styofa doing anything
Today's Document

JVL
Game of Thrones Daily
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"
No title available

#extradirty

Andulka

if i look back, i am lost
Lint Roller? I Barely Know Her
One Nice Bug Per Day
wallacepolsom
No title available
Peter Solarz

pixel skylines

Kiana Khansmith

⁂

祝日 / Permanent Vacation
Not today Justin

seen from Türkiye

seen from United States
seen from Portugal
seen from Germany
seen from United States

seen from Germany

seen from Türkiye

seen from Brunei
seen from United States

seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from Brazil

seen from Malaysia

seen from Türkiye

seen from Türkiye

seen from Singapore
seen from Malaysia

seen from Singapore
@kaitieladay
“One of the most defining images of my 2019 is walking out of a movie theater in Hollywood to see a billboard for Barry on one side of Sunset, a billboard for IT: Chapter Two on the other, and thinking of how absurdly far Bill Hader has come. The dude started the decade as the most endearing part of every Saturday Night Live sketch he appeared in—Stefon alone belongs in SNL’s Hall of Fame class—but soon got the chance to really stretch his creative muscles, first with the genius Documentary Now! on IFC and then Barry, the multi-Emmy winning dark comedy that’s emerged in just two seasons as one of the best shows in years. Sure, Hader will still show up to flatline in something like Popstar: Never Stop Never Stopping, because Bill Hader is still funny as hell, but that’s also why he was able to so deftly channel but comedy and tragedy in IT: Chapter Two. The man contains multitudes, and this decade saw him tap in to every single one. (Note: If you’re still on the fence, please watch [the ‘Nothing’s Gonna Stop Us Now’] scene from the The Skeleton Twins several dozen times and thank me later.)” —Vinnie Mancuso, Collider: The Breakout Storytellers of the Decade.
Marilyn Monroe in The Misfits (1961) dir. John Huston
Lizzo + favorite lyrics
Favorite romantic w/w films of the decade
in alphabetical order
Billie and Emma (2018), dir. Samantha Lee
Carmen & Lola (2018), dir. Arantxa Echevarría
Carol (2015), dir. Todd Haynes
Disobedience (2017), dir. Sebastián Lelio
Elisa & Marcela (2018), dir. Isabel Coixet
Good Manners (2017), dir. Juliana Rojas, Marco Dutra
The Handmaiden (2016), dir. Park Chan-wook
Hearts Beat Loud (2018), dir. Brett Haley
Portrait of a Lady on Fire (2019), dir. Céline Sciamma
Rafiki (2018), dir. Wanuri Kahiu
San Junipero (Black Mirror episode, 2016), dir. Owen Harris
*bolded - female-directed
Fleabag (2019)
This is a love story.
FLEABAG: Series 2, Episode 1 (2019)
What made your last keeper leave? He believed that there was some enchantment in the light. Went mad, he did. The Lighthouse (2019) dir. Robert Eggers
Halloween.
Joan Chen in Saving Face (2004) dir. Alice Wu
sydney sweeney for fall 2019 issue of asos
ALEXA DEMIE by Tracy Nguyen for The New York Times (2019)
I KILLED MY MOTHER (J'AI TUÉ MA MÈRE) 2009 dir. Xavier Dolan
Steven Yeun in Weird City, episode 5 “Chonathan & Mulia & Barsley & Phephanie” (2019) dir. Amy Heckerling
You’re not a Nazi, Jojo. You’re a 10-year-old kid who likes dressing up in a funny uniform and wants to be part of a club. JOJO RABBIT (2019) dir. Taika Waititi
Sunset Boulevard starring Gloria Swanson (Paramount, 1957). Polish, One Sheet (22.5" X 33). Artwork by Waldemar Swierzy. "All right Mr. DeMille, I’m ready for my close-up" ha.com
Steven Yeun in The Twilight Zone episode 4 “A Traveller” (2019) dir. Ana Lily Amirpour