Man, your posts. Your posts, man.
While I explain, please take this brief period to attend to this song:
Or, if you don’t have Spotify, the name is Prelude in D-Flat Major by Chris Christodoulou.
Now, that you’re listening, recant all my most recent posts in the view of this song.
This is the media adaptation of a classical piece by Frederic Chopin. The original also being titled Prelude in D-Flat Major, or simply, « Raindrop Prelude. »
In the game, Prelude plays at the forefront of only one gamemode. Simulacrum. The focus of the album it’s from is the Void. Simulacrum is an additional gamemode that comes with the first DLC, Survivors of the Void. The gamemode features a haunting soundscape in a doleful yet acceptant piece adding a sort of remorse. As if you were missing something of no current significance. However, the Void is still there. Waiting for a perfect opportunity. Lurking behind every crevice.
Simulacrum is endless. Hence the name « simulacrum. » While playing, the maps are the normal base environments, but they’ve been overtaken. The sky has been dimmed, and algae has grown from the floor, no longer what it once was, just… a burning memory.
What I guess I mean, is… 2026 is not my year, and I’m sick and tired of being trapped in an unending simulacrum everyday. That’s why I can’t wait to be under new management!
And, I’m not really fine, never really have been. I shift between emotions A LOT throughout the day. On top of that, sometimes I just make myself sad to experience it because I like the dynamic.
Whatever it is, it’s hella weird, but thanks for checking up.