JemmaTheDragonslayer

[blue-uppercase]

At this rate the next season of M9 animated is going to open with a heavily vignetted dreamy flashback scene of Mollymauk in a sundress running along a beach and laughing

[kkomkkor]

[californianedgeworth]

Mighty Nein portraits because I'm becoming re-obsessed with them

[jemmathedragonslayer]

Ahhh the Mighty Nein my beloved

[ruslanan]

both now are travellers :3

also SilkSong map is huge

[tumblr]

Tumblr Tuesday: Silksong is here!

After six years of waiting, Hollow Knight: Silksong was released last week, breaking the internet a little bit in the process. Folks are falling in love with the Bell Beast and Hornet (again), finding ways to get through the game, sharing help with anyone struggling, and creating incredible fan art. Please enjoy this little offering, and please refrain from scrolling through if you're yet to play—mild spoilers ahead!). Happy Tuesday, Tumblr <3

@morretlin:

@miroimirage:

@wicked-gator:

@de-righty:

@yaloellie:

@paleray:

@le-paondu:

@kuroiyuki96-art:

@merlizetdi:

@asphodelles:

@lyris-sketches:

@mintteaink:

@imilia:

@perplexingly:

[jemmathedragonslayer]

All of these are flaming stunning

[sutexii]

🕸️🎶

✦ Print - X

[stormingfemboy]

Stormlight archive but everyone has a WhatsApp group and men can only send audios because they can't write, and women have to send audios too because men can't read either, but then the girls write to each other in that same chat and all they do is criticize all the men that are in that group

[bobacupcake]

who keeps breaking into my freezer and replacing the trays full of little water with ice cubes

[mogamoka]

Superman & Batman scene redraw

[jemmathedragonslayer]

Oh flip this is cool

[lofidoodles]

ghost is making hornet work overtime

[junkfoodcinemas]

The Batman (2022) dir. Matt Reeves Superman (2025) dir. James Gunn

[jemmathedragonslayer]

I flaming love superheroes you guys

[homunculus-argument]

A good rule of thumb for AI is "would you trust a trained pigeon to do this?"

"We trained a pigeon to recognise cancerous cell clusters and somehow they're really good at it" okay great, that's something that could plausibly be a thing.

"We trained a pigeon to recognise good CV:s and left it in charge of sorting through all our job applications" uh perhaps consider not doing that.

[jemmathedragonslayer]

Hehehe

[gnight-tuzi]

hey don’t cry, hornet sliding down slopes, ok?

[jemmathedragonslayer]

Bro I have only ever watched someone play Hollow Knight but I love this so much

[jennydolfen]

"Why? Why do you care?"

Redrawing this. It was the second ever Stormlight scene I drew, from one listening on the audiobook, and I didn't much like it even before I got the kindle version and realised how far off my depiction was. So now, have a sufficiently wet and miserable Kaladin. And a very cute Syl.

[jemmathedragonslayer]

Gorgeous 😩

[the-phantom-peach]

fullmetal alchemist art i promised i would post 🙏

[jemmathedragonslayer]

Accidentally got into a new thing 👍

[kelvintimeline]

I feel like typically the "dead wife" montage does nothing for me, even when executed very well, because it's often just like "here's this woman you'll never get to meet, she only matters because a man loves her so much and now he's sad."

But the montage wasn't just Mark's recollections. It was her perspective too. He's her dead husband. He's her Eurydice as much as he's his own Orpheus.

This isn't humanizing Gemma for Mark's sake. This is humanizing Gemma for Gemma's sake and it's there not for us to root for Mark, it's there for us to realize we're rooting for Gemma. Every moment Mark reaches out for her, she's reaching back.

The dead wife montage normally deprives a woman her agency, making her a tool for a man's arc, but this episode fully restored Gemma's agency. She's fighting back, she's yearning too. She hurts, she aches, she angers. She fights, she bleeds, she gets frustrated too. And has been before she was ever Ms Casey,

I've never seen a show restore a character's humanity as fully as this single episode did for Gemma. She went from an abstract concept--a wife, a severed employee, a ghost--to a tangible person.

And this was realized so literally as well. We literally see her bleed, we literally watch her eat, her hands cramp up, her teeth ache. It's like watching a hologram become flesh muscle by muscle, bone by bone.

I'm in awe of what they were able to do for her in just 50 minutes. In many ways, I feel I know Gemma better than I know half the cast.

[jemmathedragonslayer]

Major Severance spoilers. Op absolutely nails it 👌

[jennydolfen]

We! CHOSE!

Adolin pulled free and crossed the stage. He supported Maya, putting her arm across his shoulder to hold her up as he would a wounded soldier. She clung to him, stumbling as she struggled to remain upright. Even as she did, however, she whispered it again. “We chose,” she said, her voice ragged as if she had been shouting for hours. “Adolin, we chose.”

Brandon Sanderson, The Rhythm of War

There haven't been many times in my life when I dropped my book, AND my jaw, at the same time.

Painted in Procreate. For brushes, see my Gumroad! https://jennydolfenart.gumroad.com/

Also, drawing this in the staffroom was a funny experience. Colleague: "WHOA! What's THAT?" - Me: ... ... ... ... ... I really can't explain in less than twenty minutes. ... But that's not a human. ... You might say she's his sword." Colleague: *slowly backing away*

[jemmathedragonslayer]

Bro this is gorgeous