The New York Times recently sat down with longtime Jack Spade collaborator and architect Steven Sclaroff for a Q&A.
he wasn't even looking at me and he found me
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$LAYYYTER
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@jackspadeny-blog
The New York Times recently sat down with longtime Jack Spade collaborator and architect Steven Sclaroff for a Q&A.
Dazzle Camo, Battleships, and Zebras
Dazzle camouflage was invented by an artist and British naval officer named Norman Wilkinson. His advice was that the British Navy should take a cue from zebras. Their contrasting diagonal stripes are confusing for predators. And Wilkinson figured that if this discombobulated lions, it could throw-off German submarines.
So the Navy went ahead and painted their fleet with a jumble of jagged geometric shapes. The craziest part? Dazzle camouflage actually worked. It obviously made the boats a lot more visible, but it also made them difficult for U-Boats to target while in motion. The camouflage's influence can still be seen today in modern disruptive patterns, like the Swedish M90.
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Join JP Williams, art director and Jack Spade collaborator, for his first exhibition of artwork based on his collections.
Happy Mischief Night
If there's anyone to teach the ways of mischief, it's teenagers from 1971.
"What I like is basically working on all levels of the culture from the high to the low. Because the idea behind all of that is that whatever the level is, excellence can always exist... a good ham and cheese sandwich is really every bit as good as a crème brûlée —in fact, it's better than a crème brûlée. But each form requires its own level of intelligence and passion." – Milton Glaser, Milton Glaser: To Inform & Delight
Jack Spade Collections: Found Slides
Visions of alpine ski vacations, corporate board meeting pie charts, and topless beaches. Tiny windows of Kodachrome memory. Hold them up to the light.
The High Diving Horse
Horses used to fly in Atlantic City. Sometimes huge crowds filled the Steel Pier bleachers to watch. Sometimes it was only a handful of people standing around with their necks craned, looking up at the platform forty feet in the air. Either way, the filly appeared. The horse was named Lightning, or John the Baptist, or Silver King, and mounted by a showgirl in a swim suit. Ladies and gentlemen, the Atlantic City Steel Pier presents the amazing world-famous high diving horse! Horse and rider trotted to the edge. And then the bottom of the platform dropped out.
#Orange
Jack Spade Collections: Natural History
“The atoms of our bodies are traceable to stars that manufactured them in their cores and exploded these enriched ingredients across our galaxy, billions of years ago. For this reason, we are biologically connected to every other living thing in the world. We are chemically connected to all molecules on Earth. And we are atomically connected to all atoms in the universe.”
― Neil deGrasse Tyson, American Astrophysicist
Jack Spade Meets: Fred von Pressig
Fred von Pressig is a pencil collector extraordinaire, and the man behind the eponymous Fred’s Pencils. We tracked him down to learn more about the subculture behind our favorite writing instrument.
You’ve been doing this since high school. How have you evolved as a collector over the years?
Before I traded with other collectors (and long before the internet), I obtained pencils by picking them off the ground, trading with schoolmates, buying at local stores, and receiving gifts. I also had fun searching my grandmother’s house, where old pencils turned up all over the place.
I collected postage stamps pretty seriously during my school years in the 70’s. It was a popular hobby in those days. Pencils were a side interest that grew to become an obsession. One thing I liked about collecting pencils was that (as far as I knew) great collections didn’t already exist. I could make my mark, as it were. But I got some notions about how I would collect pencils from my experience with stamps. For example, philatelists consider differences in the spacing of perforation holes to be important; I scrutinized pencils for small differences in their printing and ferrules (eraser holders).
There are different broad categories of pencils that people might say they collect. Among them are wooden, mechanical, advertising, novelty, and brand-name pencils. I collect all of these, but my main interest has always been brand-name wooden pencils. (Brand-name pencils generally advertise themselves as a brand, such as the Ticonderoga made by Dixon.) I got into mechanical pencils when I had enough money.
You’ve got pencils from colleges in the Philippines, WWII era England, and all over the place. Is there a limit to the world of pencil collecting?
I have, quite literally as well as figuratively, pretty much hit my ceiling. Most of my collection – which includes bulky items such as half-gross boxes, catalogues, and sales displays – is in storage in boxes piled nearly to the ceiling. An unwieldy mountain of stuff. I could almost say too much. So now I want to show off my collection rather than add to it. But I don’t think I’ve reached the limits of the hobby by any means. It is a lot richer than you’d expect.
What’s the pencil collector scene like these days?
