She’s dating two men. She refuses to choose.
Different energies, equal pull—and neither of them is willing to walk away.
What starts as rivalry and quiet jealousy begins to blur into something messier when the guys realize their connection to each other might not be just competition. Wanting her doesn’t cancel out wanting more—and love stops fitting into neat lines.
Think slow-burn tension, emotionally charged moments, and a trio learning what commitment looks like when no one wants to be left behind.
Open use plot — feel free to adapt, repost, or play this out with others. No need to roleplay it with me specifically.
Possible dynamics & scenarios:
Shared space: she moves in with one boyfriend; the other keeps staying over. Late nights. Lingering glances. Accidental closeness.
Established vs. new: one long-term, steady love vs. a newer, magnetic disruption.
Forced teamwork: a trip, job, or crisis that makes the guys rely on each other.
Jealousy turning into curiosity when sparks show up where they shouldn’t.
Character vibes:
Her: confident, emotionally honest, unapologetic about wanting more than one love.
Boyfriend A: grounded, protective, a little territorial—deeply loyal underneath.
Boyfriend B: charismatic, teasing, emotionally sharp; challenges the status quo.
Tone options:
Dark / Angsty — unresolved jealousy, blurred boundaries, “this feels wrong but right.”
𝐓𝐈𝐓𝐋𝐄 — What I Almost Took
𝐆𝐄𝐍𝐑𝐄 — Dark romance | Psychological drama
𝐓𝐇𝐄𝐌𝐄 — Obsession, betrayal, guilt, toxic love, emotional manipulation, “what could’ve been worse,” emotional robbery of trust and heart, lingering danger
𝐌𝐎𝐎𝐃𝐁𝐎𝐀𝐑𝐃 — Rain-soaked streets at night, dimly lit apartments with scattered cash or jewelry, half-empty liquor bottles, smoke drifting through tense silence, hands hovering over unlocked doors, mirrors reflecting fractured faces, whispered threats and confessions
𝐓𝐎𝐍𝐄 / 𝐒𝐓𝐘𝐋𝐄 — Intense, suffocating yet magnetic; slow burn tension layered with guilt, desire, and the unspoken threat of past choices; raw, visceral internal and external conflict; the story oscillates between emotional intimacy, manipulation, and danger
𝐈𝐍𝐒𝐏𝐈𝐑𝐄𝐃 𝐁𝐘 — Summer Walker's Robbed You.
𝐓𝐇𝐄 𝐌𝐔𝐒𝐄𝐒 —
MUSE A — The one who left, carrying the knowledge that they could’ve robbed MUSE B—of love, trust, even financial or personal safety—but didn’t fully, leaving behind guilt and obsession; magnetic, dangerous, emotionally unpredictable; still addicted to MUSE B’s presence and the control they can wield.
MUSE B — The one who abandoned yet still wants to be entangled in MUSE A’s orbit; aware of the risk MUSE A carries, both fearful and drawn in; struggles with lingering love, anger, and the constant awareness that MUSE A could’ve destroyed them completely, and in some ways wanted to see it.
𝐏𝐋𝐎𝐓 𝐒𝐔𝐌𝐌𝐀𝐑𝐘 —
MUSE B walked away from everything they shared with MUSE A, leaving a trail of hurt, lust, and broken trust. But MUSE B knows the truth: MUSE A could’ve robbed them completely—emotionally, financially, even physically—but stopped just short. Now MUSE B returns, stirring memories and desires, leaning dangerously close to old habits. Nights blur into tense proximity, whispered confessions, veiled threats, and stolen kisses that feel like both forgiveness and punishment. Both are trapped in a liminal space where love, obsession, and regret intertwine, and every interaction carries the weight of what could have been stolen… and almost was.
𝐒𝐂𝐄𝐍𝐄 𝐈𝐃𝐄𝐀𝐒 —
Late-Night Confession — MUSE A sits across from MUSE B, lighting a cigarette slowly, and admits exactly how far they could’ve gone to hurt them—financially, emotionally, or otherwise—but didn’t. They wanted to prove so badly they aren't like MUSE B; yet maybe they aren't so different. The air vibrates with danger, desire, and guilt.
Abandoned Apartment Tension — MUSE A enters an empty apartment, showing remnants of MUSE B’s life they could’ve destroyed—bills, jewelry, keepsakes—forcing MUSE B to confront both the loss and what they narrowly avoided.
Driving Through Memories — MUSE A drives MUSE B through old streets where they once shared everything. Silence dominates, but every turn reminds them that MUSE A had taken it all away from, leaving scars far worse than the ones that remain.
