JAMONRULES

[angelstills]

Charlie’s Angels (2000)

[spiraphobia]

[nemfrog]

[topcat77]

Laura Owens

Beauty View. 2015

[rearte]

by Edward Hopper

[neogohann]

[parasoli]

yohji yamamoto menswear ss 2017 - details.

[topcat77]

Mark Rothko

 Untitled, 1968

 Acrylic on paper

[1010ll]

[kasperknowak-deactivated2018120]

Walter Lebanc

Torsions T 090

1973

[jamonrules]

[waliszewska]

[jamonrules]

http://pressimages.fondationbeyeler.ch/en/constantin-brancusi-und-richard-serra

[sophierachelhopkinson]

[shihlun]

Drawings of the actress Setsuko Hara by Meiro Koizumi

I am especially fascinated by the way he (Yasujiro Ozu) directed actors. Actually the characters in his films have some similarity to the subjects of (Bruce) Nauman’s videos, in the sense that depictions of the inner self are stripped down to set of gestures within a rigid framework. Ozu’s films are like puppet shows using bodies of real actors. He never believed in conventional filmic language; he wanted to create his own. And he achieved it, inventing this very strange filmic language that no one can copy. On the surface, everything looks so ordinary and undramatic, but once you become aware of the layer behind this surface, you realize how dark and pessimistic his visions were.

[zsuzsiehes]

[pure-grey-morning]

Yoko Akino 秋野 暢子 (Japanese, b. 1967, Kyoto, Japan) - That Dolphin Torn