, almost in real time, because with streamdiffusion, I don't even understand why I bother so much with the renderings, if it turns out like this, let's say it was found to be easy, as they say in the Bible.

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The so called "AI-SLOP" Itself (HE/SHE/THEY whatever) - contemporary document - 2026 made with VEO+GEMINI _please DO NOT REBLOG WITHOUT TEXT - it is important to mark the fact - it was intentionally made - itself.