𝐆𝐄𝐍𝐑𝐄 — Dark contemporary romance | Forbidden love
𝐓𝐇𝐄𝐌𝐄 — Forbidden desire, internal conflict, self-denial, familial pressure, first sapphic love, emotional restraint, tension between identity and tradition
𝐌𝐎𝐎𝐃𝐁𝐎𝐀𝐑𝐃 — Empty church halls, candlelight reflecting in tearful eyes, shadowed city streets at night, handwritten letters tucked into pockets, abandoned rooftops, whispered confessions behind closed doors, rainy sidewalks, unspoken touches, tension-filled family gatherings, quiet bedrooms heavy with anticipation
𝐓𝐎𝐍𝐄 / 𝐒𝐓𝐘𝐋𝐄 — Tension-driven, emotionally suffocating yet magnetic; slow-burn intimacy with moments of explosive vulnerability; heavy focus on internal struggle and the forbidden nature of desire, balancing visual storytelling and intimate dialogue
𝐈𝐍𝐒𝐏𝐈𝐑𝐄𝐃 𝐁𝐘 — Monaleo’s Diary of an OG.
𝐓𝐇𝐄 𝐌𝐔𝐒𝐄𝐒 —
MUSE A — The one constrained by tradition: religious, disciplined, first sapphic relationship, constantly questioning morality, desire, and what it means to “be a woman” in her family’s eyes. She is magnetic yet conflicted, longing yet restrained, drawn to MUSE B while fearing societal and familial consequences.
MUSE B — Independent, unapologetic, and grounded in her identity; loves fiercely but struggles with the awareness that MUSE A cannot fully accept herself. She balances patience with fiery frustration, showing both desire and the threat of walking away.
𝐏𝐋𝐎𝐓 𝐒𝐔𝐌𝐌𝐀𝐑𝐘 —
Two headstrong oldest daughters collide in a storm of desire, familial expectation, and self-denial. MUSE A, newly awakened to sapphic love, struggles with her upbringing and the life she’s “supposed” to live: marriage, children, approval. MUSE B, experienced in her own identity, draws her into a dangerous dance of intimacy, testing how far MUSE A will go for love—or if she will retreat to safety. Their connection is magnetic yet fraught with tension: each touch and glance is heavy with longing, each conversation a battle of hearts and wills. Both must confront whether love can survive when one cannot fully accept themselves, and whether desire is enough to defy tradition.
𝐒𝐂𝐄𝐍𝐄 𝐈𝐃𝐄𝐀𝐒 —
Church Hall Shadows — MUSE A slips away after a family service; MUSE B follows. They meet in the shadows of a hall, their whispered words and hesitant touches full of tension and forbidden longing.
Bedroom Confession — MUSE A hesitates at the threshold, half-afraid to enter. MUSE B invites her in, and in the intimacy of lamplight, they share confessions, touches, and silent acknowledgments of the passion MUSE A fears but cannot resist.
Family Dinner Under Pressure — A tense holiday or family gathering where expectations and tradition are palpable. MUSE A’s restraint is tested; MUSE B’s calm defiance pushes her further, creating small sparks of forbidden intimacy amid scrutiny.
Please reblog if you are okay with random starters, pre-established relationships and responses to ask memes. I need some new people to bug with starters & what nots.
my own worst enemy — muse a is a troublemaker, attached to a world of substance use and seeking the thrill of almost getting caught. they're burning the candle at both ends, trying to live their college life to the max while maintaining their relationship with their high school sweetheart muse b. in complete contrast to muse a, muse b is a put together, sober, try hard kind of person, who has been putting muse a first for years and growing increasingly bitter about it. after a big blow out fight that muse a doesn't even remember, muse b breaks up with them and moves out, intending an independent life elsewhere. muse a realizes how much of their life depended on muse b making it work, and wants them back; but will muse b take them back?
welcome to my life — muse a is the school punk with no supportive blood family, but has an unlikely peace with muse b, the genuinely well-liked, well-supported star athlete. they both work at the same summer camp a few towns over, leading the tension between them to turn into a summer fling. it's great; muse b gets a taste of the dark, broody side of life while muse a gets a genuine connection with someone their own age (and the kisses keep each other coming back for more). muse b wants to make their relationship official in the next school year, but muse a won't let that happen, saying muse b wouldn't understand. after finally confessing the depths of their pain and heartache, muse b is sure muse a will wise up and leave them to their own devices. they didn't count on muse b having such deep feelings for them.
check yes juliet — childhood best friends who went in different directions once high school hit but were always not-so-secretly in love with each other. muse a is an aspiring musician who wants to move to the big city to shoot their shot in the industry, while muse b has been conditioned to go to college to find a spouse and career that way, like their parents and their grandparents before them. muse a has a going away party and muse b attends; muse a offers muse b their passenger seat in their car, running away to the big city with them, and muse b almost accepts, but ultimately turns them down. later that night, at the witching hour, muse b wakes up to the sound of a rock hitting their window; muse a is back, passenger seat ready for them, bag packed, and won't take no for an answer.
