galerie

tannertan36
Peter Solarz
Alisa U Zemlji Chuda
Cosmic Funnies
RMH
Today's Document
dirt enthusiast

blake kathryn
Cosimo Galluzzi
i don't do bad sauce passes
Keni
art blog(derogatory)
wallacepolsom
Misplaced Lens Cap

titsay
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
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Kaledo Art
will byers stan first human second
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@janeeyeo
galerie
Take this with you
to all my white followers who stew in unnecessary guilt trying to come to terms with the privilege you have, watch this
Saiki K fandom: so will we get a season 3? A movie? An OVA?
Saiki K staff:
Preview for the @wearethecurezine !
Really love how it turned out and the zine is looking great!!
rainy days at the ua dorm
p.s. look closely they both blink
is this the cover of a yakuza modern fashion magazine??
2020 so far
I posted this on March 15th and every month it’s just more and more relevant 😭
Bye, BoJack.
I love martial arts
This is the best one on one I’ve ever seen
Flawless technique
tbt to when the atla comic discussed cultural appropriation and absolutely nailed it
But that wasn’t the final word that the book gave on the subject.
To present that scene without further commentary goes against the entire point that Avatar: The Promise was making.
Consider: you’re looking at a comic written by a Chinese-American author (Gene Luen Yang), drawn by two Japanese women (Studio Gurihiru) that primarily illustrate American books, based on an American cartoon that was done in a style reminiscent of Japanese anime (which in turn can be partly traced back to American cartoons), helmed by two Caucasian Americans (Bryan Konietzko and Michael Dante DiMartino), who drew heavily from Inuit, Japanese, Chinese, and Tibetan cultures for inspiration.
The Promise was about Aang trying to clean up the mess left when cultures that had been traditionally separated ended up being mixed (by force), with a particular emphasis on the colonies that the Fire Nation had left in the Earth Kingdom. His initial instinct was to just try to put things back the way they were and make the Fire Nation citizens leave, but he ultimately he realized that wasn’t possible, because he was dealing with actual people and not abstract concepts. There were children raised in two cultures, people from different cultures in love, people who had never set foot in the nation they were being told they had to return to in order to make everything neat and tidy. Aang ultimately rejected the calls to keep every nation/culture separate and instead created Republic City, where people could share and mix their cultures.
As for the Air Nomad Fan Club?
There are absolutely jackasses out there making a mockery of other cultures, or who want to just exploit a culture for profit, discarding it like gum that’s lost its flavor when they can’t get any more money out of it. But when you go beyond condemning that and decide that only the most dominant cultures can be shared, appreciated, reinterpreted, and spread, then you effectively hand a death sentence to all other cultures.
Cultural exchange and expansion should be made with respect, empathy, and genuineness, yes, but it cannot be simply shut down point blank. Genuine appreciation and interest needs to be accepted and guided in a positive direction. The point of The Promise was ultimately that people cannot be neatly put into boxes and told to stick to their own nation and culture. They will make friends, they will fall in love, and cultures will mix, change, and adapt. That’s human nature.
(The OP did touch on some of this in a later post, but it’s worth expanding on)
Reblogging for the commentary.
love everything about this. the girls making fun of the boys, the endless dumb fun the boys are having, its pure
This is what boys will be boys was always supposed to mean
In only 20 years or so, “Lol” has probably taken the lead for the lie told the most often in the history of the world.