I’ve been to a couple of APCS [American Pencil Collectors Society] conventions, and they were fun. There’s intense pencil dealing, especially near the beginning (before someone else nabs the best stuff). Many attendees also display parts of their collections. And it’s great to meet collectors from all over in person. I’ve made friends. But with the rise of the internet, with Facebook and blogs and eBay, the APCS has become less the nexus of the pencil-collector world. Also, the hobby has gained a lot of popularity outside the U.S.
And collectors do have different personalities and ways of approaching the hobby – different levels of friendliness and aggressiveness, preference for trading or buying, specialist or generalist, etc. I won’t venture to link pencil type to collector personality. I will say that many pencil collectors (including me) are teachers, and few collectors of wooden pencils are wealthy (those guys collect fountain pens).
I'm sure many people you meet must ask, "why pencils?" What do you tell them? I show them a bit of my collection, and they understand.
Jack Spade Collections: Pet Turtles
Pet turtles have a lot of personality. They can also live for over fifty years, which is pretty epic. This is why a turtle is the only pet that you are allowed to turn into a statue after it dies.
From The Jack Spade Lending Library: American Cooking
American Cooking by Dale Brown Pay tribute to the joy of 1970s food photography. Borrow American Cooking from our Greene Street Lending Library the next time you stop by the store.
Jack Spade Collections: Folk Art Boats
There are some big differences between whittling and sculpting. Sculptors go to art school. Whittlers teach themselves. Sculptors have studios. Whittlers have garages. But our favorite thing about whittlers is the way their art blurs the line between scale models and toys. Also, Whittling is just really fun to say.
Images via 1st Dibs
"Rope is probably the most remarkable product known to mankind. It is a simple thing, just a handful of fibers intertwined, its origin lost in the misty beginnings of history. Man has improved its strength, its quality, its uniformity and life, yet after thousands of years its basic construction remains unchanged."
— Hervey Garrett Smith, The Marlinspike Sailor
Instructions For Road Trip
INSTRUCTIONS FOR ROAD TRIP
1) Vague plan
2) Old car
3) Luggage
4) Friendships [in various states of disrepair]
5) Tape deck adapter
6) Wrong turn
7) Small town
7) Motel
8) Cheap beer
9) Strangers
10) The Argument
11) The Disappearance
12) The Search
13) The Reconciliation
14) Highways
15) "Road dogs"
16) The ocean at night
17) Arrival at destination.
Jack Spade Meets: Bryan Collins
Bryan Collins photographs the imagination, honesty, and practical genius of amateur sign makers in NYC. He publishes his favorite images in The Journal of Urban Typography. Collins is a self-taught graphic designer and life coach who has been shooting letter forms around town since 2001. And with over three terabytes of photos logged, he's become an accidental archivist of New York's ever changing sign culture. We got together to talk type.
What would you say is the common thread that draws you to all these different signs?
Sometimes I don't know what it is that catches my eye. Sometimes it's just the brightness of it, or a weird letter form. Is it hand-painted? Is it vinyl? Is it on a van? Is it the overall arrangement, or some mix of typefaces? There are so many different angles and components.
One of the things about the Journal that I find really inspiring is that underneath it all, there is generally a utilitarian intent. People just need to get a message out as quick as possible in such a hectic environment. How do you create a voice in this sea of information?
If someone asked you where to find good type in New York City, where would you tell them to look?
Different neighborhoods have different styles. I ride my bike throughout the neighborhoods in Brooklyn, and there are so many strange pockets. Just go down any little side street where there's a bodega, and there's bound to be amazing type. And in Manhattan you see the delivery trucks. The whole city is game.
I'm also fascinated with areas that become slowly gentrified, and you start to see a mash-up between old sign-painted stuff that's getting covered-up, and people just adding things on top of it.
What do you think is the difference between the kind of person who gets inspired by a hot dog sign, and the person who just passes it by every day?
I think it's about curiosity, and having a deeper awareness of your environment. I also think that you notice more if you have an artistic output that's part of your life. That's why so many musicians move up here and have their New York album. I have friends who are musicians who can hear a subway car go by, and pull a rhythm out of that. Inspiration is everywhere if you are curious.
Any all-time personal favorite finds? I live in Bed Stuy. I was taking a walk up Bedford, and there was this dollar store that had the absolute sickest sign. It baffled me, because there was an element that looked like graffiti, but it also looked like an old painted sign because the craftsmanship was absolutely insane. This kid who's like 16 years old comes out. He's like, 'Yo, you like that? I did that.' I'm like, 'Dude you're sick!' And he goes, 'Yeah man, I got the soul of an old man. I'm like an old grandpa in the back doing signs.' And then he just smiled and walked off. It was so cool.
Bryan Collins publishes The Journal of Urban Typography, and also runs a life coaching service called Break The Block.