Looking for interviewees for my study on Jung Kook and gender. I’m particularly interested in topics relating to gender envy and gender awareness through JK fandom. Get in touch if you’d like to participate 🐰
cherry valley forever
The Bowery Presents
No title available
Today's Document
The Stonewall Inn
One Nice Bug Per Day
Fai_Ryy
Mike Driver

Jar Jar Binks Fan Club
Cosmic Funnies

ellievsbear
he wasn't even looking at me and he found me
h

gracie abrams
noise dept.
sheepfilms

No title available
No title available
Game of Thrones Daily
Claire Keane

seen from United Kingdom
seen from Germany

seen from Türkiye
seen from France
seen from Germany

seen from Ecuador
seen from Saudi Arabia
seen from Philippines

seen from Belgium
seen from Vietnam
seen from France
seen from Azerbaijan
seen from Russia
seen from United States

seen from South Korea

seen from Türkiye

seen from Malaysia

seen from United States
seen from Bangladesh

seen from Malaysia
@janeyumback
Looking for interviewees for my study on Jung Kook and gender. I’m particularly interested in topics relating to gender envy and gender awareness through JK fandom. Get in touch if you’d like to participate 🐰
During the rainstorms of April
the oyster rises from the sea
and opens its shell –
rain enters it –
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
© Anne Sexton
Ph. François Kollar, In the Rain, 1940
“Phone Flash”, Kera Magazine 2001-2003
bethlehems:
(via exspectator) (via repetitivelyrics)
PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY PARTY
Independence Day (1996) dir. Roland Emmerich
Anne Sexton, A Self-Portrait Through Letters
Grannies around 100 years old appeared in Vogue 2020. They are so beautiful just like flowers.
Anne Sexton, “Imitations of Drowning.”
Mod matchbooks by the Ohio Match Company, 1972.
Via peculiarmanicule.com
Keith Haring Untitled 1982
“A freak but moist flower tangles my lungs, knits into my heart, crawls up my throat (…) I let it take root with my moon-hope, not knowing it would come to crowd me out, to explode inside me this March.”
— Anne Sexton, from The Complete Poems; “The Love Plant,”
cinema fashion styling illustration from ‘Lolita’. (my regular illustration page for girl’s fashion magazine ‘LARME’)
i compared 1962’s Stanley Kubrick and 1997’s Adrian Lyne. both has each good point, but 1997’s one seems closer to the original novel (i’ve just started to read the beginning but haven’t read yet), dramatic and scandarous. Sue Lyon’s Lolita seems more beautiful and cool, Dominique Swain’s Lolita seems cuter and naughty. about styling, 1997’s is more variety and fun to see. in addition, Lo’s mom styling is elegant and beautiful. here’s additional pics and my review in japanese, for example sue lyon's real eccentric life. if you have interest check it out. http://ameblo.jp/reerosee/entry-11869043389.html
next ‘LARME’ vol.12 issue’s coming up soon (sep.17th) !
Sue Lyon as “Lolita”
Lolita (1962) - dir. Stanley Kubrick
Ex-Girlfriend, 2000
A Clockwork Orange (1971)
THE LOVE WITCH (2016) dir. Anna Biller