From the album "Past Lives" available on iTunes www.katiegracehelow.com ---------------------------------------------------------------------------- It was a...
This year’s submission to the Tiny Desk Contest <3

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@katieghelow
From the album "Past Lives" available on iTunes www.katiegracehelow.com ---------------------------------------------------------------------------- It was a...
This year’s submission to the Tiny Desk Contest <3
https://soundcloud.com/katiegracehelow/birds-of-prey
please share my music if you like it, y'all. <3
(via https://www.youtube.com/watch?v=lQcJbtgDQbk)
from the album PAST LIVES by Katie Grace Helow ©2015
(via https://www.youtube.com/watch?v=lQcJbtgDQbk)
from the album PAST LIVES : Katie Grace Helow ©2015
Reborn with Katie Grace Helow
Originally appeared on the Music Court.
A few months ago, I had to interview prospective interns for a music development agency. I was forced to ask that horribly bland question, “What’s your favorite type of music?” and though I won’t say I’m surprised, I did get one answer more than any other: “Anything but country.” This is clearly a product of the direction that mainstream country has gone, but let’s be fair to alt-country and the underground musicians that keep alive the real art of the genre: country is not dead. Florida native Katie Grace Helow has created a dark and compelling alt-country record with emotional depth, proving not all country is bad.
Past Lives is Katie Grace Helow’s sophomore album, following a more acoustic effort, titled On Time & the Ocean. Her debut was gorgeous in its own right, but her new record has turned up the intensity in every way. The instrumentation is somber, yet powerful, creating the perfect tone for Helow’s commanding voice. The album is comprised of ballads that are world weary, inspired by real life experiences that Helow only felt comfortable sharing in song. The opening track, “Savior or Sin” features the widest range of Helow’s vocals on the record, which admittedly never reaches any notable highs, but rather has a remarkable depth. This is Helow’s signature sound, one that sets her apart from whatever stereotypical female country singer that you may be thinking of. Though the vocals in “Left For Dead,” the following track, are subtler, they are still just as powerful. This actually could be said about most tracks on the album; her voice is simply impressive.
Helow hasn’t completely abandoned her acoustic sound, with some simpler tracks in the middle of the album. No matter what the backing instrumentation is, whether it be a full band or her singular guitar, Helow still manages to capture your full attention. And I also really appreciate an artist that doesn’t compromise with “radio length” tracks, four minutes and under. A long track is the hallmark of a talented songwriter, and Helow has this in spades. “Scorpion” is an enduring odyssey at seven minutes long, but it has some of the most soothing guitar work on the record. The same can be said of “Live Wire,” though the backing vocals are what haunt in that track. Helow’s good friend Zach Lever contributes to the harmonies throughout the album, and complements the rest of the record perfectly.
When analyzed, Past Lives has all the elements of a talented indie artist. Let’s not make assumptions just because it’s got the word country in it.
Past Lives is out now. Find more info on Katie Grace Helow on her website, Facebook, Twitter, and Soundcloud.
Welcome to the very first artist feature or 2016!! I was lucky enough to stumble across Ridley Victoria on a Periscope. I knew right away she was perfect for the first feature of the year. Not only can she sing but she has a unique sound and has the brains to back it up. I had …
#throwback #truevioletband
Rehearsing in Paris. See you at the Times Square.
#practicing #practice #cort #acoustic #guitar #harmonica #mandolin #chitarra #mandolino #drums #indie #indiemusic #mumfordandsons #indiefolk #music #damienmcfly #livemusic #cortguitars #music
Love one another, but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other’s cup but drink not from one cup. Give one another of your bread but eat not from the same loaf Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other’s keeping. For only the hand of Life can contain your hearts. And stand together yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other’s shadow.
Kahlil Gibran (via katieghelow)
album drops 11.20.15