Pedro Friedeberg (1936-2026) — Childhood Memory [acrylic and ink, on panel, 1973]
Cookie Run:Kingdom Official!
The Stonewall Inn
Noah Kahan

@theartofmadeline

shark vs the universe

pixel skylines
Doug Jones

tannertan36

Jimmy Eat World
The Bowery Presents

#extradirty

roma★
No title available
EXPECTATIONS
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH

ellievsbear
"I'm Dorothy Gale from Kansas"
𓃗
Not today Justin

seen from Indonesia

seen from Malaysia

seen from United States
seen from Germany

seen from Türkiye
seen from Azerbaijan

seen from Türkiye
seen from United Kingdom

seen from Italy

seen from Iraq

seen from Germany
seen from Iraq
seen from Iraq

seen from Türkiye
seen from United States

seen from United States
seen from Israel

seen from Türkiye

seen from Philippines
seen from United States
@jasmimnocturna
Pedro Friedeberg (1936-2026) — Childhood Memory [acrylic and ink, on panel, 1973]
And the moon, under its dark hood, falls out of the sky each night, with its hungry red mouth to suck at my scars.
August 4, 1972 Anne Sexton: A Self-Portrait in Letters First published: 1977
Suis-moi jusqu'à l'amour, mon amour
The Fairy of the Moon, 1891, Hermann Kaulbach (1846-1909)
Nickie Zimov
Anaïs Nin, Delta of Venus, originally published: 1977
When the blue of the sky kisses the blue of the sea🌞🌊🌿
The Lovers, 1933, by Konstantin Somov
Out Of The Earth You Came, 1930
Cardwell Higgins (American, 1902 - 1983)
Jie Song
Ah, se já perdemos a noção da hora
Se juntos já jogamos tudo fora
Me conta agora como hei de partir
Se, ao te conhecer, dei pra sonhar, fiz tantos desvarios
Rompi com o mundo, queimei meus navios
Me diz pra onde é que ainda posso ir
Se nós, nas travessuras das noites eternas
Já confundimos tanto as nossas pernas
Diz com que pernas eu devo seguir
Se entornaste a nossa sorte pelo chão
Se na bagunça do teu coração
Meu sangue errou de veia e se perdeu
Como, se na desordem do armário embutido
Meu paletó enlaça o teu vestido
E o meu sapato ainda pisa no teu
Como, se nos amamos feito dois pagãos
Teus seios ainda estão nas minhas mãos
Me explica com que cara eu vou sair
Não, acho que estás te fazendo de tonta
Te dei meus olhos pra tomares conta
Agora conta como hei de partir
Mark Rothko, Light Over Deep, 1956
Oil on Canvas
© 2019 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
You Who Never Arrived
You who never arrived
in my arms, Beloved, who were lost
from the start,
I don’t even know what songs
would please you. I have given up trying
to recognize you in the surging wave of the next
moment. All the immense
images in me—the far-off, deeply-felt landscape,
cities, towers, and bridges, and un-
suspected turns in the path,
and those powerful lands that were once
pulsing with the life of the gods—
all rise within me to mean
you, who forever elude me.
You, Beloved, who are all
the gardens I have ever gazed at,
longing. An open window
in a country house—, and you almost
stepped out, pensive, to meet me. Streets that I chanced upon,—
you had just walked down them and vanished.
And sometimes, in a shop, the mirrors
were still dizzy with your presence and, startled, gave back
my too-sudden image. Who knows? perhaps the same
bird echoed through both of us
yesterday, separate, in the evening…
- Rainer Maria Rilke
Fallen Angels (1995, dir. Wong Kar-wai)