Z53 Social Housing by MAP/MX + Grupo Nodus, 2012
Not today Justin

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PR's Tumblrdome

roma★
Three Goblin Art

❣ Chile in a Photography ❣
EXPECTATIONS

ellievsbear
Monterey Bay Aquarium
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occasionally subtle
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official daine visual archive
hello vonnie
Noah Kahan
macklin celebrini has autism
Lint Roller? I Barely Know Her

Love Begins

@theartofmadeline
Misplaced Lens Cap
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@johannajacome
Z53 Social Housing by MAP/MX + Grupo Nodus, 2012
space in between III by Michal Pecko
"Okoshi-ezu is an ancient and almost forgotten form of Japanese paper architectural modelling, in which construction information is communicated to the craftsman through a model that folds flat. These models can be thought of as a sort of traditional pop-up, being erected and held together using an elaborate system of tabs, hooks and inserts — notes on the drawing indicate materials, dimensions, and textures.
"Okoshi-ezu, which first appeared in sixteenth century Japan, was most often employed for the documentation of teahouses, a highly refined building type which emerged at that time … Teahouses were carefully designed and custom made, and recording such specific design intentions required the development of a new drawing type — the okoshi-ezu. This method of documentation speaks to the level of trust in the craftsman’s skill, but also to the type of buildings that are generated from it. Often these designs reflect a spatial complexity that is subtly resolved in seemingly simple formal elements."
Selector Blog
Maxim Stick - Latte Motion Project
One of the birds by Penda
The Pinch Library and Community Center by Olivier Ottevaere and John Lin
Alex Monroe Studio by DSDHA
Con Artist Collective in New York City by 0 to 1 architects
Masterpieces re-rendered by Lego
Exploding Credenza by Sebastian Errazuriz
Que bueno, que bueno - Jarabe de Palo con Jorge Drexler
My friend Paolo sharing his adventures in my beautiful and amazing country Ecuador.
Pawel Nolbert | http://nolbert.com
"Series of posters exploring form and rhythm of letters or pseudo-letters presented as half-realistic, half-illustrative figurative sculptures. The artworks were built from an elaborate artistic painterly gestures into expressive arrangements – extending the aesthetic characteristic of typography."
Pawel Nolbert - Warsaw based Illustrator, Art Director, Graphic Designer. Since 2005 working on creative personal & commercial projects worldwide, freelance.
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House for Trees by Vo Trong Nghia Architects
Amalgamated by studio markunpoika
ARCHIMUSIC Federico Babina