when i come around — muse a and muse b have been having a secret relationship that's out of character for both of them; muse a is the golden idol, uptight and with a lot of weight on their shoulders and muse b is the sleazy grungy town outcast who has no time for other people's expectations, as they know exactly what other people think of them. muse a is perfectly content with their aesthetically clashing relationship, but muse b is far more insecure, and tries to break things off with muse a before muse a can break it off themselves. hurt and confused, muse a does break things off with muse b; things have gone exactly according to plan. so why does muse b feel so shitty, hearing about how muse a is a shell of their former self, starting around the time they broke up?
these are some ideas i’ve made for my muses, but i thought they’d be nice to share. feel free to reblog!
i. 𝐠𝐮𝐚𝐫𝐝𝐢𝐚𝐧 𝐚𝐧𝐠𝐞𝐥𝐬 — muse a’s new coworker, muse b, has some interesting quirks like having an abnormal amount of knowledge about long forgotten ancient civilizations, a closet of only ivory or white vintage clothes, a strange speaking cadence, and knowing details about muse a’s life that almost no one else knows. they are starting to have suspicions that they might have a stalker, but in truth muse b is their guardian angel stepping in for divine intervention before they make the biggest mistake of their life.
ii. 𝐯𝐚𝐦𝐩𝐢𝐫𝐞𝐬 — muse a is a huge fan of muse b, a quickly rising new musician with a cult-like fanbase. which is why they can’t believe their luck when they are invited backstage by muse b after a concert. but upon meeting them, they notice things aren’t as they seem. muse b is beautiful, abnormally so, with an uncanny lifeless appearance typically obscured by the stage lights. muse a feels a growing sense of panic and for good reason, they’ve just put themselves on the radar of a vampire that has no intention to let them out of their sight from then on.
iii. 𝐬𝐮𝐜𝐜𝐮𝐛𝐢 — muse a is a priest that has moved into a new city, known for strange supernatural events. they are hired as an exorcist for the only church in town. during one exorcism they accidentally bind themselves to muse b, a malignant spirit who’s entire existence revolves around hedonism. muse a now has an unwanted sidekick of sorts, an ancient being with endless knowledge about the underworld that could help them with the unique creatures they find in this new location. muse b’s ethos is opposed to muse a’s life of repression and religious devotion, and it becomes a test of whether the can resist the allure of sin and stay on their path.
iv. 𝐦𝐢𝐦𝐢𝐜𝐬 — muse a has the perfect life— an adoring partner (muse b), loving kids, and a high earning career that would make anyone envious. one day, they wake up to another breakfast made by muse b as usual, but… something’s off. their signature pancakes are painfully salty, then the next day they’re far too sweet. the following week, muse a realizes muse b can’t recall the details of their first date nor the name of their first pet. as time goes on, muse a’s life sinks into disarray while the person they sleep next to each night becomes herder and harder to recognize.
muse a, barely into their twenties, is the fashion industry’s latest obsession—gracing magazine covers, walking exclusive runways, and living in a whirlwind of lights, lenses, and loneliness. muse b, a powerful figure in the corporate world with decades of influence under their belt, isn’t in the habit of chasing attention—until they see muse a at a charity gala, laughing too loud, eyes too sad. their connection begins with a conversation that feels more like a dare, a shared drink, a mutual understanding of what it means to be seen and owned by the world. muse b offers stability in exchange for companionship; muse a offers beauty and danger in equal measure. but as their lives become entangled in quiet hotel suites, luxury gifts, and late-night phone calls no one’s supposed to know about, neither can tell who’s using who—or who’s actually starting to care.
okay i really REALLY REALLY need a plot where a drug dealer and a stripper fall in “love”. like they’ll a be bad ass couple and always have sex and get high and do everything that’s illegal. but also angsty bc they’re both alphas and it’s all very complicated as fuck bc they don’t wanna talk about feelings but they have to. and he’ll get jealous at times bc she’s stripping for other men so as soon as she’s done with her show he’ll fuck her somewhere in the back and makes her scream she’s his. and he’ll be on the streets all night to sell his drugs and she’ll be like where the fuck have you been, your not seeing other girls right? so basically just very toxic and smutty and much more omg plsss!
I really, REALLY want a plot where a son of a dangerous and feared mobster is put in charge of managing his father’s strip club and falls for one of the dancers. I so want to play the son, so bad. Pls!!!
blakekathryn
izzy806
stormborns
theartofmadeline
2087
germansingergirl
