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Takashi Homma

dailyrothko

nobrashfestivity

Salvador Dali, The Eye of Surrealist Time, 1971

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Loggia of the Three Patriarchs (1925-26) in Sowetsk (Tilsit), Russia, by Erich Mendelsohn

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Dóra Maurer, Seven Twists, 1979

Seven Twists I–VI 1979/2011 is a self-portrait of the artist comprising six framed black and white photographs on paper, laid out in a single row. The first photograph shows Maurer holding up a square sheet of blank paper that mostly covers her face, with only her right eye and hairline visible. Each subsequent photograph presents the artist holding up the previous photograph in the same manner but rotated by forty-five degrees anti-clockwise. In each photograph her actual face is angled alternately more or less towards the camera, with a little more of her face being revealed each time.

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germanpostwarmodern

National Center for Atmospheric Research (1961-67) in Boulder, CO, USA, by I.M. Pei

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Ford Foundation Headquarters, NYC Architects: Kevin Roche and John Dinkeloo Landscape Architect: Dan Kiley Designed 1981 The Ford Foundation is unusual for Manhattan in that it occupies fewer square feet than the site allows. Rather than designing a shorter building to cover the entire site but break the existing skyline, the architects took advantage of the excess space. The offices occupy only a portion of the site, with the remainder devoted to an interior garden within a greenhouse-like atrium. The flourishing vegetation and generous space provide a focal point for the workers and an interface between the Foundation and the city.