Zodiacal light. Meteoric astronomy. 1867.

@theartofmadeline

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occasionally subtle
i don't do bad sauce passes

祝日 / Permanent Vacation
Mike Driver
One Nice Bug Per Day
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shark vs the universe
Jules of Nature

Kaledo Art

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Claire Keane
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oozey mess
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@jas0nscott
Zodiacal light. Meteoric astronomy. 1867.
No me bajes los brazos pendejo, sigue adelante!.
Sheri Mutch - 1968
Mis ojos reflejan lo que mi mente no procesa, mi mente nefelibata; hay mi mente! Mas de alguna vez hemos tenido una batalla entre mis otros seres, mis otros "yo" que desean el control de mis acciones, todos con el propósito de encontrar las respuestas al amor, al dolor y al futuro...
Jas0nscott
Three Plays by Margot Tenenbaum
- The Royal Tenenbaums (2001)
El eterno Flaco :)
“Siéntate a ver el día mira que gusto da, ver el rayo justo donde empieza la avenida Descálzate en el aire…para ir. No lleves ni papeles; hay tanta gloria allí, que al final nadie tiene un sueño sin laureles. Que tu cuerpo, al menos esté limpio…para ir. Córrete hasta el espacio, quiero que sepan hoy, qué color es el que robé cuando dormías. Ya, móntate en el rayo…para ir.” (* letra de la canción “Para ir”, ilustración Gabi Rubi)
Clavo, coito, dios… Dijo Spinetta.
(via dissidentaspid)
"Es curioso que la gente no le importe herir a los demás tratando de ser ellos mismos, pero cuando el caso es el contrario somos tan apáticos y egocéntricos que no somos capaces de empatizar con la libertad del otro individuo de ser el mismo "
Who Goes There? - 5 Shot Vertical Panorama at Arches Nat'l Park, Utah
js
New post on havetentwilltravel http://ift.tt/1JoEyMl
M42 - the Orion Nebula
js
Monet at Poissy (15) At the seventh Wiith great effort, Caillebotte, the art dealer Paul Durand-Ruel and ultimately Pissarro persuaded the reluctant Monet to participate in the seventh impressionist exhibition (he had refused to join them in the previous two). Durand-Ruel put all his effort in organizing the exhibition, since he needed it to be a big success. After all, he had just fallen into serious financial difficulties, due to the bankruptcy of the “Union Générale” bank which had lent him large sums of money that he had invested in impressionist art. In the end, Monet really couldn’t refuse to help out his friend. He chose the paintings and titles for the show from his hotel in Pourville and reluctantly set off to Paris to attend the opening of the event on 1 March 1882. No less than 35 of his paintings were on show and the Fécamp seascapes in particular were a big success. Perhaps some of those above were present at the exhibition?
After the opening, Monet hurried back to Pourville.
"En general, los hombres juzgan más por los ojos que por la inteligencia, pues todos pueden ver, pero pocos comprenden lo que ven"
Nicolás Maquiavelo
The Doors - The End (Toronto, 1967)
Morgane et ses nymphes (Bruno Gantillon - 1970)