ky is accustomed to deference. down on one knee β or two β with head bowed, gazing heavenward as though chain of command was the only thing keeping everything from falling apart. never had he felt humiliated by such an act nor demeaned. instead, he views it as a necessary act of humbling oneself, that there is always something greater than oneself put there, whether they be physical or not.
which is why he does so now as a symbol of his devotion, though instead of an obedient word, it's teeth brushing featherlight against the skin of her midriff, holding her waist with firm and war-scarred hands. it's from this angle he looks heavenward to see the shape of god, and there is nothing holier than pleasing her with every shameless shred of his wicked self.
It was once the belief of humans that God does not discriminate.
That their deity's wrath and their favor are granted with equal (lack of) consideration.
As if they didn't all know better. As if they weren't fully aware that just like humanity, the being they know as 'God' plays favorites.
(This has, historically, not been a good thing, ever. No matter how palatable or pleasurable it may seem.)
However, there is a difference between someone who believes they have earned God's favor, believing they and only they are worthy, and someone who has actually earned her favor. The former are little more than self-aggrandizing figureheads, egoists presenting themselves as chosen; as inherently purer, better, more worthy.
The one and only true object of God's attention, however, believes no such thing.
He crawls- on his knees, his hands, his belly- servile and supplicant, believing himself wholly unworthy and praying only, fervently, to not be found lacking. It's as amusing as it is unnecessary, because he is her favored- is, has been, always will be; a certainty as much as a curse, as an omen- and will thus always be, in her eyes, worthy. And it is because he cannot fathom himself without her will, because he cannot believe that who he is, who he was meant to be, can be separated from what he believes is the expectation of divinity.
He knows, unlike the rest, that his place is on his knees.
That when he stands in her presence it is only because she allows it. Because she has deemed it necessity, has deemed him the only person who may be allowed to stand eye to eye with her, if he so chose.
And his choice not to is what cements it, what ensures that in her eyes, he is the perfect object of her vicious adoration. He kneels, and it is not because he fears, but because he wants. He desires- so thoroughly and so completely that he is sick with it- and he believes that only at her altar will he be cleansed of it. Yet beneath her gaze, beneath her palm, there is only one truth that he is allowed to understand.
His wants are as good as her own, his hungers the gnashing of her own teeth, his desires little more than offerings at her altar.
So when his mouth skims her skin, when his teeth press the slow, gnawing presence of himself against her, it is nothing more than what she wants. What she requires. Each scrape a psalm, each bite a hymn, writ in red across the flesh of the Almighty.
Wherefore do I take my flesh in my teeth, and put my life in mine hand?
His eyes, too blue in the dark- blue as the sky, the horizon, as hope- sharpen beneath her own gaze, ravenous.
God smiles, allowing his teeth to sink deeper.
"Come on now, choirboy," she murmurs, half derision, half commandment, "you can do better than that."
After all, whether penance or praise, what he offers his God should be given with all of him, or not be given at all.













