THE VAMPIRE LESTAT 3.07 'The Failures'

blake kathryn
The Stonewall Inn

gracie abrams
Claire Keane

❣ Chile in a Photography ❣

No title available

Andulka
Cosimo Galluzzi

PR's Tumblrdome
taylor price
Aqua Utopia|海の底で記憶を紡ぐ
NASA

@theartofmadeline
art blog(derogatory)
One Nice Bug Per Day
noise dept.

#extradirty

tannertan36
official daine visual archive
$LAYYYTER
seen from Mexico

seen from Türkiye

seen from United States

seen from Belgium
seen from Spain
seen from Netherlands
seen from United States

seen from Russia

seen from United States
seen from Vietnam
seen from Morocco
seen from Spain

seen from United States
seen from Germany

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@jamesbrophy
THE VAMPIRE LESTAT 3.07 'The Failures'
Saint Paul the Apostle church, Gallarate, Italy, Maria Rosa Zibetti, 1968-1973. Photo: Stefano Perego, 2025.
The Ferrari F40 - proof that legends never fade.
The 1990 Ferrari F40 remains the purest expression of speed and emotion — a twin-turbo V8, razor-sharp handling, and a design that defined a generation of supercars. With minimal electronics, stripped-down weight, and an unmistakable exhaust roar, the F40 delivers driving in its rawest, most thrilling form.
It was fascination, I know ♪〜
Seeing you alone with the moonlight above ♪〜
Hans Albert von Behr (German-American, 1902-1990)
Rebecca, 1930's
#ideal dynamic Louis and Lestat in Interview With the Vampire 3.06
love the journey he goes on here
The Muppet Show (1976 – 1981)
Title: New York City (Girls in Windows), 1960 Photographer: Ormond Gigli Archival pigment print, printed later, mounted on board, signed, titled, dated, and numbered '23/100' in ink on the mount. 16 x 16in (40.6 x 40.6cm) mount 21 x 21in (53.3 x 53.3cm)
In the spring of 1960, fashion photographer Ormond Gigli learned that a brownstone across from his Manhattan studio was scheduled for demolition. Rather than let the opportunity pass, he organized one of the most ambitious fashion photographs ever attempted. He recruited 43 professional models, dressed each in a different colorful gown, positioned them in the building's windows, and coordinated the entire shoot with assistants, stylists, and neighbors. A Rolls-Royce and two models were placed at street level to complete the composition.
The photograph was taken in just a few minutes as the afternoon light reached the building. Although it appeared effortless, weeks of planning went into arranging every pose, dress, and window. The image became one of the defining photographs of 20th century fashion and has been reproduced in books, magazines, galleries, and fine art prints around the world.
The original building at 327 East 58th Street was demolished shortly after the photograph was taken, making the image the last visual record of the structure in its iconic form.
source: X
Or a life.
Sam Cherry
Sam Cherry (1903-1975) On the Fence
Back Alley Chat, paperback cover, c. 1950s
Sam Cherry
Mamie Van Doren
Miss Grace Jones II | oil painting ecpaintings
Painting by Edson Carra