“Maisons du Sahara, habiter le désert” de Jean-Loïc Le Quellec, photographies de Cécile Tréal et Jean-Michel Ruiz, Editions Hazan, 2006.
Maison nubienne, Assouan, Egypte.
Xuebing Du
sheepfilms
Game of Thrones Daily
$LAYYYTER
KIROKAZE
Today's Document
RMH
will byers stan first human second

Origami Around
🩵 avery cochrane 🩵
EXPECTATIONS
art blog(derogatory)
No title available
h

if i look back, i am lost
tumblr dot com
Sade Olutola

Kiana Khansmith
Keni

blake kathryn
seen from Saudi Arabia
seen from United States

seen from Bangladesh
seen from United States
seen from Poland

seen from Türkiye

seen from India
seen from Vietnam

seen from Malaysia
seen from Saudi Arabia
seen from United States
seen from Russia
seen from Brazil
seen from Canada
seen from United States
seen from Italy
seen from United States

seen from Türkiye

seen from Australia
seen from Saudi Arabia
@jadorepop
“Maisons du Sahara, habiter le désert” de Jean-Loïc Le Quellec, photographies de Cécile Tréal et Jean-Michel Ruiz, Editions Hazan, 2006.
Maison nubienne, Assouan, Egypte.
hundertwasser house / postage stamp
Hendrik Nicolaas Werkman
Lin Tianmiao
New York City, 1972 via Solidarity
https://www.presentandcorrect.com/blog/3-of-your-5-a-day
Plant, 1957 Ellsworth Kelly
Exact Change no. 7 is out and available for download. The editors describe the issue as a collision between poetry and machines. It contains Julia Holter’s tribute track to Robert Ashley’s “Automatic Writing,” Bob Browns Reading Machine manifesto from 1930, and a shorter anthology of concrete poetry.
On the cover: Mary Ellen Solt’s “Forsythia” (1966). The dots and dashes between the letters are their equivalents in Morse Code.
Saul Leiter, Deborah 1947
Martin Heidegger