âSanta Ceciliaâ is the patron saint of music.
âEl Camino a Casa,â the name of the movie with the poison, means âthe way home.â
âDanteâ is the name of a writer who took a guided tour of the afterlife.
The movie begins with a suckass hypersanitized cover of what is still clearly a great song and ends with it performed properly. (Rent tried and failed to do this.)
We first meet Dante at the edge of a table showing carved alebrijes. He was the next one in line.
In the beginning, Coco asks her daughter âWho are you?â After Miguel sings the song, she calls her by name. Thatâs why she cries.
Miguelâs dad tries to stop the grandmother from smashing the guitar.
Los Chachalacos and the living mariachi are both kind and supportive without being too familiar.
âHow many times must I turn you away?â Hector tried to come home, more than once.
Imelda rejected music because it broke up her family and so did Hector for the exact same reason.
The second Hector finds out Miguel has family, he insists on taking him to them even if that means messing up his plan.
âI canât forgive you, but I will help you.â
The entire character of Ernesto. They never made him too obvious. He is perfectly thrilled to meet Miguel and publicly bless him as a descendant right up until he has a reason not to. Nothing he does in showing Miguel off couldnât be the genuine pride of a new grandpa. Why do people love his music so much? Because while a bit of a ham he is actually good. Why wonât he toss Hector a bone and let him be remembered? Because if Hector is forgotten, Ernestoâs secret is safe. Why is he so stupid as to put the poisoning scene in one of his movies? Because he is unoriginal; that is why he needed Hector.
Fictive kin. Hector makes the best of a terrible afterlife by being kind and making the best new family that he can.
Cheech piles his hammock with âbelovedâ objects because heâs going to die with nothing but junk, and he knows it.
âA minute ago I thought I was related to a murderer!â The fact that Hector is moral and decent makes him better than Ernesto, period, and Miguel sees it even though the universe rewards fame and not morality.
We are WATCHING MIGUEL TURN INTO A SKELETON but heâs so upset about Hector that he doesnât notice. Itâs a double death scene.
The whole story was necessary. If Hector had figured out who Miguel was in act I, heâd have gotten his photo on the ofrenda and made it to the living world just in time to dissolve in Cocoâs arms as she forgot him.
âŠand he would have been fine with that.